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Television adaptation of the Brothers Grimm fairytale.

Private detective Fritsch from Munich had received a lucrative assignment: he was to obtain proof of inheritance for a Mr. Seligmann from Canada; this would bring the client a sum of five million dollars. He is therefore looking for an old document that was hidden in a valuable painting that disappeared decades ago. The starting point is a trail that leads to a town in Poland. The painting in question is said to have disappeared there in the final years of the Second World War. But the object of desire cannot be found here, and a new clue points to a grave in Frankenthal in the German state of Rhineland-Palatinate. Fretsch then found out that the painting must probably be in the villa of a personality with significant influence in the economy and politics of West Germany. Fretsch manages to get in touch with the wife of the presumed new owner of the painting and to find out the secret of his rise to multimillionaire status. But the people concerned use their resources to counterattack.

A portrait of a family in Berlin in the late 1970s, this film focuses on the mother.

A strike for better wages puts machine fitter Dieter Wittowski in financial difficulties. This upsets his plans for the future and brings his wife a step closer to self-realization, as she now accepts a more responsible job against his will. There are also disagreements with his father, whose blacksmith business he describes as a supplier for mass sales.

In the middle of the night, Nicki is once again haunted by intense feelings that she can't explain. A visit to the doctor is supposed to help and behold: the more he pokes around in the past, the more a connection between Nicki and her twin sister Karen becomes apparent. In addition, the two ladies are each pursued by a menacing man who roams the streets late at night with a knife and seems to be in cahoots with an oddball antiques dealer.

Thomas Stangassinger may be the farmer on the farm, but his wife Stasi is the master of the house. However, major complications only arise when the two sons Sepp and Toni fall in love with the same girl. The farmer's wife, who is very happy with Vevi as her daughter-in-law, gives the girl a choice: either Sepp or Toni, so that there is peace in the house again. Vevi decides in favor of Sepp. The old farmer is furious and wants to prevent the wedding by any means necessary. As the daughter of the old sawyer Korbi, the girl brings no dowry into the house.

In May 1945, returning soldier Michael Duda finds his hometown Weißenthal unoccupied. He meets escaped camp prisoner Arno Laube, who leads the town’s ad hoc move toward democracy and improbably appoints 19-year-old Michael as mayor. Tasked with refugees, shortages, and rogue soldiers, Michael must prove himself in a fractured No Man’s Land.

A television reporter reports in an episode film about the magazine "St. Pauli News".

The great, increasing intensity of the film results from an interaction of the actress and camera not yet attempted in this way. The phases of emotions of a life lived through in a few minutes - the theme that the film has posed - are completely expressed. Time-lapse and delay immediately express the external process, the performer adequately succeeds in demonstrating the internal processes. Interesting are the nuances with which the color scheme follows the development of the idea. This applies here in a special way also from the acoustic processing.

After a woman’s silent rage erupts into a fight post-coitus, a women’s group analyzes her refusal to stay passive. Another scene shows a woman’s despair when her lover misses their meeting, prompting the group to reject passive waiting. Together, they combat issues like rape, prostitution, and abortion rights (§218) to reclaim self-determination.

The film addresses the failure of the individual in anonymous urban society. The film begins as men attempt to break out of their anonymity and reveal themselves. In doing so, they encounter social rules that are not suited to them. The film asks how men can survive in a chaotic city by remaining silent.

For thirty years, Karl Achilles has been working at the chemical collective in Bitterfeld. But now his last day as a master at the plant has come. He is about to retire; even if Karl, who finds ending his working life difficult, wanted to stay on, it would not be possible. Karl’s colleagues have arranged a farewell dinner for the retiring master at an outdoor restaurant. But on his last day of work, before the farewell dinner, he meets all sorts of people: both colleagues and people, who do not work at the plant. A mosaic of the biography of a person who found fulfilment in his work and now has to look for the meaning of his life anew.

Self portrait of psychiatrist, filmmaker, musician and art collector Ottomar Domnick.

Hotel manager Lis has loved the doctor Dr. med. Peter Arco since her childhood, who could theoretically be her father, still sees a child in her and is also the best friend of her brother Georg. Since Peter lives alone as a confirmed bachelor, Lis thinks of a ruse. She claims to be pregnant, but to have long since left the father of the unborn child. Georg, who wants to run for mayor in the next election, could cost his almost secure position with an illegitimate child in the family. Lis convinces him that one of his best friends should be willing to marry her for a contractually agreed short period of time and then divorce her again after the child is born. She suggests Peter, of whom she has a portrait, to whom she talks secretly. Georg persuades Peter to marry Lis and he stands by his friend ...

