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Senza Seguito Senza Seguito

The film portrays the political environment between the end of the '60s and the beginning of the '70s in Italy. Images of a wandering young girl are alternated with those of a man's corpse in front of an industrial landscape. The man's corpse is a metaphor of the worker forced to work dehumanizing hours. The girl, on the other hand, is the symbol of innocence. This is Luginbühl's accusation directed at a passive and powerless society. However, hope is represented in the final sequences, where Luginbühl's child, Cecilia, is shown as the embodiment of future generations.

Senza Seguito Senza Seguito

NR 1969
Fractions of Temporary Periods

To me, to go to the window and look outside is like watching a film. Filming is a way to draw out the condition of spectator and alienate it. I made this film very instinctively, naturally. Now I am beginning to learn to watch it. The very idea of something that moves, like a bird in flight… movement. The sensation of an object in space, like the light on a screen… space. The speed of the sun… time… the opposite of an image or perhaps its absence/essence. Some advice: go see a good Hollywood film: a melodramatic, sentimental story. (P. Bargellini)

Fractions of Temporary Periods

6.3 1969