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Maître Galip

Maître Galip is the most poetic and powerful of Pialat's Turkish Chronicles, using the poems of Nazim Hikmet to accompany a series of evocative images of ordinary working class people in Istanbul. This was the film that Pialat himself claimed was the most complete realization of what he was aiming for with his Turkish documentaries. It's not difficult to see why this was his favorite: here he abandons the historical commentary and documentary observation of the other shorts in favor of an emotional emphasis on the lives of the poor and the unemployed.

Maître Galip

7.3 1964
Chromophonie

On a black background, simple luminous figures change shape and follow trajectories. The film was made with the round tube of a 1950s television without scanning; the sinusoidal signals directly controlled the deflection coil, producing Lissajous figures. All the material was tube-powered. The colors were obtained by a disc with six colored sectors which rotated in front of the lens of the Bolex 16mm camera. This material is now in the museum reserves of the Cité des sciences et de l'Industrie in Paris.

Chromophonie

NR 1967
The Love Life of an Octopus

An octopus slithers into a narrow crack near the shore; we see its eye up close. It feeds on a crab. In spring it's time to mate. A male grabs a female; he inserts his third arm in her respiratory cavity. We watch another pair: a larger female is the aggressor here. Mating is repeated over hours and days. The female releases strings of fertilized eggs that hang from the roof of a nest. She guards her spawn for a month, fanning the strings to circulate water for oxygen and cleanliness.

The Love Life of an Octopus

6.7 1967
Don Quichotte de Cervantes

This TV program tries to show how the illustration from the 17th to 20th century of the famous novel written by Cervantès has in the same time improved and impoverished our knowledges of this novel. Improved, because the illustration help us to discover that the physical aspect of the caracters influences the comical features and the symbolism of this masterpiece. Impoverished, because it neglected, especially since the 19th century, the representation of the age and the context, thus favoring abusive adaptations and condensations.

Don Quichotte de Cervantes

7.8 1965
Juan Jimenez. Séquence d'un film

Paul Meyer, an archivist who was always fascinated by his contemporaries, dedicates 8 episodes of the television series Ce pain quotidien to the immigration of foreign workers into Belgium. This series endeavours to touch on all aspects of immigration. In it we discover, among other things, the story of Juan Jiménez, a young man from Andalucía who leaves for Belgium in search of work. The clip shown here is a montage made by Meyer to introduce the series. We find out about Juan's youth and his passage to adulthood on the back of a mule.

Juan Jimenez. Séquence d'un film

NR 1963
La pendule à Salomon

Jean-Baptiste Rousse, nicknamed Noble Coeur, a journeyman carpenter in a village in Bigorre, was deported in 1942. On his return, he realizes that his compatriots have let the wood reserves on his building site be stolen. After an altercation with the mayor, he decides to take justice into his own hands and, with the help of his son Roland, cuts down the trees in the communal forest to pay him back. The mayor alerts the police. Noble Coeur takes refuge in the bell tower and, when the mayor refuses to let him bring in his wood, he demolishes it with an axe.

La pendule à Salomon

9.0 1961
The Death Knell

At the beginning of the 1960s, in Salisbury (now Harare), in Southern Rhodesia (now Zimbabwe), the government of Ian Smith hanged three black revolutionaries who had nevertheless been pardoned by the Queen of England. René Vautier, with ZAPU (Zimbabwe African Party for Unity), denounces this killing. Expelled by the Rhodesian police (informed by the French secret services), the filmmaker shoots a film in Algeria in the form of an indictment against colonial savagery. The film was first banned in France, then authorized in 1965.

The Death Knell

10.0 1964
Doomed Lovers

The legend of Tristan and Isolde is one of the most beautiful love epics ever conceived. Richard Wagner, in a famous opera, had already tarnished its purity. The modern transposition of the legend is set in Brazil, in a village of poor fishermen on Guanabara Bay, framed by mountains not far from Rio de Janeiro. Two young cousins, Marcos and Jeronimo, get together to fish successfully - the arrastao is a large fishing net - and to resist the ugly local landowner, who sets the rules and the prices. This owner has a niece: Emaïsa, who loves Marcos and is loved by him.

Doomed Lovers

8.0 1967
The Flight of Icarus

The Fall of Icarus proposes the magnification by the camera of a concrete material, the simple sand placed on a flat screen illuminated from behind, to reveal the changes of form and the movements of the matter once in contact with the elements: water, fire, earth and air. Particular care has been taken in the correspondence between sound and image: the compositions of the image (colors, knots of density, movements) surprisingly find their equivalence on the sound level in the music of Mireille CHAMASS.

The Flight of Icarus

NR 1960