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From the beginning, Hergé's work, Tintin's creator, was conditioned by the ideology of his publisher, the weekly child supplement of a Belgian Catholic newspaper. An exciting analysis of the political meaning of the adventures of Tintin.

The characters in this film all lived in the same building: the Knights' House, at 35 Arbat Street in Moscow. Built at the beginning of the century for a few privileged families, this sumptuous residence will become after the revolution a collective apartment building. Like millions of Russians, those who lived together in this building were marked by the trials and tragedies of history. Marina Goldovskaya went in search of the former inhabitants, now dispersed. They speak to us with modesty and emotion about their memories, their secret garden and... their neighbors at 35 Arbat Street.

In 1942, in the middle of World War II, a young boy uses the tales in the 1001 Nights book and the wonderful story of Sheherazade to protect his mother who is engaged in undercover activities with the publisher Editions de Minuit.

They say goodbye on the stage of the Olympia.

The trials and tribulations of a good guy who feels obliged to confess the truth to his wife or his boss every time he makes a mistake.

A documentary about Iranian film director Abbas Kiarostami first aired on the French television series Cinema de Notre Temps.

A TV movie that tells the story of a woman ready to do anything to protect her child, is above all a hymn to the couple, to the family... to love in short.

Young graffiti artist Tony and his friend Jockey jump-start an unexpected adventure on the streets of Grenoble, France, when they steal a car that's already occupied by an older man who's been sleeping in the back, Léon Marcel.

A tribute to Frédéric Rossif, the most legendary animal director in cinema, a long animal poem, a walk-exploration through the most secret regions of a little-known continent, the former USSR.

Blond Storm and Black Tempest, two female super-hero wrestlers, found a rock band to fight the Marquis de Slime, an ancient demon, in a gothic and magical Paris.

Each morning Laura B., a school teacher, pays great attention to the goings-on in the courtyard, watching attentively from her window as mothers drop their children off at the school, giving them a bag with something nice to eat for the 10 o'clock break. On this particular morning, it is Loïc's mille feuilles that attracts the teacher's attention.

In Paris, men are waiting for a possible daily job in an agency. Among them, two novices Jean-Pierre and Théo. They find themselves in the suburbs to make a regular move.

An allegory of the Golem, a Jewish mythical creature personifying displacement and exile, this film tells the story of a woman (similar to the biblical Ruth) and her sisters, who are forced into exile after the death of their husbands. It is set in 1990s Paris, where the director was living in self-imposed exile following the ban on his 1982 documentary in Israel. The recurring theme of the film is migrations and unrooting, like the legendary Golem.

Marc is in love with Lucien, who's in love with Suzanne, who's in love with someone else.

Jacques asks a public writer to compose love letters for a beautiful stranger that he pretends he has just met.

Every year since 1980, I have filmed the Good Friday ceremony reconstructing the Passion of Christ in Burzet, a remote village in the Ardèche area, where for seven hundred years, the local people have dressed up to celebrate and perpetuate this religious rite. (Gérard Courant)

Jacques Leduc directed and co-scripted (with Jacques Marcotte) this Canadian-French co-production, a drama about an aging Montreal woman, Caroline (Annie Girardot), in her 60s and contemplating impending death. She destroys old correspondence, cleans her apartment by putting furniture in the street, and looks back on her life (as revealed via flashbacks and a film crew interviewing her daughters). Caroline's brief marriage to an Englishman gave her one daughter, successful businesswoman Rachel (Domini Blythe), and an affair with a rebel in the Congo resulted in her other daughter Myriam (Sheila Rose). Further memories rise to the surface when Caroline joins her long-time friend Maureen (France Castel) for a black-tie reception where their community work in Africa brings them an Order of Canada award.

After months on a drawing board, a wooden puppet suddenly comes to life in front of his creator, discovers his body and walks. Thinking he was alone, he stops, surprised and intimidated to be watched by his creator, and bows to thank him for bringing him to life.

65 years old Agathe Ledu refuses to grow old alone. That's why she's visiting the graveyard on a daily basis, honouring her husband and son, Breton sailors lost in sea five years ago. She's talking to them, all the while knitting. But for whom is Agathe knitting ? (One of the two shorts that inspired "Amélie".)

After a suicidal teenage girl gives birth, she misguidedly entrusts her baby’s safety to the troubled, deadbeat father, whose violent actions take the viewer on a tour of the foreboding, crumbling shantytown in which they live.

