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Red Roses for a Call Girl

Manila: Peter, the terminally ill son of the successful architect Klaus Timberg, falls in love with Diana. However, he does not know that his father has hired the prostitute to make his son's last days as exciting as possible. Diana has also fallen in love with Peter. When Peter accidentally finds a receipt for her love services at his father's house, he disowns her in his anger and disappointment. Only when it is already too late for him, he realizes how much Diana really loved him.

Red Roses for a Call Girl

4.0 1988
Highway 40 West

"Highway 40 West" (1980/81) is the first of a series of documentaries by Hartmut Bitomsky (born 1942 in Bremen) which brought him international fame. Each of these films is dedicated to both, a specific and title-giving object and its historical-critical analysis. Such as in "Highway 40 West": For a time span of 169 minutes, the film shows Bitomsky’s emblematic US-road trip with a rented car on the eponymous road number 40, crossing the country from East to West. From early travel routes of the "Native Americans" to the trails of early colonizers, this street is loaded with American history - and with the present ruins of the American dream, which Bitomsky indulgingly captures on film. He himself appears as actor/author, conducting innumerable interviews, shooting the landscape, the diners and hotels - and his sonorous narrator’s voice reviews what is seen, and tries to understand and make it understandable.

Highway 40 West

9.0 1981
Schimpft uns nicht Zigeuner!

The film accompanies Linda and Gallier in their everyday lives and gives them space for self-representation: at school, at the family table, at the disco, or in conversations with friends. The racism of the majority society, the pressure to assimilate, and the counterarguments of the two young people and their community members are omnipresent. The parents and grandparents are survivors. Linda summarizes that experiences of persecution and oppression have shaped the strong sense of belonging among the Sinti.

Schimpft uns nicht Zigeuner!

NR 1980
Fast Food - Eßkultur von morgen?

For some children and teenagers, a visit to McDonald's is one of their favorite treats. Why young people prefer fast food restaurants and products, what advertising methods fast food restaurants use to attract their young customers, how fast food meals are made—all these questions are addressed in the first part of the film. The second, shorter part deals with nutritional problems caused by fast food. The harmful effects of a diet high in phosphates are illustrated using the example of a hyperactive child.

Fast Food - Eßkultur von morgen?

NR 1987
Pentecost

Walking a thematic tightrope, Norbert Meissner here puts media technology to the test. The universal event of pentecost is the moment of the highest realization: technologically, the moment of all possibilities, i.e. white noise and snow. The text spoken by a TV announcer tries to create a hierarchy, but it is constantly disturbed, subverted, and displaced by electronic image distortions and fade-ins and fade-outs of multilingual versions of the text and of signal terms in various alphabets. A work to be read with differentiation on truth, sublimity, and the media.

Pentecost

NR 1989
E.d.H.R.

Documentation by Vostell of the environment 'E.d.H.R. Electronic dé-collage Happening Room' from 1968, exhibited in 1982 at the Neue Nationalgalerie in Berlin in the exhibition "Art Becomes Material". The environment consisted of six televisions equipped with additional electric motors that move objects across the floor covered with broken glass. Slides of earlier happenings and works by Vostell were projected onto the walls. According to Vostell, the room contained "Multi-layered mixed layers, superimpositions and events, mobile collages and dé-collages".

E.d.H.R.

NR 1982
Der Lumpenmann

Peter, medical student and son of old materials dealer Richard Müller, wants to get engaged to the daughter of the director of a local construction company. The profession of his father has so far only vaguely hinted out of shame. And so his future in-laws think Richard is working in ministry. When he learns about it, he is initially offended. After all, he lives his profession with body and soul. But then Richard takes advantage of the misunderstanding and pays the bride parents a visit.

Der Lumpenmann

8.0 1982
Evelyn and the Men

In this quirky romantic comedy, Evelyn, a charming yet independent woman, finds herself entangled in a series of absurd relationships with eccentric men. As she navigates the chaos of romantic misunderstandings and social expectations, Evelyn seeks a meaningful connection, learning that true love is not about pleasing others, but finding herself. Directed by Loriot, the film combines sharp social satire with his signature dry humor, offering a witty exploration of love, gender roles, and the absurdities of romance.

Evelyn and the Men

7.0 1987
Der Leutnant Yorck von Wartenburg

The young officer Count Yorck von Wartenburg - he bears one of the most famous names of the German past - awaits his execution as a participant in the conspiracy of July 20, 1944. Von Wartenburg, together with his comrades, suffers infinitely long days of terrible torture, disrespect and humiliation as a death candidate. In a dream, he experiences his escape and the real continuation of his fight against fascist barbarism, for which he must detach himself from his class and is involved in the anti-Hitler front by communists and the Soviet army.

Der Leutnant Yorck von Wartenburg

9.0 1981
Nathalie

A little girl runs after a lost ball and ends up in a large, old cemetery. In this strange, strange environment of light and silence, she meets a man, the gravedigger. The man takes her into his hut, an enchanted world where dozens of self-carved puppets give it an eerie life. There he tells her things about sin, purity and preservation that she does not understand and yet to which she reacts with a strange fascination. As he talks and plays with his puppets, the man gets closer and closer to her until his hands gently wrap around her neck...

Nathalie

NR 1989