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Extrait de naissance

An apartment, who knows whether it is still inhabited or not, whether the potential inhabitants will ever arrive or are already dead. A man's voice speaks and names the objects and places. Memories appear. An orphan is waiting alone in the hall among luggage. His infancy emanates from the objects and the perspectives subjectively visualized by the authors. Fragments of stories. Condensed emotions. People are suddenly frightening. Video technology draws a map of passages from the real to the imaginary, from truth to the narration of the present, the probability of cathode imagery.

Extrait de naissance

4.6 1989
Vent de panique

Roland and Martine, once child stars in a TV series, have sunk into a life of crime. Answering an ad from Isabelle, a young girl seeking work with children, they abduct her with the intention of selling her into prostitution. At the last moment, having become fond of her, they relent and set out to take her home. She rebels, insisting that she enjoys their exciting life of stolen cars, stolen cheques, hotels and restaurants left without paying the bill, and the threesome become a formidable team. Then Isabelle's mood changes again and she disappears with a hitch-hiker. Worried over her future, Roland and Martine trace her to the town where she is about to get married and abduct her, this time from the church steps. Roaring off in a stolen ambulance, the three are happily on the run again.

Vent de panique

4.3 1987
The Music of the Spheres

Set in the not-too-distant future, when the existing world economy has collapsed, and the new city-states are controlled by computers, many of which require a kind of telepathic linkage with a human counterpart. When the most important of these computers exhibits strange patterns during a crucial operation, its counterpart, a top scientist named Melody, begins having psychic experiences. For a low-budget film, a surprisingly deep exploration of emotions vs. logic and the elusive search for truth.

The Music of the Spheres

5.9 1984
En cas de guerre mondiale, je file à l'étranger

Five feminist activists from Marseille, each enduring unique forms of male domination in work and home life, unite over their shared frustrations. Their anger peaks after watching renowned writer Toussaint's overt machismo and commercial pandering during a televised book launch. In a bold move against his phallocratic image, they kidnap him, expecting to expose his true nature. However, as events unfold, Toussaint gradually reveals a sensitive, conflicted side that challenges his public persona. Humor and satire drive this escapade, critiquing traditional gender roles and societal expectations.

En cas de guerre mondiale, je file à l'étranger

8.0 1983
Chroniques sud-africaines

In 1985, the audiovisual training association Varan organized a documentary film workshop in Johannesburg, South Africa. The 12 young trainees filmed their community and their country from the inside, beyond the poor authorized journalistic clichés. Their material is organized in a chronicle, animated by the variety of subjects and views, and constitutes a real journey to the heart of apartheid, which we must look at today to measure how far we still have to go. 9 subjects are successively developed.

Chroniques sud-africaines

NR 1987
Good Weather, But Stormy Late This Afternoon

This slice-of-life drama about an elderly couple and their estranged son covers twenty-four fateful hours that begin with the usual daily routine for the retired pair of former teachers (Micheline Presle and Claude Pieplu). Then their son telephones to say he will be coming over with his girlfriend and the normal pattern is changed, as he visits them rarely. While the mother is obsequious to her son when he arrives, past hurts and resentments bubble up during lunch, making it difficult for the son to tell them he is getting married. This is news enough, but the effect that announcement has on the son and his fiancée is unexpected and events later on in the day take a turn for the worse.

Good Weather, But Stormy Late This Afternoon

5.7 1986
Story of a Day: The Vel d’Hiv Roundup

On July 16, 1942, Paris police detained thirteen thousand Jews across the city and held them at the Vélodrome d’Hiver stadium for later deportation to concentration camps. This event, known as the Vél d’Hiv Roundup, became a symbol of Vichy France’s willingness to collaborate with the Nazis. This 1986 documentary tells the story of the roundup and French anti-Semitism of the period through archival footage and interviews with survivors and Resistance members.

Story of a Day: The Vel d’Hiv Roundup

NR 1986
Too Early / Too Late

Inspired by a letter by Friedrich Engels and a 1974 account of two militant Marxist writers who had been imprisoned by the Nasser regime, Straub-Huillet filmed this film in France and Egypt during 1980. They reflect on Egypt’s history of peasant struggle and liberation from Western colonization, and link it to class tensions in France shortly before the Revolution of 1789, quoting texts by Engels as well as the pioneering nonfiction film Workers Leaving the Lumière Factory (1895).

Too Early / Too Late

6.6 1982
My Case

Manoel de Oliveira plays his film in three stages: the first part - a play, the second can be roughly defined as a silent film (with the behind the scenes read excerpts from Beckett works), but in the end the director brilliantly performs the same material of the avant-garde exercise. Surprisingly, a joke, repeated three times, each time everything sounds fresh and develops into an almost verbatim adaptation of the biblical "Book of Job" - a spectacular point in a parable about how hard to empathize with other people's misery, when you have your own.

My Case

6.9 1986