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La Missione del Mandrillo

Pietro Rossini is a strapping young man that unfortunately spends most of his time at work chasing after two pretty young secretaries who are only too happy to return his advances. Tired of this endless chase and work waste, his boss sends him on an errand to Paris hoping this will help productivity around the office. Pietro quickly hits up his friend for a woman he can fool around with while he's in Paris, but Rita, the woman he meets, ends up being an large, boorish, unsightly woman. Once he arrives at his hotel, Pietro meets the young and lovely Nancy and attempts to romance her as best he can, but no matter where he goes, Rita is not far behind.

La Missione del Mandrillo

NR 1975
Public Interventions for the City of Milan

The film is ironic about the lack of actions for transforming city spaces; the few actions undertaken are almost always limited to the positioning of “poles and chains”: the temporary signs of a hypothetical transformation on the city. The film shows sequences of innumerable “pole and chain” barriers, commented on by architects, councillors, members of activity groups… who all underline the impermanence of these objects in view of some “elusive” transformations of the city.

Public Interventions for the City of Milan

NR 1979
Medea, un maggio di Pietro Frediani

In the village of Buti, on Monte Pisano, oral tradition preserves the memory of a type of popular theater known as Maggio, which died out around 1952, the year of the death of one of its last directors, Angiòlo Bernardini, who passed away at the age of 82. The director, with the help of the old prompter, handwritten notes on the scripts, and the actors of yesteryear, now elderly, attempts to stage this theater again, recited and sung in octosyllabic quatrains.

Medea, un maggio di Pietro Frediani

7.0 1972