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Maternity Blues

Four different women, but bound by a common guilt: the infanticide. Inside a judicial psychiatric hospital, they spend their time expiating a sentence which is mainly inner: the sense of guilt for a gesture what has made useless their existence. From the forced living together, new friendly relationship born and everyone can read the guilty inside the other. From the confessions, born a comfort that doesn’t completely succeed to alleviate the suffering, but that makes appear

Maternity Blues

5.0 2011
Elvis and Marilyn

The film chronicles the melancholy journey of two celebrity look-alikes chasing their dream of la dolce vita in Italy. Romanian Marilyn Monroe impersonator Ileana and Bulgarian Elvis double Nicolaj win a look-alike contest in Bucharest in which the prize is a summer engagement in a nightclub on Italy's Adriatic coast. The two strangers take off together, communicating in the broken Italian they picked up from TV. When a bureaucratic hitch with Ileana's passport cuts them off at the airport, they cross the border illegally by car, travelling through a part of Yugoslavia devastated by war. They accept hospitality at a military outpost, but the suicide of a colonel there casts suspicion on Ileana. Beaten and afraid, they continue their odyssey across the harsh sunless no-man's-land gradually scarring them both and clouding their hopes. They finally reach Italy, but all is not as promised.

Elvis and Marilyn

8.0 1998
Love Meetings

Pier Paolo Pasolini sets out to interview Italians about sex, apparently their least favorite thing to talk about in public: he asks children if they know where babies come from; asks old and young women if they support gender equality; asks both sexes if a woman's virginity still matters, what do they think of homosexuality, if divorce should be legal, or if they support the recent abolition of brothels. He interviews blue-collar workers, intellectuals, college students, rural farmers, the bourgeoisie, and every other kind of people, painting a vivid portrait of a rapidly-industrializing Italy, hanging between modernity and tradition — toward both of which Pasolini shows equal distrust.

Love Meetings

8.3 1965
Mad Enough to Kill

Julie Ballenger has spent five years in a psychiatric clinic. Leaving the clinic apparently cured, she is hired by a wealthy industrialist, Mostri, to work as a governess to his young nephew, Thomas. The boy is heir to a huge fortune after the recent death of his wealthy parents who died in mysterious circumstances. During a visit to a park, Julie and Thomas are kidnapped at gun-point and driven away to deserted quarry. The two hostages manage to escape, but are closely pursued by an armed killer...

Mad Enough to Kill

6.8 1975