Documentary produced by the National Film Board of Canada centered on a friendly countryside gathering of four former prominent members of Front de Libération du Québec (FLQ), namely Francis Simard, Pierre Vallières, Charles Gagnon and Robert Comeau.

Sophie Calle often defines herself as a "narrative" artist. Her photographs are items of evidence through which she tells stories that are both ordinary and disturbing, using her own life and experiences as the raw material for reconstructions that hover somewhere between truth and fiction. The Contacts collection is an invitation to discover the artistic approach of the greatest contemporary photographers from an original angle. Through a series of images (contact sheets, proofs, prints and slides), with a commentary by the photographer, the viewer enters the secret world of their creation and is guided into the heart of the photographic creative process.

Entry on Taiwanese new-wave filmmaker Hou Hsiao-Hsien for French television's "Cinéma, de notre temps" series, directed by Olivier Assayas.

Actor Ninetto Davoli discusses his collaboration with Pier Paolo Pasolini.

Short film based on a monologue by Jacques Nolot which he reads in a pub to a waitress.

A successful Italian man living in Paris returns to Italy to exact financial revenge upon his cruel half-brothers in this Italian-French drama. Gabriele now runs a successful antique appraisal company in Paris. He lives in a fine, automated apartment which his lover Claire compares to an impenetrable box. Gabriele is haunted by his troubled youth, which is presented through flashbacks. He and his baby brother Martino were bastards. Their father was the wealthy Giancarlo Giannini who already had a family. After Gabriele's feisty and independent mother died, he and his brother were taken into their father's home. Though living in luxury's lap, the now adolescent Gabriele was mistreated by his two hateful half-brothers. He eventually ran away from that house. This is the motive behind his revenge. But to get it he must return home and therefore, must face his past.

Native Americans clash with the Canadian government as they struggle for independence in this factual Canadian drama set in Quebec during the summer of 1990. Eddie Laroche, a rebellious native leader spawned a national crises when he and his supporters declared the independence of Aki territory in a far-flung area of northern Quebec. He refused to negotiate without the presences of television cameras to record his people's plight. Jean Fontaine was the reporter assigned to the story and much of the film is told from his viewpoint. To reach Laroche's land, negotiators, government officials, and the film crew had to travel by boat. Fontaine is initially cynical and reluctant to do the story, but after he spends time on the boat interviewing it's passengers, his cynicism has dissolves and he realizes he is faced with the presentations of a terribly complex situation. His dilemma provides a main focus for the film.

After the disappearance at sea of a young fisherman, his childhood friend and his mother begin an ambiguous relationship.

Inside and outside the sixteen ropes of the ring: intense and lonely moments in a young amateur boxer's life.

This 2-part TV film, adapted from an autobiography, tells the childhood of writer François Cavanna, son of an Italien emigrant and a French mother.

In Paris, Ismaél, a young Tunisian, cares for two brothers, Nouredine, a cripple, and streetwise Mouloud, 14. In haste, Ismaél and Mouloud go to Marseilles where an uncle lives. Nouredine has died in a fire, and Ismaél feels guilt on top of grief. Ismaél becomes friends with Jacky, a white man whose father and brother hate immigrants. Mouloud hangs out with cousin Rhida who breaks Islamic rules and deals hash. Ismaél decides Mouloud must return to Tunisia, but the boy runs off, becoming an acolyte to Rhida's supplier. Ismaél and Jacky's Arab girlfriend start an affair, friends betray friends, and the racism gets ugly. Can Ismaél rescue himself and Mouloud or will life in France crush them?

Joseph and Victor are two motorcyclists of the national police force and inseparable friends. If the first leads a tidy life with wife and child, the second, single, is always in search of a soul mate - And one day he finds her.

Jean and Paddy haven't recovered from Ben's death. Ben was Paddy's lover but also Jean's. Their threesome filled their existence. Today, while they still love each other, Jean and Paddy are torn apart.

A portrait, in the style of Giuseppe Arcimboldo, hangs in a room in a decrepit mansion. A knife and fork lying on a table below awaken from slumber. A piece of fruit falls from the painting to the table, finding itself immediately in danger.

