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Why My Mum Loves Russell Crowe

“Sex does strange things to people!” This sentence reverberates from her childhood. What did her mother mean? What fears did she pass on to Emma? The budding filmmaker sets up the camera in her mother’s apartment, invites mum’s friends, creates an open atmosphere. Coby opens up more and more, talks about a repressed topic. At the same time, she gets to show a wholly different side of herself, performing song and dance numbers in front of her daughter’s lens.

Why My Mum Loves Russell Crowe

NR 2022
Six Feet Over

When a young gay couple discovers that one of them has been declared dead by mistake, rather than reporting the error they decide to fake a funeral and flee the country with the money instead. After staging a failure of a funeral cover up, and bribing a doctor they soon learn there was more than a clerical mistake, and there is in fact a body in the casket. Now on the run the pair find the tensions in their own relationship rise, and one has to prove their dedication to their relationship in a final sacrifice.

Six Feet Over

NR 2022
When I'm with You

Margot has been waiting in her house for 40 years. Her waiting morphs into desperate attention seeking. But she does not wait alone. Marie is becoming. Malleable, she tries to fit, slipping through her body and sliding around corners, picking up cues of who and how to be. Marjorie shines effortlessly. Her dream life, her golden exterior, her pretty performance, prove impossible and impermanent. Mother Flower is everything, the beginning and the end. Hers is a body of pure bounty, longed for, nourishing, sheltering. The four women are joined by a chorus of body parts, hands and tongues, mouths and babies, across grandiose performances, staged death scenes, fledgling steps, and displays of fertility and futility, as they reveal how hard it is to be in a body, to be a body.

When I'm with You

NR 2022
Seals'kin

Seals’kin is a sonic and choreographic meditation on loss, longing, transformation and kinship, shot on location in coastal Aberdeenshire in January 2022. At the mouth of the river Ythan, where the freshwater meets the North Sea, hundreds of grey and common seals haul out on the estuary banks. Here, Tuulikki explores with her body what it might mean to become-with-seal, drawing on myths of human-seal hybridity and folkloric musical practices to offer alternative forms of mourning through sensuous identification with more-than-human kin.

Seals'kin

NR 2022
In the place where we left and arrived

This film starts from a personal journey by gathering shared experiences of other queer Chinese people living in the UK, offering a look at the wider context of these important issues as the director tries to understand the possible definitions of home and the effects of the COVID-19 pandemic on Chinese lives through voice over, intimate letter changes, archives & news, interviews, and the use of digital mappings. We see how queer identities intertwined with diaspora are bound up by rejection from the home country, the struggle of racism in the host country, and the confusion of cultural assimilation in the context of ethnocultural transformation. Finally, the work delves into the reality that for people who are marginalised, either culturally, geographically, or socially is always a state of exile.

In the place where we left and arrived

NR 2022