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In Hamburg, a suspicious crash and mafia-style killings hinge on witness Maja Stein, who demands protection. Detectives Lanart and Marquardt hide her in a safehouse, but corrupt cops ambush them. Lanart saves Maja as Marquardt is killed. Discovering Maja is a decoy, Lanart becomes a lone target.

The journalist Julia Schiller has kicked out her faithless husband Wolf, but her teenage daughters Anna and Lena and the cheeky twins Anton and Philipp keep her busy. When her sprightly aunt Isolde starts working as a hobby detective on the trail of a poisoner in her retirement home, the children sense an adventure and help her. But then Isolde suddenly disappeared too. Julia is very worried and asks Wolf for help again.

The well-known pimp Jack Förnbeisser meets the married journalist Marlene Ellermann and is immediately fascinated by the beautiful and cultured woman. Spontaneously, he offers 100,000 marks for a night with Marlene. Outraged, the author refuses, but shortly afterwards meets Jack professionally to write a "portrait of a pimp." After a boozy stroll through the neighborhood together, which Marlene can only remember in fragments the next day, Jack transfers 100,000 marks to her and thanks her for the "wonderful night." Marlene is stunned, but meets with Jack again...

Andreas, who is ten, has been brought up by his grandmother. When she dies, he removes a putto from the crucifix placed upon her, puts it in his mouth and does not speak again. The attempts by adults to make a normal child out of him only cause him to flee deeper into his fantasy world - a village of snow. At its center is a snowman with whom Andreas converses.

Make-up and cleats are not mutually exclusive for the soccer players from "Agrispor". In "Mädchen am Ball", Aysun Bademsoy accompanies five young Turkish women on their way up in a women's soccer team in Berlin.

Wolf is a young man who works in a kindergarten. One day, a strange woman leaves her child at the kindergarten and does not return. So, Wolf takes the small boy with him home. As he falls in love another man called Andre, he is happy to have a real family. But then Theresa, the mother of the child shows up again. She acts quite strange, and it is not before that she tries to commit suicide that the two men can understand her secrets...

In this silent short, shot in gritty yet lyrical black and white, a young woman takes a breather in Berlin's bucolic Tiergarten park. Yet as time passes, she grows anxious.

Nikolas, a boy sexually abused by his father, and Eva, a girl physically abused by her mother, make a pact to kill each other's nemesis after getting the idea from a school play [Faustus]. Nikolas must realize the seriousness of that pact soon enough

Film critic and scholar Helmut Färber analyzes the final scene of Eisensteins "October: Ten Days That Shook the World"

Subsequent discovery of one of the students from the class, to whom in "Curricula vitae" was not yet dedicated a portrait sketch. What the smallest in the class knew how to make of himself. Why the agricultural machinist and father of two sons from his first marriage is called uncle by his third son.

The film portrays life on the Balduintreppe in Hamburg during the 1980s and early 1990s and thus takes us right into the heart of the time of the Hafenstrasse squat, which in many respects was a turning point. It circles the harbor steps, relives the squatters' battles with the police and visits the residents between utopia and the housing struggle.

Short documentary about the beginnings of punk in Great Britain. Don Letts, Caroline Coon, Jon Savage and Viv Albertine - all themselves connected to this scene - recount their experiences and memories from that time. In addition, original recordings and short concert excerpts document the feeling, fashion and circumstances of the youth of the time.

A political drama about the assassination of a leading politician. When Hugo comes out of jail, the Communist party has embarrassingly swung in a new direction, namely Hoederer's line. Now Hugo must die.

The point of departure for this discussion is the question of whether the collapse of the Soviet Union is dramatic material. Müller answers with this Brechtian sentence: "Oil resists the five acts." He describes how difficult it is to make a dramatic adaptation of structures or massive processes that are not bound to biographies.

Documentary about the conductor Herbert von Karajan.

The Rolling Stones Concert Setlist at Weserstadion, Bremen, Germany on September 2, 1998 1.(I Can't Get No) Satisfaction 2.Let's Spend the Night Together 3.Flip The Switch 4.Gimme Shelter 5.Anybody Seen My Baby? 6.Paint It Black 7.Saint Of Me 8.Out Of Control 9.Memory Motel (Web choice) 10.Miss You 11.Thief In The Night (Keith Richards on vocals) 12.Wanna Hold You (Keith Richards on vocals) B-Stage 13.It's Only Rock 'n' Roll (But I Like It) 14.You Got Me Rocking 15.Like A Rolling Stone (Bob Dylan cover) 16.Sympathy for the Devil 17.Tumbling Dice 18.Honky Tonk Women 19.Start Me Up 20.Jumpin' Jack Flash Encore: 21.You Can't Always Get What You Want 22.Brown Sugar

A satirical sketch about the different rhythms, intensities and body languages of walking people and an experiment of characterization through movement, while telling a short story about the absurdity of life and about the limitations of our worldview.

