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E.S.O (Entitat Sobrenatural Oculta)

In a secondary school, a group of students (Maria, Sonia, Paula, Pol and Esteban) form a tight-knit bunch. Axia, a girl obsessed with supernatural issues, leaving them mesmerized and included in the group. For the 50th anniversary of the center, start some work on improving the facilities. Laura, the tutor of the course offers students a work of the institute history. As they investigate they discover that, during the Civil War, there were tunnels collapsed, leaving people buried who were hiding there, including several children. According to information obtained on the Internet, people are buried "appear" killing. Are the "E.S.O. (Hidden supernatural entities "). When they decide to enter the tunnel adventure turns into a nightmare.

E.S.O (Entitat Sobrenatural Oculta)

4.7 2009
The Henry Smurf Project

El proyecto del Pitufo Enrique is a document about the existence of a mysterious goblin from the province of Catamarca. During the filming of the movie there were some tragic incidents, such as the disappearance of six people or the violent deaths of another three. Some of these incidents were registered on video but couldn't see the light because of the ongoing legal battle between the director and the victim's families opposing its screening. On the contrary, Elvira Serio director of the movie, thinks that what is on the tape could be of great help shedding some light over all the mysteries around this thread. She hopes that her work can serve as a warning as well to all the residents and tourists who often visit that place.

The Henry Smurf Project

6.0 2005
Me duele el chocho

Produced in collaboration with residents of the Las Cuevas neighbourhood in his home town (Huéscar). Valeriano is the non-gypsy who seeks their cooperation by inviting them to say Unamuno’s famous phrase before the camera – “Spain pains me” – which sums up the enlightened and sceptical spirit of the Generation of ’98, with the intention of extrapolating that phrase to a context of social exclusion that comes to an end when a Romani woman, with a great deal of transgressive humour, and at the same time natural due to the absence of bourgeois norms in this community, transfers Unamuno’s sentiment from the public to the personal by uttering, amidst the laughter of those around her, the phrase that gives the video its title and which shifts the crux of Spain’s problem to the very heart of her community, at which point disco music bursts in whilst the camera pans across the caves dug into the earth, where the natural actors of this work dwell.

Me duele el chocho

NR 2002
Soy Huao

“Soy Huao” is a film that is installed in the Toca family to watch from them and through the contemplation of a camera -which manages to become invisible-, a world organized by its own values and rules that far from any idea of consumption and urban well-being, it moves with very different customs in the midst of nature and survival in the face of vegetation loaded with a dense forest, the tropical humidity of the climate, and the variety of species of small animals. A plane that visits them every so often, connects the Huao community with the world. How long can a community that has struggled so hard to preserve its freedom resist the influence of the world as we know it?

Soy Huao

NR 2009
To Love and Die in Seville

Don Juan Tenorio, accompanied by his faithful servant Ciutti, returns to Seville to resolve the bet he made with Don Luis Mejía. The two are placed to a new bet, since they have killed a similar number of men and conquered the same women. The new bet is that Don Juan has to conquer a novice and a maid who is about to get married, the time stipulated in six days. Don Juan warns Don Luis that the maid will be Doña Ana de Pantoja, with whom Don Luis is going to marry. The one who loses will pay with his life.

To Love and Die in Seville

5.5 2001
Muxes of Juchitán

According to myth, God entrusted San Vicente with a difficult task. On his back he carried a sack full of Muxes, and had to leave one in every town of the Zapotec kingdom. But when the Saint reached Juchitán he tripped, and all the Muxes he carried in his sack fell out. Since then, this town in the South-East of Mexico has experienced an unexpected – not only for Mexico but for the entire world – sexual liberation. Homosexual men who wish to dress as women freely do so, and live a more or less similar life as their heterosexual fellow citizens. Not only do the Muxes not hide their difference on the streets of Juchitán, they actually project it in every way. A documentary on the joy of life and love

Muxes of Juchitán

NR 2008
Graveyard of the Dead

Buitrago (Soria), 1976. Jorge arrives in search of his sister, Miranda, and the people of the area beware him about the evil nature of the place. In the same place, in 1310, the templars are the masters of life and death, killing virgins in an attempt to fulfil their eternal life purposes. In 1976 again, Jorge finds Miranda, but she seems to have lost her mind, and she finally runs away. A few days before, Miranda, in her house, is sexually harassed by her father and mistreated by her authoritarian mother, until she locks off in her room. Back in hte Middle age, the templars caught a young girl who looks a lot like Miranda, and when she is about to be sacrificed, a group of villagers kills the templars, hanging their leader. But, before dying, she swears to come back...

Graveyard of the Dead

1.2 2009
Calixto the Landlord

The film tells the story of a ruthless landowner who commandeers property (both land and other men's wives) and leaves a path of human suffering and death in his wake. The film describes an intersecting universe of entrenched power--in which the landowning class, colluding priests, corrupt government officials, violent police, and U.S. businessmen--conspiring to rape the land for their own profit and to suppress the local farmers. In contrast, the working peasants cherish the land as their own and struggle to break free from oppression to build homes and better lives for their families.

Calixto the Landlord

7.0 2003