A rigorous portrait at the dawn of the 1970s, created by the future assistant director of the film Salomè. Filmed "in secret," at the actor's request, the documentary is an extraordinary testimony to particular moments in his working and public life.
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Fede is a theater actress who, while putting on clown make-up for a show, thinks back to her relationship with her father: a relationship of tenderness, desire and hatred.
Mio padre amore mio
L'Inventore
Obscure Italian mondo film never released in it's home country, only receiving a home video run in Japan and a theatrical release in Hong Kong. Featuring the usual 70's mondo juxtaposition of sex, violence and cultural curiosities.
Man Man Man
Puzzle Therapy is the collection of material shot over the course of a year, edited with a technique similar to that of automatic writing. In this set of shreds of real life, memories, dreams, each viewer can find different meanings.
Puzzle Therapy
The film examines the death of the anarchist Giuseppe Pinelli, who fell from the fourth floor of the police headquarters in Milan December 15, 1969, after being stopped following the Piazza Fontana bombing.
Documents on Giuseppe Pinelli
La cerchia magica. Ed essere in tre tempi. Simultaneo
Insaziabilità
L'Italia vista dal cielo: Umbria
‘Castagnoli is the auteur of Valentino Moon, a little Italian gem (is it Rome, is it Venice?) : streets, people, a market, all very quickly and every three seconds (yes it’s Rome and it’s a baroque film by Bernini), a dancing ‘Pierrot’. Pachelbel’s Canon adds to the jubilation. Jouhandeau could have whispered a title to Castagnoli : ‘Life should be a celebration.’ D. Noguez.
Valentino Moon
Super8 film-portrait of Anna Carini.
Anna’s Textures
A man accidentally runs over a woman and is then blackmailed for large sum of money by a mysterious caller.
Late Summer Mazurka
1971 / 8mm / color / sound
Il Sorriso Della Sfinge
A film that has chosen as its protagonist its own negative and will remain committed to that choice until the very end. More precisely, nearly positive, or rather, not all negative, it detains two characters in constant solitude afflicting them with visions and apparitions of the epoch of man and the epoch of the cinema.
Real Image / Virtual Image
L'Italia vista dal cielo: Sicilia
Prison as the repressed side of an entire society. As such, it flows in the long monologue of an ex-con recorded by the analogue videotape which, still at his dawn, captures it in its integrity.
Carcere in Italia
The laugh-out-loud adventures of a drug dealer and his customers struggling with a joint, filmed in the hippy commune of Terrasini, near Palermo.
Non soffiare nel narghilè
A tale in two (silent) voices. The forest, the vineyards En Geddi, are there and are not there. The two voices speak on the border between recognition and estrangement, distance and contact. Sometimes, like certain angels in paintings, they turn their eyes away from the representation and look at the observer. Part Two of the Eryngium Flowers series.
Né bosco (una conversazione)
I mariti
In L’operatore perforato (1979) that plump sprocket hole comes into its own. It multiplies like a virus, riding serenely on the surface, nearly obliterating the images trembling underneath it. Near the close of the film, we watch another cameraman, perhaps shooting a Fatty Arbuckle imitator, cope with the invasion of perforations, not only from the top and center but from the edge. By now, when we can hardly tell the difference between frame and perforations, cinema’s two round-cornered rectangles, the image can be anything—a picture, or a zone of blank white.
The Perforated Cameraman
La traversata
A softcore island fantasy
Le isole dell'amore
A corpulent two meters tall man goes to Turin for a fair. There, by chance, he finds the daughter of two people he knows "walking the streets". With various expedients, he convinces her to return to her native land
Quattro Delitti: Quasi Due Metri
For many decades after the Second World War, the Italian economy was so much weaker than that of its European neighbors that many of the "guest workers" in those neighboring states were Italian. This film tells the story of some Italian guest workers in Switzerland and highlights the discrimination they suffered. Pino has raised the money, after two years in Switzerland, to bring his wife and children to live with him outside the Italian ghetto. When he brings her brother to live with them, an international crisis develops.
Every Sunday Morning
Suffocated from the strict atmosphere of her high school, Valeria has been experiencing erotic dreams with sadistic motorcyclist rapists, a doctor who decides more than an exam is in order and a torturous priest whipping her in pure delight. After leaving school she finds out that the her bourgeois family setting has something to do with her recurring dreams and suppressed desires. She idealistically seeks out romance and love, but falls short time and time again...
The Minor
Documentary on the fight for housing in the 70s in Magliana, a popular neighborhood of Rome.
Il fitto dei padroni non lo paghiamo più
La tempesta
Terzo mondo sotto casa
Le cinque stagioni is a four-part television drama directed by Gianni Amico and broadcast by RAI in 1976. Set in a retirement home, the film studies components, manias, small and large dramas of retirees.
Le cinque stagioni
Pietro Rossini is a strapping young man that unfortunately spends most of his time at work chasing after two pretty young secretaries who are only too happy to return his advances. Tired of this endless chase and work waste, his boss sends him on an errand to Paris hoping this will help productivity around the office. Pietro quickly hits up his friend for a woman he can fool around with while he's in Paris, but Rita, the woman he meets, ends up being an large, boorish, unsightly woman. Once he arrives at his hotel, Pietro meets the young and lovely Nancy and attempts to romance her as best he can, but no matter where he goes, Rita is not far behind.
