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DVD Celebrare Dance+ :: Ao Vivo no Canecão RJ, Brasil

Show do cantor Luiz Marenco gravado ao vivo no dia 19 de agosto de 2007 no Teatro da UCS Caxias do Sul / RS

A short documentary about Brazilian football club Figueirense.

The daily life in São Joaquim, a Huni kuin village by the Jordão River, in the state of Acre. Augustinho, the village’s medicine man (Pajé) and patriarch, his wife and his father-in-law remember the captivity in the rubber tree plantations and celebrate the new era.

Carried out in the video workshop at Centro Cultural Taboão in Diadema, O Escritor das Ruas tells the tragic story of Salvador, a pixador from São Paulo. Daily life on the outskirts of big cities.

Asháninka videomakers create a loving portrait of their own community, located in Acre, Brazil, near the border with Peru. The people organized to preserve a sustainable way of life on their forest lands, threatened by logging. Their efforts were recognized in 2007 with the Chico Mendes Prize for the Environment.

Mariana is 10 months old. She has a white dress and strawberries. For a woman to bleed does not mean to evanesce, this is necessary and vital. A female ferric and symbolic that is assiociated with fertility, myths, virginity, life and death.

Three friends decide to rent an apartment, but they didn't know what could happen...

Through archival images of the time and testimonies of victims and victims, the tragedy with Cesio 137, which occurred in Goiânia, Goiás, in 1987, is reconstructed and its consequences to this day.

Tinho meets Stephanie. A friendship begins.

Asking the Repentistas to Remix My Octopus Works (2006) is a two‑channel video work by Japanese artist Shimabuku. In this experimental piece, Shimabuku enlists Brazilian street singers, or Repentistas, to reinterpret and perform narratives inspired by his earlier “octopus” projects. Through a dialogue between visual documentation of his encounters with octopuses and the spontaneous, improvised oral storytelling of the Repentistas, the work explores cross-cultural collaboration, narrative translation, and the poetic intersections between human and non-human life. The result is a playful, immersive meditation on memory, mythology, and the act of storytelling itself.

Videolência tells us about two film collectives in São Paulo and reflects on the production of popular films from the periphery, intertwined with representations linked to said periphery and violence as a whole. The film is made from interviews with various members of the collectives and visual essays portraying the periphery and its (sometimes fantasized) intersection with violence.

A real story about a man who became addicted to sex in the Flemish landfill for 11 years.

In a monologue, a man expresses his distaste for the artistic community.

An x-ray of the work done by more than 70 "bate-bolas" in the western zone of Rio de Janeiro. While keeping alive the tradition of street carnival, the groups take to the final consequences the preparations for the party, which begin 361 days before the beginning of the carnival

The daily grind, saying goodbye to family, and a woman's dreams.

Documentary about the first actress from Pernambuco, Almery Steves, who starred in four of the famous films of the Recife Cycle.

CHILDREN OF THE AMAZON follows Brazilian filmmaker Denise Zmekhol as she travels a modern highway deep into the Amazon in search of the Indigenous Surui and Negarote children she photographed fifteen years ago. Part road movie, part time travel, her journey tells the story of what happened to life in the largest forest on Earth when a road was built straight through its heart. Zmekhol's cinematic journey combines intimate interviews with her personal and poetic meditation on environmental devastation, resistance, and renewal.