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All Our Life is Sots Art

Admittedly, it is not so often possible to see the birth, flowering and extinction of some creative direction in art during the life of one generation. Perhaps one of the rare examples of this kind gives us a creative direction that has gone down in history under the name "social art", which is regarded in the West as the most significant contribution of Soviet fine art to the world artistic process of the second half of the twentieth century. In our film, the fate of this creative direction is reflected by its brightest representatives – Vitaly Komar, Alexander Kosolapov, Leonid Sokov, Boris Orlov, Rostislav Lebedev and Mikhail Roshal. Their collective story about the fate of "social art" unfolds against the background of the chronicle of the political and artistic life of the 70-90s.

All Our Life is Sots Art

NR 2004
Манга

This is a fractured tale of Kiwi (Iaroslav Zhalnin), a teen thief with a penchant for driving his motorcycle into traffic, playing video games and turning invisible; Alisa (Vasilisa Petina), a young model whose face is splashed all over city billboards and ads, with whom Kiwi grows fixated; and Alik (Khazizov), a metrosexual writer who roller-skates in his cavernous hard-wood-floored apartment and plucks a drunken Alisa after her fateful encounter with Kiwi. Alik, responding to Alisa’s pleas, eventually confronts the pestering Kiwi; a misunderstanding (did he rape her? did he not?) erupts into violence.

Манга

4.6 2005
Caucasia

War breaks out in the Caucasus. 75-year-old Maria loses her son in the war. She and her daughter-in-law Sofia have been living in the Caucasus for 12 years. When famine strikes, they want to move to Russia. The women decide that they must go to Moscow. Maria takes her little dog and Sofia her small suitcase, gets on the train and sets off. In the next compartment, photojournalist Alexander is also traveling. Sofia and Alexander love each other. Maria realizes at one of the stations near Volgograd that she cannot live without the Caucasus. She writes a letter to Sofia and leaves the train with her dog...

Caucasia

5.0 2007
Wanderer

The thirst for a miracle lives in every person. The hero of the film, Fedor, witnesses an accident, as a result of which people close to him die. He decides that he was not saved by chance and now must change his life. Fedor is trying to live the way Orthodox hermits lived, tormenting himself with prayers and fasts. In this new world, he finds a guide - Father Hilarion. The hermit finally has hope that he will soon become an eyewitness of Revelation. But Father Hilarion is being killed absurdly and senselessly. Having experienced deep despair, Fedor will return to the people, experience love and jealousy, hatred and fear. And only when he reaches the edge - having decided to kill - will he become a witness of a miracle...

Wanderer

5.0 2006
Bastards

The protagonist in "Bastards" is a young resident of some Russian city. He unsuccessfully tries to adapt to the modern Russian savage life. The world around him lives by rules dictated by the black market and Chechen wars. It is a cruel and unjust world, where you can survive only with a bunch of stolen dollars instead of brains. For a young Russian, money is a symbol of power and strength. Even the new state ideology feeds on blood oil dollars. In Russia there is no more room for dreams. This is the era of anti-utopia.

Bastards

2.5 2000
Text or Apologia of a Commentary

The picture consists of two parts, the characters of which are busy commenting on what is happening to them and in the whole world. In the first part ("A Babysitter for a Boy"), the author plays with a literary character and a plot. In the second part ("Commentator for the Poet") The author plays with a fictional Poet (in turn, also with the author), who is portrayed by the Author-commentator. However, this Author is not the last in the hierarchy of similar characters.

Text or Apologia of a Commentary

8.0 2000
The Trouble of the Rings Two: Towers

The second installment of the low-budget parody of Peter Jackson's "Lord of the Rings", filmed in and around Moscow. The Fellowship is broken. To get to Mordor, Frodo and Sam have to employ the services of Gollum, an obviously schizophrenic creature (according to Sam's medical handbook). Meanwhile Aragorn, Legolas and Gimli have to free two captive hobbits from Sarumom's evil clutches. Together with the depressive king Theoden they have to confront her host at Helm's Crap.

The Trouble of the Rings Two: Towers

7.0 2003
Players, or Oleg Will Come Out Now

Oleg Menshikov is one of the most unsolved actors in both cinema and theater. A trail of rumors and opinions accompanies each of his new work. There are many more people who have heard about his theatrical works than those who were lucky enough to see them. Some people adore him and others do not forgive the slightest mistakes. Pyotr Shepotinnik was lucky enough to be admitted to the creative laboratory of actor and director Menshikov and freely observe how film roles and stage productions are created — the performances of Griboyedov's "Woe from Wit" and Gogol's "Players", which had a noisy fame.

Players, or Oleg Will Come Out Now

4.2 2005
Collection N1

A film about Soviet childhood. The focus is on an ordinary Soviet boy, whose story is full of humor and colorful phrases. It is conducted from his birth to the festive graduation night. The whole life of the guy flashes on the screen, the Octobrists, red ties, faith in the victory of communism, admiration for Lenin, the Olympics-80, the iron curtain and the rejection of Western values, the first dances and falling in love, everything points to an irrevocably gone time. Through the prism of everyday life and holidays of an ordinary guy, a whole era of the cult of socialism and faith in the Soviet Union emerges. The film "Collection No. 1" turns back time, making you remember the past with nostalgia.

Collection N1

NR 2006
New Year’s Eve at the Mariinsky

A truly remarkable New Year’s Eve in St Petersburg’s fabled Mariinsky Theatre, with Valery Gergiev and the Mariinsky (ex-Kirov) Ballet. It was at the Mariinsky Theatre in St Petersburg that the ballet The Sleeping Beauty premiered in 1890, with a score by Tchaikovsky and choreography by Marius Petipa. This New Year’s Eve programme revolves around Act III, in which Princess Aurora is brought out of her long sleep by the prince of her dreams and marries him. In addition, prima ballerina Uliana Lopatkina dances Camille Saint-Saëns’ famous Dying Swan, first performed by Anna Pavlova. In conclusion the soloists of the Mariinsky Theatre’s Young Singers’ Academy perform the finale of Rossini’s Journey to Rheims in a joyous celebration of the coming of the New Year.

New Year’s Eve at the Mariinsky

NR 2006
Regiment, Stand to Attention!

The material for the film was a unique photograph of the Kexholm regiment, taken in 1903. A photographic plate 65 by 110 cm (more than 1000 people in the frame) made it possible to clearly reproduce both entire groups and individual faces of soldiers. All filmed in one shot. The counterpoint to the image is fragments of letters and memoirs of soldiers and officers of the pre-revolutionary army. At all times, for the Russian soldier, the main principles were love for the Motherland, loyalty to the oath, and sacrifice.

Regiment, Stand to Attention!

NR 2007