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The Reluctant Astronaut

Roy Fleming is a small-town kiddie-ride operator who is deathly afraid of heights. After learning that his father has signed him up for the space program, Roy reluctantly heads for Houston, only to find out upon arriving that his job is as a janitor, not an astronaut. Anxious to live up to the expectations of his domineering father, Roy manages to keep up a facade of being an astronaut to his family and friends. When NASA decides to launch a layperson into space to prove the worthiness of a new automated spacecraft, Roy gets the chance to confront his fears.

The Reluctant Astronaut

6.0 1967
Beauty #2

The movie has a fixed point of view showing a bed with two characters on it, Sedgwick and Piserchio. Chuck Wein is heard speaking but is just out of view. Sedgwick is wearing a lace bra and panties, and Piserchio, wearing only jockey shorts, engage in flirting and light kissing. Wein asks Sedgwick questions seemingly designed to harass and annoy her. Piserchio is more or less a bystander not interacting with Wein. The dialogue seems created adlib and no conclusions are reached in the film. The only conceivable climax is when Sedgwick finally becomes so mad, she throws a glass ashtray at Wein, breaking it.

Beauty #2

7.3 1965
Doctor in Clover

Doctor in Clover is another 'Doctor' movie, but this time Leslie Phillips is the main doctor in the story, looking for love and romance from the hospital nurses, much to the annoyance of the main Administrator (James Robertson Justice) who wants his doctors to be 100% focussed on the job. Numerous antics follow, with Phillips getting Justice fixed up with the new prim-and-proper Matron (Joan Sims) and his attempted failures to lure the hospital's beauty, the physiotherapist.

Doctor in Clover

5.8 1966
The Barbarians

Revak is an Iberian prince from Penda, a small island where the Carthagian fleet ransacked and enslaved the surviving native men, including him. After an eventful passage aboard a galley, Revak becomes an elephant driver in Carthage city, and could become the favorite of mighty women, but has only one thirst: bloody revenge, at all cost, so the barbarian makes common cause with the attacking Romans, Carthage's historical enemy and rival for Mediterranean hegemony, scorning love...

The Barbarians

5.3 1960
Rotten to the Core

Rogues Jelly Knight, Scapa Flood, and Lennie the Dip leave prison expecting boss The Duke to have their stash ready to share out. Instead, Duke's girl Sara gives them the news Duke is dead and the money gone on nursing care. They soon discover that Duke is actually running Hope Springs Nature Clinic with the help of most of the local villains. Very strange - and the nearby army camp and Sara's encouragement of Lieutenant Vine would seem to be no coincidence either. Written by Jeremy Perkins

Rotten to the Core

6.5 1965
Infrasexum

A middle-aged man is having problems trying to regain his sexual drive. He leaves behind his old life and tries to discover a simpler happiness through painting and meeting new friends. Wanting to save him from a sexless fate, his friend (director Carlos Tobalina in a supporting role) attempts to solve the mystery of his sexual shortcomings, through any means possible. Filled with incredible footage of Las Vegas, the Sierra Nevada and elsewhere, as well as subplots involving kidnapping, and even a bit of unexpected gore, filmmaker Carlos Tobalina’s debut feature is a totally unique sexploitation experiment that showcases many of the stylistic touches that would become his trademarks, along with a cast of beautiful starlets, including Sharon Matt and Marsha Jordan.

Infrasexum

4.5 1969
Color Me Barbra

Barbra Streisand's second television special, aired in 1966 just after the singer-songwriter had completed a successful Broadway run of hit show 'Funny Girl'. Streisand sings surrounded by animals in a circus dream sequence and wanders the Philadelphia Museum of Art in a moody eight-minute piece. Filmed in spectacular colour, this companion piece to her first special is one for the ages. The vibrant colours become a metaphor for imagination, inventiveness, fantasy, and sheer brilliance.

Color Me Barbra

8.0 1966
Goliath II

Goliath II is a 6-inch-tall elephant (son of the huge Goliath). He's a big disappointment to his father, but mom is proud of Goliath II anyway. Goliath II is constantly getting into trouble because he's so small. In particular, the tiger Raja looks for every opportunity to try a bite-size taste of elephant. After one incident where he ran away and his mother scolded him, he runs away. After he's rescued, the rest of the elephants are terrified of a mouse, but Goliath II stands his ground.

Goliath II

6.6 1960
[Untitled: #16]

Home movie of Barbra Streisand concert at Soldier Field, August 9, 1966. Scenes of her performing on stage (sometimes with her dog) are followed by scenes where photographer's flashes briefly illuminate Streisand standing in door of her trailer, holding her dog, her arm around her manager Martin Erlichman. Owens experimenting with the camera, light and motion - panning and moving around a room where there are images of women from fashion magazines Following a partnership with the Chicago Film Society to restore the 16mm films of SAIC alumnus Edward Owens, the Flaxman Library has recently finished new 16mm restorations of Owens' earlier 8mm work.

[Untitled: #16]

NR 1966