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Experimental short film directed by Bastian Clevé (1976).

Woman with American accent reads German phrases and words from a study book on manipulated and degraded film stock.

A sixteen-year-old girl is selected by a matchmaking computer to become the wife of a 35-year-old star photographer.

In 1917, the boys from Irish club Avondale United parade through the town with the cup they have just won.

Small town waitress Annerl pines for the captain of the local soccer team. When he falls for a travelling dancer, Annerl jealously follows her to Munich and embarks on an adventure involving a famous pop singer.

A girl returns from a trip out of the country and is given a strip-search for drugs when she re-enters Switzerland. Lacking a place to stay, she looks up an old friend of hers and stays with him, working to pay for food for both of them. In the casual manner of such arrangements, several more people enter the scene to stay: a rich kid who has been disinherited and a girl who is an escaped convict. The working girl has been hiding some of her wages in her clothes, and the two young men steal the money, buy a car, and hare off looking for excitement.

Iris is an Elvis fan and part of a group of unemployed women who, in the scope of the first West German retraining program for women, are being trained in Essen in the "male professions" of electrical and metal work. Monika Held and Gisela Tuchtenhagen accompany the group for five weeks. The women report sexism, low self-esteem and the multiple burdens they must bear. To make any progress, they need support and one another – the regular weekly meeting where they share their experiences is moved to the pub.

Bienchen is a little girl who is very worried regarding the private life of her older brother.

St. Pauli, against the backdrop of the fish market: loose women, husbands who would rather play cards than spend the night with their wives, angry spouses, an uncle from Texas, a flower girl, and right in the middle of it all, freedom-loving Freddy Lehmkuhl. A true Hamburg boy! In his mother's living room, he hears that he is supposed to get married. He doesn't like this idea at all, because if there's one thing Freddy loves, it's the sea...

Movie by Walter Bockmayer about Bette Davis and Greta Garbo.

Early 1921: a man is on his way home. Gleb Chumalov, regimental commander, worker and Hero of the Order of the Red Banner, returns to his home town from the Civil War. The victory over the enemies of the Russian people gives him the conviction that a new, better time will dawn overnight. Gleb looks for his comrades from earlier years, but only finds people who are emaciated by their efforts. The cement works where he used to work has been plundered and abandoned. With great effort, Gleb and his comrades try to get the plant up and running again. The struggle seems to begin anew... It is the time after the victory of the “Great October Socialist Revolution“ and the time of building a new society.

A parallel of the life and work of two Volkswagen workers, one in Brazil and the other in Germany, who perform identical functions in assembling the VW Beetle.

A short film by Raphaela Schoenherr with HHK Schoenherr.

In this sequel to Die Bettwurst, Dietmar and Luzi are a somewhat unorthodox couple, who live and fight with tremendous enthusiasm. The unusual nature of their liaison is signalled by the fact that Dietmar is bisexual and is completely unable to remain faithful to Luzi. Dietmar also has his own, personal dialect of German. Luzi, on the other hand, is coziness personified. No matter, in this film they get married at the Memorial Church in Berlin. Infuriated at his playing around, Luzi briefly splits up with him, but when her dog dies of poisoning, he is there to comfort her.

The writer Charmain Colson entertains a circle of old friends. One day, when the group receive an anonymous message saying Memento Mori/Remember you must die, they all panic in fear and angst.

Susanne and Christian get to know each other during a wonderful week in summer - and fall in love. This, however, leads to conflicts: up to now, Susanne has been living with Wolfgang, a biologist. This shared life was harmonious and based on mutual trust. Wolfgang is not only resolute and in full command of social situations; he has also always been the stabilizing force in the relationship. This is precisely why Susanne now feels drawn to the unsettled, unsteady and frivolous Christian, the complete opposite of the calm, well-balanced Wolfgang. And Christian, working as a shift boss on a natural gas derrick, has become more aware of his personal and social responsibilities as a result of loving Susanne.

Satire on 19th-century class relations and thinly veiled commentary on the failure of the 1968 political revolution.

German sex comedy

A portrait of a 74-year-old woman who lives in modest circumstances in a village in Brandenburg and tells her story on camera: born in 1904 in Rastenburg (East Prussia), Wolters Trude moves to Berlin at an early age with her parents and five siblings. At the age of nine, after the death of her mother, she was placed in an orphanage. In 1918, at the age of 14, she was placed with a family, working in their restaurant. She married in 1929; her husband turned out to be an alcoholic; she had eight children, six of whom survived, and whom she raised practically on her own.

In soccer, No 1 is the position of the goalkeeper, a human body in continuous, unbelievable motion - diving, leaping, bouncing, sprinting, hurtling through space.

A couple (Karin Thome and Eberhard Klasse), whose relationship can't hold up to the pressure of their financial and career problems, only have their child left as the remaining connecting link. But even their child becomes a pawn in their egoistic power games and possessiveness. The crisis reaches a peak first then, when the husband finds out about an affair that the wife is having and sets out to claim the same rights for himself. This takes him to New York, where he settles. The wife gets her hands on all the cash reserves and follows him there. In spite of the new location, they still remain a couple with a disturbed and insensitive miscommunication, that instinctively cling even more to each other in the new and alienating environment.

