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The Pornographers

Subu makes pornographic films. He sees nothing wrong with it. They are an aid to a repressed society, and he uses the money to support his landlady, Haru, and her family. From time to time, Haru shares her bed with Subu, though she believes her dead husband, reincarnated as a carp, disapproves. Director Shohei Imamura has always delighted in the kinky exploits of lowlifes, and in this 1966 classic, he finds subversive humor in the bizarre dynamics of Haru, her Oedipal son, and her daughter, the true object of her pornographer-boyfriend’s obsession. Imamura’s comic treatment of such taboos as voyeurism and incest sparked controversy when the film was released, but The Pornographers has outlasted its critics, and now seems frankly ahead of its time.

The Pornographers

7.2 1966
The Boss

Pursued by a rival gang after a violent robbery, Toni escapes with nearly thirty million francs. On the train to Paris, to avoid arousing suspicion, he has no choice but to threaten an honorable philosophy professor, Justin Mignonnet, with his gun, so that he will carry the loot for him. To make sure he returns the money, he takes his papers and makes him promise to be present at the exchange appointment at the Pigalle Hotel the next day. Completely lost, Mignonnet decides to obey orders, but just as he is about to return the money, a young woman, a member of the enemy gang, comes to collect it.

The Boss

5.6 1960
Third Sister Liu

Liu Sanjie is a story that originates from the Zhuang minority people; the largest of the minority groups in China. It’s based on the legend of a woman called Liu Sanjie (literally meaning “third sister of Liu family”). Across generations, the story has become an oral tradition amongst these people and similar characters have even been found to exist in other minority cultures. According to legend, Liu Sanjie had the gift of a beautiful singing voice from a very early age. So beautiful was her voice, she could quell anger and raise the spirits of the people around her. The story became famous around China when the movie Liu Sanjie was released in 1960 – a rare musical production in Chinese cinema.

Third Sister Liu

7.0 1960
San Ferry Ann

A motley crew of British characters ride The San Ferry Ann to the shores of France where they embark on a weekend of calamity. The campervan family led by Dad and Mum (David Lodge and Joan Sims) create chaos from the moment they set their tires on the shore resulting in frequent run-ins with the Gendarme, while Lewd Grandad (Wilfred Brambell) finds his own misadventures with a newly acquainted friend, a mad German ex-soldier (Ron Moody). Also aboard for the ride is a saucy hitchhiker (Barbara Windsor) who causes a few heads to turn including that of a fellow traveller (Ronnie Stevens) who pursues her affection with comic results. By the end of this weekend the French may well be wishing to say 'au revoir' to these trouble-making tourists. San Ferry Ann is a humorous take on the tradition of the British get-away. A classic sound effect comedy that sits with the likes of similarly praised titles such as 'The Plank', 'Futtock's End' and 'Rhubarb Rhubarb'.

San Ferry Ann

6.4 1965
The Mailbox

Novruzali brings a gift from the village to the Khan as usual. The Khan writes a letter to his friend living in Yerevan, promising to come there with his wife and to tidy and heat the house where they will stay. He sends Novruzali to the post office to put the letter in the mailbox. And instructs him not to give it to anyone. Novruzali, who does not know what mail is, puts a letter in the mailbox for the first time in his life. Not knowing the rules, he waits near the mailbox. When the postal worker takes the letters from the mailbox, Novruzali thinks he is a thief and confronts him.

The Mailbox

NR 1967