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Pap’s et Zébulon

“Roche” from father to son… Bertrand Roche, nicknamed Zébulon, the spring-loaded character from The Magic Roundabout, comes from his inability to stay still. At 11, he reached the summit of Mont Blanc, which he has since climbed more than fifteen times. At 12, he took up paragliding and, in the United States, climbed the famous Nose face of El Capitan in Yosemite with his father, Jean-Noël Roche, known as Pap’s, a renowned Himalayan mountaineer and paraglider. He was filmed during this journey by Philippe Lallet and became the central figure in the documentary film Pap’s and Zébulon, as well as in the book written by Jean-Noël Roche and Claude Roche: Pap’s and Zébulon, or, The Extraordinary Adventures of a 12-Year-Old Mountaineer.

Pap’s et Zébulon

10.0 1986
Benvenuta

A passionate affair set against the intense encounter between a film-maker and a novelist. The story begins with young scriptwriter François tracking down the author of a once-scandalous novel. His aim is to adapt the work for the screen but several elements of the novel he finds difficult to comprehend. The author, Jeanne, is initially cautious of relaying information, insisting the presumably autobiographical book in no way relates to her personal life. However, eventually she takes the man into confidence to tell the background of Benvenuta.

Benvenuta

6.2 1983
Rends-moi la clé!

A French comedy-thriller about an unsuspecting man whose life is upended when a mysterious key lands in his hands. What appears as a trivial curiosity soon reveals its dangerous significance, dragging him into a labyrinth of criminal conspiracy and intrigue. As shadowy figures and relentless law enforcement close in, a series of mistaken identities, unexpected alliances, and perilous encounters ensue. Blending humor with suspense, the narrative demonstrates how one seemingly insignificant object can set off a cascade of unforeseen events and force a confrontation with both external threats and inner turmoil.

Rends-moi la clé!

9.0 1981
Bad Hats

In this routine drama, two men (a crass Brit and a slow Frenchman) decide to evade the war in 1917, but their flight on a stolen boat goes awry and they end up on the coast of France, close to the fighting they wanted to leave behind. Once on shore, they make the acquaintance of a like-minded young widow who begins an affair with both men (she just wants to have a child by each) -- but their unusually idyllic existence is threatened with imminent tragedy as the French army advances ever closer.

Bad Hats

7.0 1982
Jeune femme à sa fenêtre lisant une lettre

Jean-Claude Rousseau's Jeune femme à sa fenêtre lisant une lettre is not only his first medium-length film, but a chance to discover this filmmaker whom Jean-Marie Straub has called, along with Frans Van de Staak and Peter Nestler, the greatest working in Europe. With this newly restored print there is also a possibility to discover the relationship between Rousseau's art of filming and Jan Vermeer's famous painting. As Prosper Hillairet wrote in 1988, four years after Rousseau had finished Jeune femme ... (for the first time as we know today): «Without adopting the usual systematic spirit and form of cinéma structurel, Rousseau presents us with simple images and leaves it at that. Keeps the image in hand. A minimalist and ascetic expression of cinema: a shot that lasts.»

Jeune femme à sa fenêtre lisant une lettre

5.5 1983
The Nonentity

Each evening, four men – a doctor, a journalist, a professor and a merchant – meet up in a deserted bar to play cards. As they play, the bar’s owner, her downtrodden barman (nicknamed “le paltoquet”) and a strange woman in white watch from a distance. One night, the card game is disturbed when a police inspector suddenly appears and declares that a dead body has been found nearby. Certain that one of the four men is the murderer, the inspector starts his investigation. All the evidence suggests that the doctor did the deed, but we soon learn that nothing is quite what it seems…

The Nonentity

6.1 1986
Abel Gance et son Napoléon

This documentary focuses on the making of the 235-minute, silent epic Napoleon, the masterpiece of French director/writer/actor Abel Gance. Napoleon showcased Gance's talents with the camera, his use of multiple-images (like a split screen), and his handling of crowded action scenes -- all brought forward in this documentary by his later assistant, Nelly Kaplan. While Gance was shooting Napoleon in 1925-26, he and his crew were also being filmed for a documentary titled Autour de Napoleon. The only extant reels from that documentary are included in this film, as well as views of Gance's unique "triptychs" -- three different scenes lined up side-by-side across a super-wide screen to convey the effect of a panorama, or of three separate interludes. Nelly Kaplan put together this documentary using old footage, such as Gance filming the famous snowball fight at the Brienne military school and still photographs and excerpts from Gance's production diaries.

Abel Gance et son Napoléon

5.5 1984
Les surdoués de la première compagnie

As soon as they arrive at the barracks, the new contingent reveals some characters who will give their officers a hard time. There is the handsome, resourceful man, the technocrat in love, the bootlicker, the "Jamaican" who only moves to music, the shortsighted man... and all the others. Sometimes to see the nurse undress, sometimes to arrange an appointment with a fiancée, sometimes to cuckold the obtuse non-commissioned officer whose wife is volcanic, sometimes to have a free lunch in a great restaurant, the handsome man invariably deploys a wealth of cunning. And each time it is the colonel's servile driver who gets caught instead of him.

Les surdoués de la première compagnie

3.8 1981