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Der letzte Werkelmann

Vienna, a few days before the shots in Sarajevo which would trigger what was first called the Great, later simply the First World War: Job seekers from the crown lands flock to the capital of the empire in search of a better life, even if it's the factory hell . A new social class is growing faster and faster, the city overflows with the poor, lower-class workers and the unemployed. Labor fighters can be heard louder, better, clearer, every day. The nobility strongly suspects its end.

Der letzte Werkelmann

9.0 1973
Das Lied der Balalaika

Sasha Voronin, a famous singer about to marry supermodel Nathalie, falls victim to John Darow, who attempts to murder him by knocking him out and throwing him into the sea. Sacha is taken in by fishermen, but he has lost his memory and takes the name Samson. Samson's memory begins to awaken when he hears a familiar tune during a circus performance, and begins to sing. Deciding to leave with the circus troupe, he ends up being hired by the director of a radio station, who launches him on the air under the name of "unknown singer". Nathalie, meanwhile married to John, recognizes his voice and wants to find him; Sacha rejects her because he has fallen in love with Maria. John again tries to eliminate Sacha, then attempts to kidnap Maria. After a mad chase, Sacha defeats John, who is arrested by the police.

Das Lied der Balalaika

4.5 1971
Der Weg ins Nichts

In 1923, Judge Böhnsdorf and Inspector Dumke convict 22-year-old Fritz Bondersen of treason, accused of selling military secrets on the testimony of General Director Gotthardt, and sentence him to 15 years in a Zuchthaus. Despite his protestations of innocence, Bondersen can’t produce proof. Two years later, his fiancée Edith Volkmann, aided by journalist Günther Borchert, tracks down a French officer whose eyewitness account could discredit Gotthardt’s statement. Their quest to expose a massive fraud offers Bondersen a final hope for justice.

Der Weg ins Nichts

NR 1976
Heute ist Freitag

Laboratory technician Jutta and factory worker Peter have been a couple since the summer and are enjoying their time together. One day, Jutta realizes that she might be pregnant. The doctor doesn't want to make a preliminary diagnosis until Monday - and today is Friday. The weekend is a tough test for Jutta. How should she decide - for or against the child, should she get married, should she have an abortion? The encounters with Peter, her parents, her friend with the twins and her colleagues don't make it any easier. In the end, Jutta and Peter have to decide on their own.

Heute ist Freitag

10.0 1975
Kino 78 Live – Gesprächsrunde über »Toute révolution est un coup de dés«

This is a recording of a movie discussion. This discussion, shown live in German television on November 16th 1978, is framed by two screenings of Huillet/Straub's movie »Toute révolution est un coup de dés«. It's first shown shortly after the discussion's participants have been introduced, a second time after the end of the discussion. After the movie ends the program cuts back to the studio for a short time, showing the guests as well as some technicians talking whilst the credits of the TV-program enroll.

Kino 78 Live – Gesprächsrunde über »Toute révolution est un coup de dés«

NR 1978
Professor Sound und die Pille

Great excitement in the Principality of Allegretto. Professor Sound, owner of a sanatorium for musical instruments, has come up with a sensational invention: the music pill. Once swallowed, it transforms the worst sourpuss into a cheerful singing and dancing contemporary. The success is astounding, as is the response in the international media. The pill produces satisfied tax officials, happy drivers, cheerful police officers and smiling burglars. Tourism flourishes, as a trip to Allegretto soon becomes more popular than a vacation in Hawaii. But dark clouds gather over the dwarf state when Field Marshal Heinz mobilizes his troops in neighbouring Moderato.

Professor Sound und die Pille

NR 1971
Fussballspiele

An attractive montage of a vivid and often tense highlights from the soccer field ... Headers, fouls, dribbling, runs, goalmouth dramas are juxtaposed, slowed down, repeated and at the same time embellished acoustically in such an apt and lively manner by the music of the leading German jazz and rock guitarist Volker Kriegel, that even the viewer spoilt by live soccer will enjoy seeing it. The artistes of the bid ball become leading dancers at the penalty mark. Slow motion, animation, modification or restriction of color further lend emphasis to the close interaction with the musical movements, achieving a positive unity, regardless weather attention is focussed on the goalkeeper, on team play, on vigorous tackling or on goalmouth excitement, which are all synchronized in sequence form with the musical sections. The film contains extracts from 13 first division soccer games in Germany. –Joachim Kreck

Fussballspiele

NR 1976