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Jacques and Jean-Claude, unemployed actors, start experimenting with various creative petty scams to get by. More and more daring, with the help of Anne, a charming young girl, they blackmail the rich and influential in a different way.

An interview with French film director Eric Rohmer.

Mountaineers Roberto Sorgato and Ignazio Piussi relive their 1961 adventure: the first winter ascent of the north face of Cima Ovest di Lavaredo, a formidable Dolomite wall reaching 2,973 meters. During this expedition, Sorgato accidentally fell 60 meters while the climbers were preparing their third bivouac and found himself suspended in mid-air by a rope. Through sheer perseverance, ingenuity, and courage, he managed to pull himself back to his partner. The film, shot eleven years later, is a reenactment with the protagonists playing themselves. The difficulties this climb presents, even for the most experienced climbers, are irrefutably highlighted. The film received the Genziana d'Oro award at the Trento Film Festival in 1973.

Perdican, his studies completed, returns to his family castle at the same time as Camille, returning from the convent where she was raised. The two young people are promised to each other, but the young girl appears distant. Out of spite, Perdican courts Rosette, a peasant girl, Camille's foster sister who, for her part, announces her plan to take the veil. Perdican announces his marriage to Rosette. On the eve of the wedding, Camille and Perdican finally confess their love to each other. But Rosette, who heard everything, commits suicide, which separates the two lovers forever.

Ange leaves New York to fly to his native Corsica. His mother is dying and Ange, who was not present when his father died, wishes to be present at her death. In Corsica Ange finds his brother Baptiste who married Maria, the woman he loved. He finds out that his father was killed, but nobody wants to tell him the name of the killer. And finally he finds two killers expecting him.

To improve their sex life, a married couple check themselves into a sex clinic.

The film is a portrait of various indigenous peoples around the world who still live traditional forest or jungle settings rather than westernized towns and cities, including groups from Cameroon, Brazil, Indonesia and Papua New Guinea.

It shows an electoral campaign in Guadeloupe in which Coco la fleur is asked to stand for election for strategic purposes. However, when he discovers how much publicity the campaign offers, he seizes the opportunity to voice the people's grievances.

Sophie, a young employee, gets raped on her way back from work and realizes some time later that she is pregnant. She does not want to keep the baby but abortion is illegal. Who can she tell? She first keeps her secret to herself but Jacques, her boyfriend, notices something is the matter with her and manages to make her talk. When he learns about her lot, he advises her to let her mother know. First, the distressed Sophie is unable to as she feels too low but, at long last, she does it. Sophie's mother, who immediately sympathizes with her daughter, undertakes to find a way out, why not a in a London clinic?

"Speech about cleanliness" according to its author. Two characters cramped in bathroom. Glamour trash. While Anne talks about her cats, and her mother, making up, Hans Christian tells while blowing into bathroom sink a scene film Boudu sauvé des eaux during which Boudu (Michel Simon) who has the mania to spit on the floor lenght of time in bookseller shop who saved the life of Boudu, is reprimanded by this one ; Hans Christian is recreating to his girl friend the dialogue between two characters' Jean Renoir film.

The full soundtrack to Marguerite Duras' 1975 film India Song, about a French ambassador's wife in 1930s India, is here repurposed with all new cinematography. As we hear all the dialogue of a bygone movie, we travel visually through images of absence and decay, bereft of life. It's the ghost of a film, and a further commentary on colonialism.

A few days after a massacre in a shantytown near Beirut, the director finds the children who survived. She approaches them by offering them crayons to draw. A link is created between them. They let her film their violent games: they repeat the scenes of horror they saw unfold before their eyes ...

In this extreme yet devastating testament to the loneliness of human existence, an older domestic woman, heartbreakingly rendered by Gence, is approached in the kitchen after a party by a young, gay man seeking affection. She is later offered money to act as his mother and becomes emotionally involved in a milieu unfamiliar to her.

Straub-Huillet’s first color film, adapts a lesser-known Corneille tragedy from 1664, which in turn was based on an episode of imperial court intrigue chronicled in Tacitus’s Histories. The costuming is classical, and the toga-clad, nonprofessional cast performs the drama’s original French text amid the ruins of Rome’s Palatine Hill while the noise of contemporary urban life hums in the background. Their lines are executed with a terrific flatness and frequently through heavy accents; the language in Othon becomes not merely an expression but a thing itself, an element whose plainness here alerts us to qualities of the work that might otherwise be subordinated.

French documentary about the Continental Circus.

A short film by Bernard Palacios.

This feature film made during an exceptionally feverish period of popular revolt that saw the coming together of Quebec’s 3 main unions (CSN, FTQ, CEQ) is a cinematic tract by socially engaged filmmaker Gilles Groulx. Propped against the backdrop of the 1970 October Crisis, the film is a frontal assault denouncing a “consumer society” viewed as the ultimate embodiment of evil.