Like every year in Zitouna, a bear handler passes by. With his creature, he comes to challenge the small community. And like every year, it is Slimane El Mabrouk who defends the honor of the tribe. But this time, he dies, leaving two orphans, Omar and Ourida. Robbed of their inheritance, the children will grow up alone. The years pass, the French army settles in, and with it, the war. Mysteriously, one day, after the murder of a French legionnaire, Omar disappears into the bush, while his sister dies in childbirth. Omar will return to the village, much later, once independence has been acquired, as a representative of power and with this enigmatic formula: "You must know that the Revolution has not forgotten you". Personal revenge? Sincere desire to bring progress and modernity? ... The inhabitants of Zitouna, upset in their ancestral way of life, will not be long in having an answer to their questions.

A portrait of a large Maghrebian city at the end of the century, Casablanca, through the intersecting paths of three characters: a bookseller who receives unexpected correspondence that forces him to question himself; a young teacher whose application for a passport triggers an absurd official investigation; and finally, a student who, due to a misunderstanding with his fundamentalist teacher, becomes the object of a manipulation with tragic consequences.

In a shock after her mother’s sudden death, warehouse forklift driver Tina seeks out the rich, enigmatic businessman father she has never known and discovers a half-sister, Lise.

A voyage into the museum's reserves, and part of the extra work involved to mount the expositions after the renovation of the Louvre in the 1980s, when the glass pyramid was added to the classic buildings. From the preservation rooms through the frame and painting retouches by experts, to the personnel instruction on how to be efficient in protecting the collections, and look nice to the visitors.

The quiet agony of a mother whose daughter grows up to pursue her own life is chronicled in this realistically presented French drama. The Circuit Carole of the title refers to a motorbike racetrack. Jeanne and her 20-year old daughter Marie share a small apartment in a working-class Parisian neighborhood; the two live harmoniously, but the daughter is restless and anxious to set out on her own. Marie then takes a job in a northern suburb and their lives are forever changed. The racetrack is near her work; Marie is enthralled by the racers and their fast machines. Along with her new boyfriend, a racer, Marie begins riding herself. She then moves out of her mother's flat, leaving Jeanne bereft of companionship and a purpose in her life. Her silent, deeply internalized grief eventually drives her completely mad.

A sensitive young lady painter retreats to the countryside, where she can bask in the presence of beauty, possibly at the expense of an awareness of the needs of other living beings.

A couple takes charge of mounting the film of love and war of a filmmaker friend faded away.

Different aspects of homosexual romance are explored in this compendium of ten short vignettes encompassing a broad look at AIDS and range for the tale of a lesbian teen trying to come out to her parents, to a gay man who shocks his lover by claiming to be pregnant, to another man's reminiscence of a brief affair with an HIV-positive man.

In a dying French mining town near the German border, the last miners are preparing to strike. Marek and Mimmo, two young miners and friends, have different views on the impending strike.

Nowadays, supermarkets are being built where cinemas and churches used to be. Logical evolution as consumerism is the religion of the 20th century: supermarkets are the cathedrals of the future.

Between sky and earth

This European existential drama utilizes complex symbols inspired by abstract psychological theories to explore the effects and reasons behind a young classical actor's decision to stop talking. No one knows why Massimo has vowed to stop talking. Other than speaking dialog from classical plays, Massimo refuses to say a single word. His father, a classic-literature professor believes it reflects to a disappointing love affair. His new girlfriend thinks Massimo is rebelling against his mother, a poet. A director learns of Massimo and commissions his mother to write a play about him. Though Massimo plays himself in the play, and does speak, he returns to silence when the play is finished.

In this French drama, an urban professional gives up his fast-track life in favor of the quiet of country life. Benoit now lives as a toymaker who sells games at his chic Paris art gallery. The film opens with young Lila as she is being released from prison. Immediately, she sets out to see her sister in Brionne, a tiny Normandy town. As soon as he sees her, the rather quiet Benoit falls in love. Eventually, the emotionally scarred young woman falls in love with him too. Soon they move in together, and Lila gets to meet his ne'er-do-well friends. The couple are very happy for a while, but when Benoit's gallery goes belly-up, he begins acting strangely, leaving Lila feeling very unsure. Eventually she leaves him. Benoit then struggles to cope with his depression; after many drunken nights, a lost dog helps him find the peace he has been searching for.

Images of the Port Dauphine subway terminus are accompanied by a text read aloud about masturbation (branler is slang for jacking off) in this short subject.