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Ulrike Marie Meinhof: Letter to Her Daughter

Filmmaker Timon Koulmasis, a 33-year-old filmmaker, wanted to understand why his childhood friend's mother became a terrorist and how she, herself an orphan who never recovered from her loss, abandoned her daughters. Ulrike Marie Meinhof is an intimate portrait of a woman whose name became taboo in her family for twenty-five years. The film consists of amateur footage, texts written by the journalist, her public and television appearances, and, above all, testimonies from her loved ones, punctuated with archival documents, to better reveal the profound disconnect between the woman and the superficial image of her portrayed by her era. She is neither the bloodthirsty caricature denounced by the media nor the “martyr” described by some activists.

Ulrike Marie Meinhof: Letter to Her Daughter

6.0 1994
Western

Catalonian Paco is a traveling rep for a shoe manufacturer. When he stops to pick up Russian emigree hitchhiker Nino, Paco soon finds himself on the side of the road with everything stolen out from under him. Local gift shop owner Marinette gives the Spaniard a lift. Their mutual attraction manifests itself quickly, and Paco, who was fired over the stolen-car episode, hangs around. When he happens to spot Nino in the same town, he beats up the scrawny Russian, who lands in the hospital. Oddly enough, this marks the beginning of a beautiful friendship. Paco and Nino soon take the trip down the road together

Western

6.2 1997
October 17, 1961: A day that went missing

This documentary bears witness to the events that took place more than thirty years before the filming of this movie, on October 17, 1961, in Paris, during the Algerian War. It is a work not only about historical truth but also about memory. Constructed primarily from interviews conducted with those involved in the events, along with archival footage, photographs, and radio broadcasts from the time, our investigation proves that nearly 200 Algerians were killed (drowned, tortured) that night and in the days that followed by the French police. "A Missing Day" seeks to ask two key questions: how could such events have unfolded in the capital of a Western democracy barely thirty years ago? And why have they been silenced ever since?

October 17, 1961: A day that went missing

10.0 1992
Éric Escoffier - Portrait of a Man Who Became Ordinary

Meeting in Chamonix with Éric Escoffier, famous mountaineer of the 80s, victim of a car accident in September 1987. Victim of multiple fractures and total paralysis on his left side, Escoffier managed to walk again, despite the doctors' pessimistic prognoses... The commentary on images of Éric Escoffier in his daily life in Chamonix and archive images and photographs alternates with archive documents, extracts from the films "Profession grimpeur" by Philippe Lallet and "Face nord" by Jean Afanassieff as well as interviews with the protagonist, Rémi Éric Escoffier and Michel Garcia. Great among the greatest, Éric Escoffier, who disappeared in the mountains at Broad Peak on July 29, 1998, will never have been an ordinary man.

Éric Escoffier - Portrait of a Man Who Became Ordinary

10.0 1994
Au Nord De L'Hiver

A cold odyssey over more than 8,000 km through contrasting territories, from the mountains of Mongolia to Lake Baikal, from the taiga to the Siberian tondra: this is the challenge that Nicolas Vanier has set himself. The adventure will last 18 months, 18 months during which Nicolas and his team face one of the most hostile regions of the globe before reaching the Arctic ice. An exceptional route, where only traditional modes of transport are used to overcome the constraints, each time different, of the regions crossed...

Au Nord De L'Hiver

10.0 1993
A Vampire in Paradise

Is Nosfer Arbi a vampire? Or is he just a very emaciated, very strange and possibly quite lonely young man from an Arabic country with an obsession with death? On the other hand, why is the previously cheery Parisian teenager Nathalie Belfond throwing fits and speaking in Arabic? Her strange behavior began with the appearance of a caped and cadaverous man outside her window. Mr. & Mrs. Belfond have their hands full trying to sort this mess out, in this extremely unusual and award-winning comedy which puts a new wrinkle on the vampire mythos.

A Vampire in Paradise

5.5 1992
Les 4 saisons d'Espigoule

Filmmaker Christian Philibert takes a tongue-in-cheek look at his old hometown in this mock-documentary about a small French community and the people who live there. In Les 4 Saisons d'Espigoule, Philibert returns to the town where he grew up (and left when he was 25) to film the residents for a year. In addition to capturing Espigoule's annual Goat Rodeo and New Year's Eve costumes, the audience gets an inside look at the backbone of the local economy (sheep herding) and a night of big excitement (a bingo match). We also meet a few of the locals, who show off their talents (painting, classical piano, imitating Liza Minnelli). While scripted in advance by Philibert, the film was indeed shot in his hometown, and the "actors" playing the citizens of Espigoule actually do live there.

Les 4 saisons d'Espigoule

7.2 1999
Where the Heart Is

From the director of Marius et Jeannette, this story of two working-class families is a fable with an optimist streak. A young black man, Francois, is wrongly accused of rape by a racist policeman. The story is told in voiceover by his childhood friend, neighbor, and the mother of his future child, Clementine, who is white. The city is Marseilles as in the previous film, symbolic with its churches, prisons and ruins. Except in this film, director Robert Guediguian also ventures outside, taking the story to Sarajevo; two different cities, one devastated by war, the other by a bad economy and unemployment. A la Place du coeur won a Special Jury Prize at the 1998 San Sebastian Film Festival and was also shown at the 1998 Toronto Film Festival and the 1998 Montreal Film Festival.

Where the Heart Is

6.1 1998
Germaine et ses copains

In Sangha, through the window of her house, Germaine greets Djamgouno, her main informant. He then translates for her a conversation she has with a half-blind old man. She recounts her memories of a past party at which Amadigné worked with her as an informant. Later, in front of the cliff, Germaine, Djamgouno and Pangalé are sitting on rocks, and Germaine talks about the many caves that can be visited by climbing small spelunking ladders. Rouch intervenes during the interview, asking the protagonists about the settlement of the cliff by the Dogon, who learned from the Tellem how to climb the cliff. Rouch then asks about the Tellem's predecessors who lived there 2,400 years ago. Germaine admits the ignorance of researchers on the subject, and Rouch concludes by joking about the new task that now falls to Germaine Dieterlen.

Germaine et ses copains

NR 1996