La Missione del Mandrillo
A Drama film.
Le due orfanelle
Documents the 1974 Giro d'Italia, from the Pope's blessing of the riders to the record-tying finish.
The Greatest Show on Earth
Sardegna, una voce (Maria Carta)
Poliziottesco directed by Francesco Arminio
The Sicilian
R.A.F. (Reperto Archeologico Filmico)
In the spring of 1970, between the African Orestiade and The Decameron, Pasolini shot a film for which he wrote a commentary in verses but never finished editing. The film was born as a typical Pasolini intervention: filming the strike of the garbage collectors in Rome, who at the time worked in dramatic health conditions, and filming the humility of their daily work, amidst the waste and scraps of society, in the squares and in the streets. Pasolini also filmed the faces of garbage collectors engaged in claims discussions and the result was an extraordinary anthropological picture of an unknown humanity.
Appunti per un romanzo sull'immondezza
Quando la scuola cambia
In 1979, while doing his military service, Giancarlo Soldi made his directorial debut with this short film. The Super 8 camera for the short was provided by Paolo Gioli, a multimedia artist, to whom he had been the sole assistant for two years. The film was seized by the Carabinieri under the pretext of showing weapons protected by military secrecy until 2024.
Paranaia
Il giardino dei ciliegi
Simon (O.E. Hasse) fought in the Spanish Civil War (1936-39), but now he is an old man, readying himself for death. His daily life is filled with memories, reveries, feelings, and small but meaningful encounters; these are the stuff the film is made up of. Some of the musings are of a hallucinatory nature, as when he meets with a tramp during imaginary walks. Others are more ordinary, as when he interacts with his son's family or enjoys looking at the pretty women in the building across the street.
The Peaceful Age
This Italian black-and-white film, based on a true story, was originally made for television. It concerns the life and sad end of Evariste Gallois (Mario Barriba), a brilliant student mathematician whose republican politics and hot-bloodedness resulted in his death; it is unclear whether he died by political assassination or as a result of a duel.
No More Time
L'io e le aggregazioni
Oceano Canada
A filmic homage to the German mime Helfrid Foron, a student of Etienne Decroux who worked with acrobats and tight-rope walkers. He frequently collaborated with contemporary musicians, among them Mauricio Kagel. My intention was to displace his gestures using a form of filmic doubling employing the technique of creating bispecular-asynchronous loops which mime—with extreme visual results—the actions and the objects on stage to make them stand out and to distance them from the action.
Cineforon
Images of everyday life in the family for Bargellini, his wife Oriana and little Rebecca alternate with others whose meaning is less clear (the crypt of a vampire, a flower that blooms).
Dove incominciano le gambe
In 1979 Roberto Nanni began burying some 8mm footage underground and then unearthed it.
San Donato
A comparison of science fiction and real life.
Science Fiction Is Us
Giorgio Sandrini, a seventeen year old Sardinian guest of his Venetian aunts, and is employed as an apprentice in Murano. He becomes involved in a series of misadventures and ends up in a re-education centre for minors. But there he is educated only in violence ...
Nel cerchio
A documentary with and about the legendary Italian Architect Carlo Scarpa.
An hour with Carlo Scarpa
The struggles of the workers at Montedison in Porto Marghera, following an accident that resulted in the deaths of three people.
Porto Marghera, il lavoro contro la vita
L'Italia vista dal cielo: Abruzzo e Molise
The film is ironic about the lack of actions for transforming city spaces; the few actions undertaken are almost always limited to the positioning of “poles and chains”: the temporary signs of a hypothetical transformation on the city. The film shows sequences of innumerable “pole and chain” barriers, commented on by architects, councillors, members of activity groups… who all underline the impermanence of these objects in view of some “elusive” transformations of the city.
Public Interventions for the City of Milan
Quale onore!
Directed by Alberto Lattuada
Fanciulle in fiore
L'Italia vista dal cielo: Campania
Alberto Grifi introduce Anna
Strains of Wagner's Das Rheingold and African tribal ululations collide with bi-/tri-sected television footage while negative-positive visuals smash heedlessly into their mirror images, an unbounded series of “meaningful” artistic fender-benders that amount to little of resonant substance.
Images Disturbed by an Intense Parasite
A man wearing a mask of King Kong walks through a maze unrolling a ball of thread. Franco Brocani renewes his interest in the dens of perdition providing a free vision of the classic myth of the Minotaur. Shot in an art gallery in Rome and adapted from a story by Jorge L. Borges.
The Minotaur Mask
Grazia a Grazia
A particular shot, made with a lens that breaks up the image field into fragments and reproduces the optics of a fly, explores a room where there is a girl with a guitar. The shot, back to normal, shows a container with the fly and a jar of honey. The girl than performs various actions: she plays the guitar, collects honey from the jar with a finger, reads a book while the buzzing becomes insistent. In this way, an ambiguous and unusual relationship with the insect arises.