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Jen Ives: Peak Trans

Understandably, many trans people just want to live their lives in peace - not rocking the boat too much, and living a normal, happy life among their peers. Jen Ives is not one of them. In this stand-up show filmed at the Edinburgh Fringe Festival, Jen takes on hot button issues, such as biology, gender critical “feminism”, the LGB Alliance, pornography & of course - JK Rowling. The conversation is as vital as ever, as everyone and their nan seems to be discussing trans women’s validity these days. The only people who don’t seem to get a say, are the trans women themselves.

Jen Ives: Peak Trans

NR 2022
Embers from Yesterday, Aflame.

A transcendental meditation on withered trees struggling to be reborn. A fleeting glimpse into the seemingly trivial occurrences of daily life. A sheer ecstasy of physical intimacy viewed through celluloid films, in which the life of the emulsion is decaying: during the lockdown, film footages were “disinfected” by disinfectant, surface cleanser and hand sanitiser gel, specifically, household chemicals which were alleged to “kill 99.9% of bacteria and viruses”, and which helped us prevent the spread of coronavirus. Returning images that have shapes to the shapeless, in the physical fragility of the cinematic medium, allows for the viewer’s hallucinatory perception of matter in a state of continual creation and dissolution.

Embers from Yesterday, Aflame.

NR 2022
Scotland: The Passion of the Play-Offs

World Cup 2022 – we’re nearly there! And we’ve been nearly there before. This is a nostalgic celebration of the Scotland men’s team’s play-off history from 1961 onwards. A story rarely told, revolving around those special times when the entire nation gets gripped by play-off mania. All or nothing matches. Featuring those who were involved, those who attended and those dancing around their living room at home as the drama unfolded in stadia from Australia to Serbia.

Scotland: The Passion of the Play-Offs

NR 2022
Where the Mouth Is (Machinima Version)

Set in the Saxon-era archipelago once where Oxford now stands, “Where the Mouth” is (re)builds Oxfordshire as an interactive world outside of time, leaping off from the collections of the public Museum of Oxford. You are let loose in the swampy terrain to observe the local tradition of ‘beating the bounds’ – marking parish boundary stones with a stick in order to embed them in the memory of the town’s residents. The mouth of that collective memory has issued many truths, half-truths, desires, cries, anecdotes, apocryphal stories, and tiny reminders of a future from the past. Originally commissioned by the Museum of Oxford and Digital Artist Residency, with later support from Bloomberg New Contemporaries Digital Fellowships; Soundtrack by Peter Talisman (Slugabed and Samuel Organ) as mixed from their 2021 album ‘Lord of the Harvest’; Movement/ motion capture performance by Anya Sirina; Special thanks to Tom Milnes.

Where the Mouth Is (Machinima Version)

NR 2022