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Expeditions 1 – Signs of Empire

Produced while the Black Audio Film Collective were undergraduates, Expeditions 1 – Signs of Empire is the first of a two-part 35mm slide-tape text entitled Expeditions; part two is entitled Images of Nationality. The work toured England from November 1984 to March 1985, using a Kodak dissolve unit to sequence images into narrative. The soundtrack to Signs of Empire, which consisted of tape loops of musique concrete and political speeches, was amplified to create a powerful environment of dread.

Expeditions 1 – Signs of Empire

NR 1983
Ridin' the Dog

The world-famous Greyhound bus is almost as old as the Wild West. It is a symbol of North America, of progress, and of nostalgia. Reporter Studs Terkel travelled 2,000 miles across the United States by Greyhound. From Seattle to Chicago, he observes his fellow-passengers. He meets a number of travelers who appear to be very interesting people: a Native American boxer on his way to his birthplace in Montana, a bar owner who was a bank robber in a former 'career', a 99 year old woman who is still running a busy hotel, and, of course, a pedigree cowboy. The spectator of this film listens to their personal stories, watches the beautiful scenery, and is treated to famous feature film fragments in which the Greyhound bus plays a part. Seven states and two time zones later, he is back in his cinema seat.

Ridin' the Dog

NR 1989
The Dream Machine

A 16mm anthology of experimental super 8 films by Derek Jarman, Michael Kostiff, Cerith Wyn Evans and John Maybury, with framing footage by Tim Burke of Brion Gysin using a dream machine. Jarman's contribution is a version of his 1977 Art and the Pose (aka Arty the Pose), refilmed at 3fps, with a musical soundtrack. Jarman planned The Dream Machine as a commemoration of William Burroughs and Gysin's 1982 visit to the UK, and received initial funding from the Arts Council in 1983, then rethought the project as a portmanteau film featuring Gysin alone. The production remained in limbo until 1986, when James Mackay obtained completion funding from the British Film Institute. (Since this film was released on VHS accompanied by Jarman's Broken English: Three Songs by Marianne Faithfull, T.G.: Psychic Rally in Heaven and Pirate Tape under the umbrella title The Dream Machine, synopses of this film have often muddled up its details with those of the earlier films. )

The Dream Machine

4.4 1986
Stravinsky: Once at a Border...

This autobiographical film about the most important and influential composer of the 20th century includes documents, photographs and film never seen publicly before. Stravinsky's three surviving children talk about their father and there are contributions from the late Madame Vera Stravinsky, his music associate Robert Craft, Marie Rambert, Balanchine, Nadia Boulanger and many friends. Included in the film are important performances: Les Noces has never before been heard in this, its original form, and the choreography of Petrushka was specially recreated for the film by the Bolshoi and was not seen in this form since 1911. Finally, there is priceless film of Stravinsky himself in this unique film.

Stravinsky: Once at a Border...

NR 1982
Cakchiquel Maya of San Antonio Palopó

The documentary shows how Cakchiquel Maya of a village on Lake Atitlan in Guatemala adapted to changes that took place in the decades before the film was made, when the lake became a favoured spot for holiday homes, and the village was filled with streams of tourists. While the filmmakers were officially welcomed and given permission to film, in practice many people hid their faces and did not co-operate. Some even threw stones at the camera crew. The film team tried to find an explanation of the Maya hostility to the camera.

Cakchiquel Maya of San Antonio Palopó

NR 1987
Greece: The Hidden War

The complete version of “Greece: The Hidden War” television series produced by Jane Gabriel consists of 3 episodes: “The Battle for Athens”, “The Civil War”, “The Homecoming", and explores the profound impact British policy in the 1940s had on Greek democracy and society for decades. Broadcast in 1986, it gave rise to “the biggest uproar in the history of British television”. Greek interviewees who lived through the events of that time speak openly about their experiences. The defeated Left fled into exile in 1949 and waited more than thirty years for the Amnesty of 1982 to return. After extensive coverage of the row in the British press, Channel 4 agreed that the series would not be shown again either in the UK or abroad. - Yanis Yanoulopoulos, Historical Advisor to the television series, Emeritus Professor, Panteion University

Greece: The Hidden War

NR 1986