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Flood

When Jonas loses his job at a Hamburg startup company, he doesn’t have the heart to tell his girlfriend Katharina, as her nerves are already on the edge with her final law exams coming up. Every morning he leaves their flat and drift aimless through the metropole on endless underground rides. After a chance meeting with his former boss Marc, Jonas starts to observe the young manager. His curiosity gradually turns into obsession, small and bigger everyday lies become a kind of survival strategy for Jonas. While Katharina notices his increasingly odd behavior, Jonas is losing control over events more and more. Flood deals with feelings of powerlessness of the individual facing a growing competitive and performance pressure. The fear of failing in a perceived competition of life kicks off a spiral of wrong decisions, with no apparent way out. Georg Pelzer’s debut was shot basing on a 20-page plot description, dialogues and actions where improvised with the actors on location.

Flood

5.8 2020
Ils etaient une fois... des petits nez rouges

It's a small object with magical power - Behind a red nose everything becomes possible: laughing, being moved, including answering the question: "Why are we alive? " Here is the story of those behind this red nose. The story of two troupes of the NGO "Clowns sans Frontières". Two different countries, two cultures, two shows to put on in record time. One and the same goal: to bring joy, for an hour, to orphans, street children, prisons - And give back the taste of childhood, find the essence of humanity, the meaning of human relationships .

Ils etaient une fois... des petits nez rouges

NR 2020
Space War Secrets

For decades, world leaders, governments and the military have dreamed of weapons placed in space. Now, modern technology makes it possible to implement these plans. The film tells the story of pioneering scientists and engineers using the latest inventions to create weapons that allow war in space. We will discover the devastating impact that such a space weapon may have in the future. We will get to know nations and companies fighting to establish a base on the moon.

Space War Secrets

6.7 2020
The Fever

Malaria has killed more people than all other diseases and wars on Earth combined. In Subsaharan Africa, one child still dies every 60 seconds. Nobody, including Big Pharma, the Gates Foundation, or the WHO, seems to believe that Africans have their own solutions. Director Katharina Weingartner takes us to an area that she calls the “ground zero” of malaria: the countries around the Lake Victoria basin in East Africa. In Uganda and Kenya, she found people who have taken action against malaria using local strategies. The Fever portrays the fight against malaria in East Africa as a case study in greed and courage.

The Fever

7.0 2020
Anton Ferdinand: Football, Racism and Me

Former professional footballer Anton Ferdinand explores the issue of racial abuse in the game from a personal perspective. Following a sharp rise in reported incidents of racial abuse in football, Anton talks for the first time about his own highly publicised 2011 incident with the former England captain John Terry. Anton wants to understand his own story and find out what needs to be done to address the problem of racism in the game today. He also confronts the online abuse he has experienced since, which has affected his mental health, his career and the lives of his loved ones

Anton Ferdinand: Football, Racism and Me

6.5 2020
Fellini: I Am a Clown

At the heart of Fellini's I am a Clown is the strange and wonderful story of Peter Goldfarb, the very young American producer who in 1967 convinced Federico Fellini, the greatest Italian director, to work for the first time for American television. A story that has remained little known for half a century and which today - for the first time - brings the man who convinced Fellini to make a sort of mockumentary Federico Fellini’s Notebook, perhaps the first in the history of Italian cinema , using a scheme that the great author born in Rimini would have later reused with other films such as Intervista, Prova d'Orchestra and Roma. A human and artistic journey that would then be repeated immediately after with The Clowns, destined to make Fellini a forerunner of modern television.

Fellini: I Am a Clown

5.0 2020
Comfort Zone

Brigitte lives alone, but she isn’t alone after all. However one door in her flat remains closed at all times. Behind that door lives her 21 years old son, Timo. Three years ago he decided to separate himself from the outside world. The only thing left for Brigitte is to wait. To wait for the next Whatsapp message. To wait for a court order that could be an inducement for change. She is waiting for the day the door will finally be opened. Whether that would be for better or for worse.

Comfort Zone

NR 2020
Damage Control (Enough)

The 5-minute action comedy lays bare a fraction of the daily struggles, obstacles and systemic stereotypes imposed on Afro Caribbean cultures. Centred on real life experience, Abdou Cisse gives viewers insight into grappling with identity and growing up in systematically hostile environments. Offering an alternative point of view to promote understanding that racism is not a problem to be solved by black people. Posing a simple question: When will enough be enough?

Damage Control (Enough)

NR 2020