Discover Movies

Juliette Fleck is a young visual artist who lives between Évreux, Paris and Marseille. From hopes to disillusion, from galleys to fantasies, she takes us on the thunderous journey of her thoughts and her life as an artist.

Documentary by Occitane Lacurie.

This work is a long-term research project developed until now in 10 different cities over the world: Seoul, Bogota, Naples, Saint-Petersburg, Rabat, Tokyo, Kyoto, Shanghai, Doha and Venice. Born as an artistic commission for the Agora Biennale in Bordeaux around the theme of the moving landscapes, these videos plunge into cities in a spontaneous and subjective approach with very modest means in order to translate in the closest possible way the feel of their constant moving nature: their human landscape. Presented in a comparative dynamic through the lens of a selection of themes and issues linked with the street daily life, the videos enable us to perceive each of these different urban contexts as an experimental, local and unique laboratory answering the same global challenge of how can we live all together.

By protesting, glueing strong messages in the streets, organising bike "rides" through town, and even by decolonising mentalities through art... Whether alone or as a collective, these women* activists are fighting inequalities based on gender, racism and sexism within the urban space. To each their own action and at their own level, they call out the prevailing patriarchy and suggest alternative egalitarian ways of living together, in a territory where nobody would be invisibilised or depreciated. Fourth-wave feminism is taking over Brussels so no sister will be alone in public space again.

A deer faces its double. The bodies collide, moving forwards and backwards in turn, in vain. Geese, at first feverish, then carried away by violence, will transform this confrontation into a gentler dance.

Rape has been used as a weapon of war in the conflicts that have ravaged the Great Lakes region in recent decades. Victims are courageously speaking out, some for the first time.

A short film about the madness of body perfectionism.

This film is the product of a seven-year research journey on the popular insurrection of December 1960 in Algeria and the failure of the counter-insurrection, thanks to the Wretched of the Earth themselves.

In an immersive presentation, a developing universe, vast and flourishing, is brought to life as if the spectator were in the very heart of the recipient, where the chemical reactions take place. The artist grows minerals like as many architectures in a jar, "a theatre for new, potentially marvellous activities". The result, in white monochrome, becomes both subtle and abstract.

In the north of France, the Ascoval steel plant is threatened. The 300 employees have one year to find a buyer. The lives of these men, women and their families are at stake. Their tenacity and their union will be their strength.

Rosa’s jumper unravels little by little as she crosses the Mexican desert.

In the past years, in France and in Germany, distrust between the people and law enforcement has been on the rise. For many citizens, the police has become their enemy.

What will happen if propaganda will lose its voice? And become a pure silent movie performance. Suddenly it appears to be less powerful & impactful. Theatrical essence of propaganda is clear & striking. Journalists & hosts are actors on the scene of post-Greek theater embodying tragedy on screen. "The Society of the Spectacle" needs its own Avengers & propaganda fill these needs with fine actors. Sound is something we strive to find on YouTube, in social media or TikTok. Silent videos become uncomfortable unless they aren't filled with entertainment (including guns, murders or big newsbreak slogans).

The past is always out of reach, yet we’re always pulled towards it. Ismaïl Bahri's poetic film plays with this paradox. We see two hands holding a photograph which is illuminated by strong light from two sides, blinding us to its contents. Only the shadows cast by the hands reveal what is hidden by the light: a crowd gathering on 20 March 1956, Tunisia's independence day. A synaesthetic gesture, where seeing is enabled by touch.

Two brothers look at a blue screen where their father is judged by a near future technology call : THEMESIA.

One minute to tell Clouzot's "Diabolique", by Léa Krawczyk.

The Paccha-Picchus are festive little creatures. They live a carefree daily life in sync with the mountains. When the mountains come, their oasis rises and they are lifted up into a winter climate. The Paccha-Picchus are very fond of the winter climate, which is vital for them. But one day, the mountains stop coming and the restless Kinko decides to go looking for them.

Based on the realisation that it feels good to make a little fun of the "president of the wealthy" at the moment, the director chose to animate E. Macron in turn as a disco dancer, vampire-banker and extreme jet-skier!

No Return is a French melodic Thrash-Death band that was formed in 1989.

Deep into her dreams, Ava wanders through the mysterious walls of her childhood dollhouse.

William, 18, is a shy young man trying to forge an identity and find his place in the world around him. It's the beginning of summer, and he's been invited to Plume's house for a small end-of-year party. This evening was supposed to mark the end of a period they spent together before the start of their student life, but the events that are about to unfold are likely to surprise the group of friends and give this joyful moment a completely different twist.

Aziz Boumediene performs his writing on an old wooden sailing ship docked in the port of Ile du Frioul, off the coast of Marseille.

Born in 1968 in Manchester, Great Britain. Painter, writer and singer of the group LARYNX AND CLAW (formerly “The Umbilical Chords”), Scott Batty has produced several books of images and poems.

A farmer lives an idyllic life in the Swiss Alps, until one of his goats gives birth to a kid that looks more like the farmer than a goat. To hide the traces of this bestiality, he makes cheese out of his newborn child.

The last man on earth is running away from the last zombie.

Asthmatic and CoVid-19 positive, 37 years old Sandrine is denied hospitalization and is cooped up at home for 15 days.

A filmed manifesto about our trans bodies, their beauty, their glory and their ability to evolve with us along the way.

Lea has been dead for two years. That's what she says. Yet she keeps coming back to the house where she lived with Chloe.