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A Letter from Beirut

Letter from Beirut documents the filmmaker's return to Beirut during one of the lulls, three years after the outbreak of the civil war, animated by the urge to return. She is confronted by the physical, emotional and psychological ravages of the war, terrified and sorrowful, she cannot find her place in the city. In that quest, she communicates with everyday people, friends, neighbors, people riding the bus across the city's eastern and western flanks. To pace her journeying and dramatic unraveling of the film, Saab borrows the guise of a letter read in a voice-over, written by world-renowned poet Etel Adnan. A rare document from the civil war, Letter from Beirut lays bare and spontaneously how people make sense of their everyday in the midst of chaos, violence, terror and sorrow.

A Letter from Beirut

6.8 1978
Till Marriage Do Us Part

In early 20th-century Sicily, Eugenia Di Maqueda and Raimondo Corrao discover on their wedding night that they are brother and sister and therefore unable to consummate their marriage. For the sake of the family inheritance and honour, the two decide not to reveal the truth to anyone. In public, they will play the part of husband and wife, but in private they will live in absolute chastity as siblings. Meanwhile, the beautiful Eugenia’s urgent carnal desires become increasingly pressing...

Till Marriage Do Us Part

5.7 1974
Daughter of Dracula

Luisa is called to the bed of her dying mother Edith at Karlstein Castle. Before she dies, she tells Luisa that the Karlsteins are a family of vampires and that her ancestor, the original Count Karlstein, lies buried in the crypt. Afterwards, Luisa goes and finds the count's coffin and discovers that he is undead. As she takes Karine, her cousin as her lover, a police inspector, Ptuschko investigates a series of killings around the town, dismissing the locals who insist these are being caused by vampires.

Daughter of Dracula

4.1 1972