The unsuccessful writer Ritchie can't stand his brother, a criminal businessman. When both fall in love with the beautiful Lilian, a dangerous game of revenge begins.

Emilia Galotti is an adaptation of the German drama of the same name written by Gotthold Eprahim Lessing.

Berlin, end of the 70s. Six-year-old Metin lives in Kreuzberg. He is Turkish and at the age of six he already has a lot to do. He is not yet at school and his parents both work. Most of the time Metin is alone and has to go shopping, look after his little sister and help out around the house. Anne, a German girl of the same age, has just moved into the front building. She makes friends with Metin and he, who knows his way around, shows her Kreuzberg. The two find the language difficulties more comical than divisive. However, their friendship meets with little understanding on both sides. The Turkish children don't like Anne and the Germans don't want to play with Metin. So they mostly keep to themselves. The situation becomes increasingly difficult, but then Anna has a great idea of how to shake up the prejudices on both sides - at least for a while.

The film documents the work of an anti-authoritarian and self-organized school store in Witzlebenstraße in Berlin-Charlottenburg, which emerged as a critique of the development of children's stores. The film shows how the teachers discuss the conversion of open spaces into playgrounds with the children and how the children jointly prepare the publication of their newspaper "Radau". The concept of the children's stores was developed by the Action Council for the Liberation of Women, which emerged from the Socialist German Student Union (SDS), at the Free University of Berlin (FU) and was organized as self-help from January 1968. Helke Sander was one of the co-founders of the Action Council.

Documentary that blends dramatized reconstructions, personal reminisces and newsreel footage to tell the story of the flight of German refugees through occupied France to Marseilles in 1940. In 1977 Ingemo Engström and Gerhard Theuring embark on a journey through France. They trace the escape route of the German emigration in France 1940/41, documenting the places, talking to witnesses, relating the temporal layers.

A dramatic study of parent-child relationships.

Dr. Oskar Sommer, a good-natured high school teacher, takes on a momentous task for the school janitor, also named Oskar Sommer: he is to play the role of the janitor's daughter's father for a few days. Since the real father has not been seen for 15 years and has pretended to be a teacher in his letters, the two Sommers promptly pick up the wrong person at the train station.

Stiff formal exercises of the young dancing pupils and hot beat rhythms in the discotheque.

The unscrupulous bar owner Otto Grolbek hires the masseur Janos Klewe to murder his landlady. He then wants to inherit her and get his hands on some urgently needed money. But things turn out differently than planned: Janos is killed during the attempted murder in Portugal and Vera returns to Germany terrified. Now Otto has to commit the crime himself and kills his landlady. He disguises the crime perfectly, but has not reckoned with Inspector Mungowski's subtlety ...

In collage sequences, the surrogate of synthetic sensuality takes form and seduces the sailors in the guise of a Hawaiian girl. In ritual punctuation, she distributes deaths which seemingly only the hardy siren Fatality can survive.

She is called Dona Juanita: the attractive young architect Anita Nachtigall, who manages a department on a large construction site with great success. She is said to have had many affairs and, so it is said, the death of a certain Sawallish. The evil afterspeech puts Anita so that she announces her place. But a young safety inspector on the job site doesn't want her to leave. He cares what really happened...

Eduard and Charlotte live an isolated and idyllic life together. But soon Eduard feels that something is missing and he invites his friend Otto to come stay. Charlotte, meanwhile, decides that her foster daughter Ottilie should come live with them. Complex and passionate relationships between the four people begin. Based on Goethe's novel of the same title.

Statements from 60 to 80 year old lace-makers on looms from the Basle area about their profession.

Bavarian sex comedy from Germany

The film depicts, in an anecdotal, quasi-anthropological style, the efforts of a group of men in a desert to achieve some kind of social organisation. An opening title locates the action in Morocco, in 1911, the date evidently refers to the work of D.W. Griffith.

Gustav Andresen, a former ship's cook, initially struggles as a restaurant owner, but eventually puts down roots near the Brunsbüttel canal lock. The young sailor's widow Yvonne Bröhan has successfully completed radio school in Hamburg and embarks on her first voyage as a radio operator. Chally Tonzel, who has replaced Gustav as the ship's cook, is faced with the difficult choice of which of three equally attractive sisters he should marry. Lore, now the wife of the Dutch owner of the Kümo, Henk van der Meyden, knows how to assert her rights on board against her mother-in-law.