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The Scribe

Comedy short produced by the Construction Safety Association of Ontario, Canada. It demonstrates the dos and don'ts of construction site safety. The film is the last professionally filmed footage of film legend Buster Keaton, shot months before his death from lung cancer on February 1, 1966. He recreates several routines from his youth, as well as some new material for the film. Most notable was his recreation of a gag from his 1918 film The Bell Boy in which he mops the floor using only the tip of the mop, little by little while sitting on the floor.

The Scribe

6.2 1966
Nexus

Holly is a struggling singer whose life is torn apart when she loses custody of her daughter, Chloe. When she travels to her soon to be ex-husbands estate in the country, for a weekend visit with Chloe, she is shocked to discover that he is missing. The police are called and the following day, Holly is accused of the murder of her husband. Holly unwittingly finds herself at the center of a small town conspiracy and must harness all her inner strength to save her daughter and clear her name.

Nexus

5.5 2011
The Shower

A feminine take on a Cassavetes drama, the film focuses on a group of women who have gathered for a surprise baby shower. However, as the female guests arrive (the household males having adjourned to an afternoon football game), the off-screen mother-to-be goes into premature labour, leaving the bored invitees to sip spiked punch and discuss the dearth of available men until the drunken boys return home, thus setting the stage for male/female confrontations, confessions and clumsy acts of copulation-notably while standing under a shower. An exploration of the contemporary trappings of male/female sexual politics.

The Shower

4.4 1992
Heidi Fleiss: Hollywood Madam

A documentary crew from the BBC arrives in L.A. intent on interviewing Heidi Fleiss, a year after her arrest for running a brothel but before her trial. Several months elapse before the interview, so the crew searches for anyone who'll talk about the young woman. Two people have a lot to say to the camera: a retired madam named Alex for whom Fleiss once worked and Fleiss's one-time boyfriend, Ivan Nagy, who introduced her to Alex. Alex and Nagy don't like each other, so the crew shuttles between them with "she said" and "he said." When they finally interview Fleiss, they spend their time reciting what Alex and Nagy have had to say and asking her reaction.

Heidi Fleiss: Hollywood Madam

6.7 1995
Escaping the Madhouse: The Nellie Bly Story

An investigative reporter Nellie Bly, who’s on a mission to expose the deplorable conditions and mistreatment of patients at the notorious Women’s Lunatic Asylum, and feigns mental illness in order to be institutionalized to report from the inside. The movie is an account of actual events surrounding Nellie’s stay beginning after she has undergone treatment, leaving her with no recollection of how she came to the asylum or her real identity.

Escaping the Madhouse: The Nellie Bly Story

7.5 2019
Tiger Claws II

Released five years after the first installment, Tiger Claws II finds Yeung's martial arts serial killer, Chong, busted out of jail by a team of heavies in the employ of gangster Dai Lo Fu, and whisked across the country to San Fransisco's Chinatown. When NYC cop Tarek Richards learns of a rash of recent killings using Chong's distinctive M.O.— a claw-like mark across the face of the victim— he contacts his old partner, Linda Masterson, who is now living in L.A., for help. But Chong, as it turns out, has nothing to do with the murders. He's just being used by crime kingpin Lo Fu, who needs to combine his energy with Chong's to open some sort of time portal to provide vital supplies for the ancient Shaolin monks. In truth, though, Lo Fu greedily plans to use the portal to smuggle heavy modern artillery back and rule Qing Dynasty-era China himself.

Tiger Claws II

5.0 1996
L'Espérance

The village of L'Espérance is perched between the mountains and the great river. Its inhabitants include young people - who don't have much of a future - as well as many widows and old men. The village continues to be haunted by the tragic death of 13 miners. One day, a stranger arrives. The young man, at once charming and mysterious, has an immediate effect upon the village. The longer he stays in the village, the stronger blow the winds of desire. The village's prevailing melancholy gives way to love and happiness. However, not everyone is pleased by the arrival of the stranger, who becomes more and more inquisitive about the tragedy of the old mine. What are his real motives? Is he really who he claims to be? As passion and doubt collide, the entire village is transformed by events which come crashing down like waves against the high cliffs.

L'Espérance

5.6 2004