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A Mother

Marie lives alone with her 16 year old son. She struggles to get by with this teenager who gets deeper and deeper in violence and juvenile delinquency. Speaking sentimentally, things are not going better: the relationship with her lover has come to an end. It may seems depressing, but Marie doesn’t give up, even if love seems to be an inaccessible dream. But love, there is. We can feel the affection of this mother for her troublesome child, thanks to Mathilde Seigner, who gives an astonishing performance. A subtle directing, a strong and captivating story, in short: a must see.

A Mother

5.3 2015
Guyane, amours taboues

Matilda Pierre, a 26-year-old Guyanese actress, chooses to tell her story and publicly embrace her sexual orientation in a society where homosexuality remains largely taboo. Attracted to women, men, and transgender people, she must deal with insults, threats, and the weight of others’ judgment. Through her testimony, Matilda reveals the reality experienced by many young LGBTQIA+ people in French Guiana. The documentary also gives voice to other young people, such as Marcus, a bisexual Amerindian who hides his orientation for fear of rejection from his family. Between silence, fear, and social pressure, many live their identities in the shadows.

Guyane, amours taboues

NR 2026
Irréalisable

Six strangers come together for a week-long vacation at the stunning Mimosas guesthouse. With its warm and inviting atmosphere, life there feels perfect. The hosts, Greg and his wife, Sublima, are incredibly charming and attentive, ensuring their guests feel right at home. But beneath the surface of this idyllic retreat, danger lurks. One of the guests harbors a sinister plan, unknowingly entangling everyone in a web of deceit. What begins as a dream getaway is about to spiral into a nightmare.

Irréalisable

NR 2026
Jean-Jacques de Félice, The Passion For Justice

From the rights of minors before the juvenile court, young offenders from the neighborhoods of eastern Paris, or children of Algerian origin from the shantytowns of Nanterre, to the defense of colonized Kanaks and Polynesians; from the fight for conscientious objector status to the denunciation of torture and the death penalty, lawyer Jean-Jacques de Félice has been involved in every struggle. His pacifism knows no bounds: with organizations like Cimade, LDH, and the Louis-Lecoin Committee, he assists draft dodgers in numerous countries. These include Portuguese conscientious objectors refusing to fight in the wars in Angola and Mozambique, American deserters opposed to the Vietnam War, and Israeli objectors refusing to serve in the Occupied Territories. It is no surprise that, as early as 1971, he was one of the very first lawyers representing the farmers of the Larzac plateau.

Jean-Jacques de Félice, The Passion For Justice

10.0 2018
The Mad Adventures of Rabbi Jacob

In this riot of frantic disguises and mistaken identities, Victor Pivert, a blustering, bigoted French factory owner, finds himself taken hostage by Slimane, an Arab rebel leader. The two dress up as rabbis as they try to elude not only assasins from Slimane's country, but also the police, who think Pivert is a murderer. Pivert ends up posing as Rabbi Jacob, a beloved figure who's returned to France for his first visit after 30 years in the United States. Adding to the confusion are Pivert's dentist-wife, who thinks her husband is leaving her for another woman, their daughter, who's about to get married, and a Parisian neighborhood filled with people eager to celebrate the return of Rabbi Jacob.

The Mad Adventures of Rabbi Jacob

7.4 1973
Les dernières cartouches

The scene depicts the well-known episode depicted in a famous painting. Two groups of soldiers follow each other into the room and open fire. A grenade explodes. One of the men falls, wounded. The famous painting in question is by Alphonse de Neuville (1873), entitled Les Dernières Cartouches (The Last Cartridges), depicting one of the most glorious episodes of the day at Bazeilles (September 1, 1870), the defense of the Bourgerie house by a group of French soldiers and officers, led by Commander Lambert and Captain Aubert. There is another unlisted version of this subject in which an intrusive spectator can be seen at the top of the painting.

Les dernières cartouches

NR 1897