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Lucia - the secret of shooting stars

Vladimir, a polar bear and James, a penguin, travel into space aboard the Polaris to study polar auroras. Hit by a meteorite, they crash at the foot of a pre-Columbian pyramid and meet Lucia, a hummingbird who is passionate about rocks. She tells them about a legend evoking “stones of light”. Meteorites, shooting stars, these “stones of light” intrigue them all. In order to solve this enigma, they board for the Moon, then the asteroid belt, and finally land on a comet nucleus. Who is having fun throwing stones from space? Hypotheses, observations and analyses will allow them to find answers to their questions back on Earth!

Lucia - the secret of shooting stars

NR 2018
Seleone

Meet Seleone, an elder from Hihifo district on Wallis Island. He is interviewed by Lotana, a nurse, who asks him about traditional ways of life, and how to integrate this knowledge into methods of teaching young people about non-communicable diseases. Through interviews with Seleone, the film shows how modernisation has profoundly changed the Wallisian way of life, with a focus on the abandonment of subsistence farming, hunting and fishing, and the introduction of imported processed foods.

Seleone

3.0 2018
Toli Toli

Toli Toli uses the spacial metaphor of an old children song to convoke a political and intertwined narrative of the guadeloupean territory. In the poem-video, the "toli toli"(that means"chrysalid" in créole) shows directions toward an inner elsewhere, toward places and distances shaped by the presence of coloniality.Two hands seem to weave repeatedly with an invisible matter, understanding the technique of the bamboo weaving as the structure of language. Both the song and the bamboo weaving technique (used before to realized fish traps) have almost disappeared of the guadeloupean culture/knowledge.

Toli Toli

NR 2018
Décor

The main character of this film is the villa. I was struck by its grandeur. I wanted to let it speak and make it sound. I did not want the characters in the film to overshadow the presence of the architecture and the art pieces. Those who owned the villa donated it to the State once. At the heart of its history is the donation that the State has had difficulty in receiving. It is one thing that those who do not know it ignore: wealth is a form of exile, far from others, far from common fate. It may even resemble a gilded prison, creating a form of extreme solitude, unless it is shared and becomes public. With what it has become today, this place fulfils its destiny, which was perhaps inscribed at its creation in the form of its architecture, too pure and too monumental to make it a private place. The three characters in the film discover this place, its magic and its meaning, and weave together an allegory on this subject.

Décor

NR 2018
The Body’s Legacies Pt. 2: The Postcolonial Body

Police violence and racial body politics in postcolonial France. Throughout the work four decolonial thinkers and activists share thoughts around the subject of the individual and collective racialized body. The exchange pivots around a concrete, devastating instance of racially motivated police aggression where a young man of Congolese descent, Théo Luhaka, was assaulted by police officers following a race-based identity check in a Parisian banlieue in 2017.

The Body’s Legacies Pt. 2: The Postcolonial Body

NR 2018