A couple has found peace in a strange manor by the sea but, on a hot evening, a visitor comes, troubling their solitude. However, three is not actually a crowd and they start start talking, exchanging points of view about philosophy, sociology and politics, eroticism as well.

A young suburban man who takes the same train every day, except on Sundays and holidays. When he his briefcase stolen in the rush hour he has some trouble recovering it.

Angela think that she's guilty of a car accident in which her husband and mistress died. She is in depression and convalescing when she meets a veterinarian who falls for her.

A sadean "huit clos". Originally inspired by Octave Mirbeau's Garden of Torture. A banquet organized by a lord (Hervé de Luze) and his companion (Anne Angel), turns into an orgy and the forced marriage of two guests. Happiness in crime, hence the title of the film. The film was shot with real blood and animal skulls.

This rambling political melodrama tells the story of a French Breton who learns about colonialism while teaching native students in France's colonies of Tunisia and Algeria and returns to his native Brittany to see that the same conditions prevail there.

After a bout of intense jealousy, Félicité finds herself alone. For one night, as her family dissipates, she relives her torments.

The film takes the Freudian concept of the uncanny generated by an inexplicable strangeness to expose the reappearance of the repressed feminine unconscious through splitting, doubling and mirroring the cinematic image to question the boundaries of the real. The late Maria Klonaris, who sadly passed away in the begining of 2014, with co-author Katerina Thomadaki, was responsible for some of the most radical womens' liberationist and transgender films and art ever created. Of Greek origin but based in Paris, Klonaris and Thomadaki were founders of the Cinema of the Body, a profound investigative practice into gender and bodily identity.

From Sierra Nevada to Andalusia, via northern Afghanistan, people live in harmony with horses, tame or wild.

Justine, leaves her family, drops out of school at 18. Drifting in Paris, encountering odd characters she finally slips into prostitution.

The Robinards form a family divided into two irreconcilable clans: the Léonce branch and the Sébastien branch. That day, the village of Boissy-sous-Saint-Yon was abuzz with activity: at the cemetery, the grandfather, Sébastien Robinard, was buried. At the same time, Marcel Robinard, a descendant of Léonce, was getting married in church. Not to mention a bicycle race and a parade. All these events collide.

Cartoon Compilation loosely based on the Disneyland episode "How to Relax" (1957). Released theatrically in european territories and South America.

Avignon. Aix en Provence. A troupe of transvestites: “Les Mirabelles”. Four boys, one girl. Dab Germaine, Loulou Bonheur, Marie Bonheur, Nini Crépon, Hubert Lulu. A show. Daily life. Behind the scenes. Makeup. The cafe terrace. Friends, lovers, groupies. Success. The bides. Gay or straight? The two Gs. The clothes. The market. The parade. The Guerrillas: Queer in La Ciotat. A pianist. Talent. A column, and that's it.

Sasha Voronin, a famous singer about to marry supermodel Nathalie, falls victim to John Darow, who attempts to murder him by knocking him out and throwing him into the sea. Sacha is taken in by fishermen, but he has lost his memory and takes the name Samson. Samson's memory begins to awaken when he hears a familiar tune during a circus performance, and begins to sing. Deciding to leave with the circus troupe, he ends up being hired by the director of a radio station, who launches him on the air under the name of "unknown singer". Nathalie, meanwhile married to John, recognizes his voice and wants to find him; Sacha rejects her because he has fallen in love with Maria. John again tries to eliminate Sacha, then attempts to kidnap Maria. After a mad chase, Sacha defeats John, who is arrested by the police.

Caught between the impetuousness of youth and the responsibilities of adulthood, five angsty teens face an uncertain future.

Chilean exiles in Paris discuss the problems facing them. They kidnap and attempt to re-educate a touring singer from their fatherland.

A writer separated from his wife moves to the countryside with his secretary and children. From his office, he can hear everything that is going on.

A couple make the decision, after twenty-five years of marriage, to live separately, so as not to fall into the trap of routine. On their wedding anniversary, Brigitte and François Dupuis announce their decision to separate, to the chagrin of their children. After twenty-five years, they chose to enjoy their life, but each on their own. Everything is going for the best. François rediscovers the life of a bachelor, meals with friends, at night with friends. Brigitte, for her part, met a movie buff whom she took as a lover. From time to time, François and Brigitte meet again. It doesn't take long for them to realize that they get along better and better ...

In 1972, the Dogon of the Bandiagara cliff in Mali celebrated the funeral of Anaï Dolo, head of the Bongo Masks Society, who died at the age of 122. On this occasion, the large Bongo mask, is erected and for twenty days, family members, elders, men from neighbouring villages purify the village.

A widow must cope with her late husband's associates, crooked Japanese businessmen who want her shares of a rich Northern Quebec land and a Jewish con man who wants to get a hand of her mysterious synthetic fur coat.

Bernardette is feeling bored in a country house. She decides to send weekend invitations to a lot of people.