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The Everly Brothers: Songs of Innocence and Experience

The Everly Brothers were among the most successful and revered of all the giants of early rock 'n' roll. A determining influence on the Beatles, Simon and Garfunkel and the Beach Boys, they brought the ethereal harmonies of the Appalachian Mountains to the wild mix of rock 'n' roll. Broadcast in 1984 as part of their reunion after ten bitter years apart, Arena traces their fabulous career, their split and triumphant reunion. Most of all, Don and Phil wanted to revisit their roots in the coal mining area of Kentucky where their father Ike, a miner, had been a local guitar star. He too had played with his coal mining brothers, in the 30s. In the moody atmosphere of Muhlenberg County, they have an emotional reunion with three generations of Everlys.

The Everly Brothers: Songs of Innocence and Experience

6.0 1984
Miss A and Miss M

Young Lizzie Cole and her newly widowed mother go to stay in the country at a small guesthouse occupied by spinsters, retired schoolmasters and young schoolmistresses. Lizzie becomes quite fond of two particular schoolmistresses who live together in a small cottage. Their lifestyle and living arrangement is a constant source of interest and challenge for Lizzie. However, what she ends up experiencing is beyond the comprehension of a young girl. The story of Miss A And Miss M is a very sensitively performed portrayal of the boundaries of love and friendship.

Miss A and Miss M

NR 1983
Doodlin': Impressions Of Len Lye

This documentary, made seven years after the death of legendary filmmaker and kinetic artist Len Lye, tells Lye's story: from being a young boy staring at the sun, to travels around the Pacific and life in New York. It includes excerpts from many of his films, and interviews with second wife Ann and biographer Roger Horrocks. Len Lye himself is often heard, outlining his ideas of the ‘old brain’ and how Māori and Aboriginal art influenced his work. The grandeur of his ideas are only matched by their scale, with steel sculptures designed to be "at least 20 foot high".

Doodlin': Impressions Of Len Lye

8.0 1987
Johnny Oddball

At the age of 8 Michael Cooper (known as Mini) began setting things on fire. Eventually he tried to burn down his own house, with his father inside. Ten years ago an award-winning BBC film told the story of this astonishingly attractive and intelligent child arsonist (Mini wasn't allowed to see it at the time). Since then, for more than half his life, Mini has been locked up in high-security psychiatric care. Mini is now 21. He has recently been released on conditional discharge. Hoping to become a magician, he has taken the stage-name 'Johnny Oddball '. Tonight's film, juxtaposing scenes from past and present, follows Mini's first steps in the outside world, and his struggle to build a career on the fringes of show business. He and his parents battle to understand why they failed in the past and what hope there is for the future. And Mini comes face to face, for the first time, with his actions and their horrifying consequences.

Johnny Oddball

NR 1985
Pirate Tape

Derek Jarman's film portrait of American writer William S. Burroughs was shot in September 1982 during his first visit to England to attend the legendary Final Academy events at the South London Ritzy Cinema. These were Burroughs-themed art and performance nights curated by Psychic TV. Jarman’s film shows Burroughs on Tottenham Court Road signing autographs with fans and inside a shop buying alcohol. The industrial soundtrack by Psychic TV features a sample of Burroughs repeating "boys, school showers and swimming pools full of 'em'". Additional footage shot by Jarman during Burroughs' visit is reported to have been confiscated by Scotland Yard in 1991 and remains lost. Jarman and Psychic TV would continue to collaborate (“magic bound us together” Jarman wrote), with Jarman directing the music video for Catalan and staring as the spokesperson in the Psychic TV video A Spokesman for the Temple of Psychick Youth.

Pirate Tape

6.9 1983
All Out! Dancing in Dulais

Dancing in Dulias was made by members of Lesbians and Gays Support the Miners (LGSM) and Lesbians Against Pit Closures during and immediate after the 1984/85 minders strike. Like the forthcoming movie, Pride, it documents the interactions between lesbians and gay men and the miners and their families in Dulais in South Wales - only this time it's the real thing. As well as some memorable footage that includes the Blaenant Lodge banner leading the 1985 Lesbian and Gay Pride march and LGSM members struggling with bingo at the local community hall, the film documents the wider political impact of this seemingly unlikely alliance. (cont. http://www.cambridgefilmfestival.org.uk/films/2014/dancing-in-dulais#sthash.HScQCj7E.dpuf)

All Out! Dancing in Dulais

3.3 1986
Out of the Ruins

"Out of the Ruins is a documentary film about coming to terms with grief after the Armenian earthquake of 7th December 1988. I made it as a twenty-something trainee producer at BBC Television in 1989. The suffering, faith and hope of the Armenian people at the time shook me profoundly, forever more. Almost 20 years on, we are releasing the film again in the hope that it can be used to help raise money for the Armenian people today. May their courage and strength be an inspiration to us all." - Agnieszka Piotrowska, director.

Out of the Ruins

NR 1989
Shepherd’s Delight

Many of my films involve humour, but unlike the earlier work Shepherd’s Delight attempts to confront the problem of humour head-on, referring directly (since a large part of the film is composed of jokes and their analysis) to the viewer’s perception of the film itself. The film is largely concerned with how context determines the reading of information. Since the film’s statements oscillate between the deadly serious (concentrating particularly on an examination of the more sinister aspects of humour) and the totally bogus, with no clearly defined points of changeover, the context is often ambiguous. Hopefully, this strategy undermines both the authority of the ‘serious’ statements and any predictable effect of the ‘jokes’. John Smith, 1984

Shepherd’s Delight

6.3 1984
Stones and Flies: Richard Long in the Sahara

In the fall of 1987, Philippe Haas accompanied the sculptor Richard Long to the Algerian Sahara and filmed him tracing with his feet, or constructing with desert stones, simple geometric figures (straight lines, circles, spirals). In counterpoint to the images, Richard Long explains his approach. Since 1967, Richard Long (1945, Bristol), who belongs to the land art movement, has traveled the world on foot and installed, in places often inaccessible to the public, stones, sticks and driftwood found in situ. His ephemeral works are reproduced through photography. He thus made walking an art, and land art an aspiration of modern man for solitude in nature.

Stones and Flies: Richard Long in the Sahara

10.0 1988