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La Piccola Noia

To music by John Coltrane, the film mixes quick shots of common objects or still lifes and the fragments of a filmed diary showing some friends on vacation in Torcello, in the Venetian lagoon, walking around reading the newspaper, chatting during lunch, cutting vegetables, playing chess. The shots, taken without a tripod, have a decidedly impressive visual intensity: backlit silhouettes, bright portraits, fruit and shells reminiscent of still lifes. In a convulsive and irrepressible way, with the flow of visual assonances, The little boredom intertwines the pictorial formalism of the compositions with the scenes of everyday life.

La Piccola Noia

NR 1966
Marcello Baldi's "Osiride"

The documentary moves around the amazing figure of Osiride Pevarello, a circus performer with a very long career in cinema, from Lattuada to Germi, from Ben-Hur to Fellini, up to Tinto Brass. In this exquisitely lively and unexpectedly dense short film, Osiride faces the world by showing off confident steps and assertive vocation, as if he had everything under control and it was not necessary to demand more. Until the beautiful ending, when the voices of the sleeping boys give shape to a desire: to have a home. Osiride, lying on the bed smoking his umpteenth cigarette, as always he cannot sleep before the return of his eighteen-year-old daughter, who works under mistress in a dartboard. We discover the melancholy of a man who would like to leave from there, to find four real walls for his family. The camera moves to let us glimpse the pope's image on the dresser; one should have faith in miracles

Marcello Baldi's "Osiride"

NR 1966
La sublime fatica

In 1966, Luciano Emmer was commissioned by Twentieth Century Fox to shoot a promotional film for a movie about Michelangelo starring Charlton Heston. When the deal with the Americans fell through, Emmer retrieved the footage and edited it into a documentary about Michelangelo the man, exploring the anxieties and fears revealed in his writings. The sound of the chisel on marble blends with that of a heartbeat. The skewed perspectives on Michelangelo’s sculpture reinforce this idea of the difficulty and effort from which the...

La sublime fatica

6.0 1967
Esperienze in uno spazio non teatrale

Performances by artists in 1968 Rome: Cesare Tacchi, Eliseo Mattiacci, Jannis Kounellis, Aldo Mondino and Nanni Cagnone redefine the boundaries of contemporary art by playing with heterogeneous materials, aluminum wheels, fish, kites, paper planes. The group from via Brunetti performs in piazza del Popolo, reviving the city traffic with by now bizarre means of transport, the velocipede and the tractor, on which, with an Indian scalp on his head, Gino De Dominicis whizzes by, immortalized by the camera before the cult of immortality delivered him to the logic of disappearance.

Esperienze in uno spazio non teatrale

NR 1968
The New Angels

Falling somewhere in-between a documentary and a droll drama (more like an enactment of reality, with a wink), this film by TV director Ugo Gregoretti looks in on a variety of social and ethnic situations throughout Italy. Sexual morés are contrasted, from the quaintly out-of-date courtship in Sicily to the sometimes uncomfortably explicit sexual references in the conversations of the youth at the opposite end of the country. Aside from these manners and morals, there is an examination of what happens when mechanized tools of production begin to take away from the human element at factories and in other industrial venues.

The New Angels

7.0 1962