The Hänggis are busily preparing for the wedding of their eldest daughter Jacqueline to Victor, son of Stephan Haberthür, with whom Heini Hänggi is planning a business merger. Then in walks a total stranger - Mrs. Seeholzer - who announces she saw in a vision that Jacqueline would not marry Victor. She then establishes her vision's accuracy by correctly predicting various hilarious domestic accidents... Wonderful play for little theatres.

The robber Hotzenplotz shows no mercy and steals Grandma's music-making coffee grinder. Naturally, Kasperl and Seppel have something against this and set off in pursuit. But Hotzenplotz overpowers them. Trapped in the robbers' den, one of them is even to be sold to the mysterious magician Petrosilius Zwackelmann...

Civil engineer Berger is looking for his mother and learns that she has died and was last in a home run by the notorious construction company Huberty. When the company boss Huberty becomes the victim of an assassination attempt shortly afterwards, suspicion falls on Berger, but Huberty's death is linked to the fraudulent bankruptcy of the construction company. The boss's wife is found to be the culprit. An unpleasant surprise awaits Berger, a civil engineer from Hamburg, when he returns home after years of working in Mexico: his mother has disappeared. Her tracks are lost in a "retirement home" run by the Huberty Society. Berger suspects that his mother has been the victim of a crime. He hunts a murderer and becomes the hunted himself...

In a musical pop horror slapstick crime grotesque a broker wants to sell a group of hippies a haunted castle.

Alice Thursday brings her grandson David back to England from a family visit to the New World. On the way from the airport to the country house near London, the headstrong boy causes chauffeur Bates and butler Hunter some grief. He takes advantage of a car breakdown to go trout fishing and climbs into the stately Rolls Royce with his pants dripping wet. The millionaire heiress also experiences trouble at home and at work upon her return. The housekeeper complains that Alice has hired Mary, a girl with a criminal record.

A young earl is reminded by his ancestors to be worthy of them and care for the women of the area. The Count takes on the task and develops into a lustful sex prodigy who gradually ends up having a relationship with four women at the same time. His simple but equally lustful servant tries to emulate him and pursues the count's ladies in the castle and the beauties in the village, but fails more than miserably as Casanova.

The film focuses on the role played by the parental home and vocational school alongside the training center in the life of an apprentice.

Documentary about a district of Berlin

Lutz Eisholz’s first feature film was produced at West Berlin’s German Film and TV Academy. In an experimental documentary he portrays the working class outcast Bruno S., who prowls the city as a street musician, performing his own songs. The film unfolds Bruno’s story: abandoned by his mother as a child, he was maltreated in correctional institutions in Nazi Germany. On release after WWII he found work but started performing at the same time as a self-taught musician and poet. Although incapable of “normal” human bonding, he was still able to rejoice in life. When Werner Herzog saw this film he recognized Bruno’s potential and hired him to play starring roles in The Enigma of Kaspar Hauser (1974) and Stroszek (1977).

Dr. Zacharias is an experienced and demanding woman. She sees her daughter Manuela as the continuation and fulfillment of her own life. She wants her daughter to achieve as much or more than her, and under the easier conditions of the present time. But Manuela does not seem to be the type who can fulfill this aspiration, as she is superficial and stubborn. Manuela is even expelled from the university for cheating. But even now she seems unwilling to recognize her mistakes and turn her life around.

Shortly before the outbreak of World War II, a teacher tries to teach his students tolerance for others.

At the court of Frederick William I of Prussia, highly political marriage plans are being forged. Princess Wilhelmine's parents want her to marry into the English or Austrian royal family so that she can become queen or even empress. But she is in love with the crown prince of the small principality of Bayreuth...

Zündschnüre explores the emotional and psychological aftermath of war. The story follows two former soldiers who return home after serving in a brutal conflict. They find themselves struggling to reintegrate into civilian life, grappling with trauma, guilt, and their difficult pasts. As they attempt to reconnect with their families and rebuild their lives, the haunting effects of war continue to haunt them, testing their resilience and relationships. Fuses is a poignant and intense exploration of human suffering, healing, and the lingering scars of violence.

The crew of a small Saßnitz fisherman has problems with the "making a cultural socialist life". In order not to lose the competition prize again in the future, they want to show the organizer a collective weekend with all the trimmings. And they really do not mind ...

Tells of the tribulations of a middle-aged official of the Austro-Hungarian Bureau of Weights and Measures in fighting the local shopkeepers and traders whose weights are frequently light.

The Deutsche Staatsoper Unter den Linden is presented together with some of its best and most popular singers. A program of famous opera arias and scenes: Among others, Theo Adam sings Philipp's aria from Verdi's "Don Carlos", Peter Schreier the cavatina of Almaviva from Rossini's "Barber of Seville". Ute Trekel-Burkhardt and Isabella Nawe present a scene from Richard Strauss' "Der Rosenkavalier". The chorus and ballet also make their appearances. Between the numbers, the artists make statements about the opera house against the backdrop of the opera and its magnificent interiors.

A few couples initiate inquisitive sex techniques in complicated positions while a scientific commentary provides the cultural-historical background.