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The Girl Hunters

Mickey Spillane plays his own creation, street-thug-turned-PI Mike Hammer, in this 1963 adaptation of his novel. The film opens with Hammer on the downside of a years-long bender, scooped out of the gutter by a bitter cop intent on prying information from a dying man. Inspired to clean up his act by the secrets he hears, Hammer hits the streets on a personal crusade to find the love of his life. Future Bond girl Shirley Eaton costars as a glamorous society widow who goes slumming with Hammer.--Sean Axmaker

The Girl Hunters

5.7 1963
Tell Me Lies

Adapted and directed by Peter Brook from the Royal Shakespeare Company’s ‘production-in-progress US’, this long-unseen agitprop drama-doc – shot in London in 1967 and released only briefly in the UK and New York at the height of the Vietnam War – remains both thought-provoking and disturbing. A theatrical and cinematic social comment on US intervention in Vietnam, Brook’s film also reveals a 1960s London where art, theatre and political protest actively collude and where a young Glenda Jackson and RSC icons such as Peggy Ashcroft and Paul Scofield feature prominently on the front line. Multi-layered scenarios staged by Brook combine with newsreel footage, demonstrations, satirical songs and skits to illustrate the intensity of anti-war opinion within London’s artistic and intellectual community.

Tell Me Lies

6.4 1968
Drums of Africa

David Moore is in East Africa to get to his employer's railway construction site. He's accompanied by the owner's son Brian and they've lined up Jack Cuortemayn, reputedly the best guide available, to take them there. Cuortemayn refuses as he doesn't care for the impact the railroad will have on the local inhabitants. While Moore tries to make other arrangements, he meets Ruth Knight who has lived there for many years working with her father in a medical clinic. There will be adventures along the way but when Ruth is captured by slave traders, it's up to the others to rescue her.

Drums of Africa

3.5 1963
The Wizard of Mars

In 1974, four astronauts, silver shoe-clad Dorothy, overweight Doc, goofy Charlie, and wooden Steve, crash land on Mars when taking readings, with only four days of supplies. They must try to survive on the surface, which is barren except for some canals with huge maggots with fins. After embarking through a golden igneous cavern, braving a storm and finding an unmanned Earth vessel, they discover a golden road which leads them to the unchanging ruins of what was once a beautiful Martian city. The Martians are modeled on the Flatheads of Oz, and their collective consciousness, the "Wizard," forbids them to leave until they perform a very small task...

The Wizard of Mars

3.8 1965
Mister E

A domestic black comedy, MISTER E expresses some of the edgier mischief and discontent that women of mid-century America could rarely express openly. This short film narrates the revenge acted out by a young wife, left at home while her husband is at a card game; by staging a rendezvous with a mannequin, this woman provokes an eruption of jealousy and violence before bringing about the desired marital tenderness. Preserved by Chicago Film Archives with support from the Women’s Film Preservation Fund.

Mister E

NR 1960
The Wall

Like the best USIA films, The Wall distills political events into an emotionally clear and compelling ideological "story". In 1962 Walter de Hoog gathered footage from U.S. and German newsreel sources and crafted this taut short film about the first year of the Berlin Wall. Straightforward, keenly balanced narration portrays Berliners as "accepting the wall but never resigned to it". The extraordinary footage of the first escapes was propaganda enough-- His challenge was to make the politics human.

The Wall

7.4 1962
Toys in the Attic

Julian Berniers returns from Illinois with his young bride Lily Prine to the family in New Orleans. His spinster sisters Carrie and Anna welcome the couple, who arrive with expensive gifts. The sisters hope Julian will help with their expenses, and he tells them that while his profitable factory went out of business, he did manage to save money. It turns out that Julian pulled off a real estate scam and took off with the money. Carrie is obsessed with her brother. Her jealousy of Lily pushes her to discover the shady land deal for herself and she does everything she can to wreck their marriage.

Toys in the Attic

6.0 1963
The Moving Finger

A rare beatnik artifact of the early 1960s, one of only a few such films made before the hippies took over Hollywood. Low budget and in b&w, it's set in Greenwich Village, with what seems like a mostly improvised script. It begins as a late film noir crime tale involving a bank robbery where only one of a group of thieves escapes with his life, as well as $90,000 in loot. Injured and on the run, he hides in a local tour bus and is soon taken in by a group of bohemians who shoot him full of morphine to ease his pain and let him sleep it off on a mattress. Mason is the head beatnik. There's also the owner of both an upstairs coffeehouse and garret, where these beatniks hang out. They, in turn, bring the tourist trade in. Although the robbery is supposed to be the main focus of the plot, it quickly turns into more of a character study featuring these rebellious bon vivants and their odd lifestyle...

The Moving Finger

6.0 1963
The Walls of Hell

In the final days of the battle of Manila during World War II, fanatical Japanese naval forces barricade themselves inside the walls of Intramuros, the ancient Spanish walled city of Manila. In a suicidal last stand, the Japanese hold many thousand Filipinos captive within the fortress, despite the incessant bombardment of United States artillery. An American war correspondent, Murray, arrives at the front line where a guerrilla unit led by American Lieutenant Sorenson makes contact with a young Filipino fighter, Nardo, who has escaped the fortress through a sewer passage. Nardo proposes a plan to rescue the prisoners through the tunnel.

The Walls of Hell

5.0 1964
The Savage Seven

Biker gang leader Kisum (Adam Roarke) loves waitress Marcia Little Hawk (Joanna Frank). Her brother Johnnie Little Hawk (Robert Walker, Jr.), the leader of a group of American Indians disapproves. At various times these two groups are adversaries and allies. The two groups join forces but crooked businessmen scheme to have them at each other's throats again. The theme song "Anyone for Tennis" is by Cream. The Iron Butterfly are heard playing their classic "Iron Butterfly Theme." Producer Dick Clark and director Richard Rush made "Psych-Out" earlier in the year.

The Savage Seven

4.9 1968