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Richard Wagner: Parsifal

The Met production easily has the most beautiful staging, designed by Otto Schenck, who also produced the fabulous set for the Met's previous Ring cycle. Kurt Moll is a wonderful Gurnemanz, but compared to his studio recording under Karajan a decade earlier it has lost some of its original velvety body and luster. As Parsifal, Jerusalem is starting to show some wear and tear on his voice at the Met in 1992 as opposed to his prime form at Bayreuth in 1981, but is still quite good; only Placido Domingo could compete with him in the role at that time.

Richard Wagner: Parsifal

9.5 1993
Rising to the Bait

Protected from the intrigues of con-men by the overwhelming blanket of the former regime in East Germany, at first it seems that Ada Fenske, the elderly widow living on a farm near a soon-to-be abandoned Russian island military base is fair game. The (West) German military intelligence services want to acquire her farm. At first, their agent attempts to buy the property openly, but her refusal to sell motivates him to try far shadier techniques. He comes up with a relative she never knew about who is entitled to a share in the property and tries to blackmail the township's mayor to get his cooperation. However, the hard-working and honest old lady has an ally in the person of her more sophisticated border, a woman who works in the mayor's office and has been to the West. She takes great delight in foiling the underhanded agent.

Rising to the Bait

9.0 1992
Countdown für die Ewigkeit

In 1980, the American professor Thomas A. Sebeok received a call that took him by surprise. He was to participate in a crisis team of the Bechtel corporation. This assembly of renowned scientists was concerned with the question of what should be done with the now accumulated quantities of radioactive waste from military and civilian use. One task was to develop notification systems that would still be able to warn of the dangers of radioactive substances 10,000 years from now.

Countdown für die Ewigkeit

NR 1997
Lights from Afar

Berlin, the German capital again, a few years after the fall of the Wall. The city in upheaval is also changing the lives of its inhabitants. A young photographer experiences these changes as a rupture, he looks into an unclear, unsettling future and increasingly feels like a stranger in his old city. He and his friends from the generation of the children of the Wall try to find a new identity without losing the old one. Young artists who fail the profitability test of the market economy. In his search, Robert Paris ends up far away, in India. Back in Berlin, he started developing photos again - the first in years...

Lights from Afar

10.0 1998
Kriegsende

Kriegsende (War’s End) was produced in 1991, immediately after the collapse of the Soviet Union under the working title Russians in Berlin. The film was shot two years after the fall of the Berlin Wall between October 1991 and March 1992 in the eastern and western parts of Berlin. Filming took place around the former Soviet garrison in Potsdam, at the Wünsdorf headquarters, in one of the retreating Red Army’s military trains, at the Soviet border in Brest and along the Oder-Neisse line at the Seelow Heights.

Kriegsende

10.0 1992
Outside Time

Outside Time is the second feature film of Andreas Kleinert, a German director who grew up in the GDR and who started making films at the time of the fall of the Wall. The film is set in a small town somewhere in Brandenburg, a place which is rapidly falling "outside time"; since it cannot keep pace with the changes brought about by unification and the transformation of the former GDR. The Russian troops stationed there have withdrawn and their barracks have turned into rat-infested ruins; the intercity trains do not stop there any more and even the regional railway link to Berlin is going to be suspended. Most young people are leaving. When Sophie introduces her lover to her mother and her brother, Sergej becomes embroiled in the incestuous tensions underlying the relationship between Sophie, her brother, Georg, and her mother. The arrival of the Russian implodes the claustrophobic sham existence that held this dysfunctional family together.

Outside Time

10.0 1995