Volker Koepp revisits Zehdenick and Grüneberg, East Germany. People are struggling with the new political and economical conditions shortly before the German Reunification.

The mayor would like to snatch the Moosburg Castle under the nail so that he can move his club "Paradies" and the "Damen" there. But the Reverend has other plans: he wants to build a children's home in the castle. Only the rightful heir, the young pediatrician Dr. Seefellner can help him.

A German documentary that explores dub music, sound system culture and its influence

The anesthetist Dr. Katrin Klein is new at the Dresden Transplant Center, which enjoys an excellent reputation. The star surgeon Prof. Gerhard Harrer works here. Katrin has known and admired the professor since her assistantship. But then her heroic image of Professor Harrer begins to falter. The young doctor seems to be the only one to notice that the luminary apparently has an alcohol problem. But nobody believes you. When Harrer finally collapses in the middle of an operation, he is suspended from duty. Katrin stands by him, but more problems are waiting in the clinic.

A woman discovers that her husband is having an affair. She demands a divorce, her husband does not agree to it. She decides to sleep with ten men, then her husband will surely divorce her.

Interview with Klaus Wildenhahn about his filmmaking practice conducted and directed by Christoph Hübner

June 1904: What had started out as a cheerful event, the annual outing of the Lutheran Church in East Village, ended in a terrible disaster. Nearly 1100 people, mainly women and children perished when the excursion boat General Slocum went on fire and sank – within sight of thousands of New Yorkers who watched helplessly on the shores of the East River. It became clear quite soon that not a single fire drill had been carried out since the ship had entered services. This was only to be the tip of the iceberg: With inter­views, photos, archival footage and visits to the actual locations we will recount the event in which an entire Manhattan neigh­bourhood was wiped out and shine light on the political scandal which rocked New York in the wake of the „Slocum Disaster“ – eight years before the Titanic sank.

Amateur drama about a homeless person.

A married couple has problems and he wants to solve these against her wish by consulting a psychiatrist. As both expect an older woman they are very surprised when the psychiatrist reveals to be a good looking younger woman of the same age as they are. Especially he likes it this way whereas she becomes kind of jealous. But as things happen in relationships of three persons the women fall in love.

Stories of 12 gay and lesbian survivors of Nazism and the Holocaust.

Hermann Hoffstedt worked for 30 years as a controller at the GDR border. After the reunification Hermann was released. He refuses to accept the reality. Day after day he drives to the deserted border crossing point and does his work.

When the first adventure of the cosmonaut appeared in 1961 with "Unternehmen Stardust", not even the two German authors, Clark Darlton and K.H. Scheer, had any idea of the tenacity of their hero.

Three children and their Grandpa are on a kayak-outdoor trip in the middle of nowhere, when their Grandpa suffers a heart attack in the wilderness - to rescue themselves and their Grandpa the children have to help themselves and fight their way back to civilization.

Documentary about black Africans in Hamburg: whether asylum seekers or socially recognized, they strive to find ways to integrate and, despite all their experiences with xenophobia and hostility towards foreigners, seek contact and friendship.

Austrian version of the novel "12 Chairs". While on vacation with her grandfather in Vienna, Samantha learns that she's inherited something. But upon arriving in Carinthia, Grandpa and his granddaughter discover that the inheritance appears to consist of only 13 old chairs. Only after the auction do they learn that money is hidden in one of the chairs. Grandpa now tries every means possible to secretly acquire it.

One of those wars between France and Germany. Two Lady soldiers, one German, one French, are lost in the woods. An encounter is inevitable.

Documentary about women without papers, living in Germany and working as maids.

Movie scenes, montages of images and text, as well as conversations between Alexander Kluge, playwright Heiner Müller and classicist Wilfried Stroh provide a multifaceted insight in the far-away world of Ancient Rome. The conversation with Müller revolves around Tacitus' representation of the Roman Empire around 112 AD. First, Müller reads passages from the historicist's annals that describe Tiberius' tragic death (37 AD). Kluge and Müller discuss the text's aesthetic qualities. Müller is interested in Tacitus for the aesthetic pleasures rather than out of historical curiosity. He describes Tacitus' style as "transition from chronicle to literature," which manifests in his "elliptical," sometimes laconic narration.

Children from poor families recount experiences from their daily lives.