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Fernando returns home from his self chosen exile in Texas to get revenge for the death of his siblings. Instead he tries to start a revolution against the despotism of the landowners, but his relationship to his old friend Cipriano, who had turned in the meantime to a simple bandit, destroys his plans.
A 1968 short documentary film by Pier Paolo Pasolini where he visits India in the search of a king who could give up his body to feed a starving tiger.
Some persons bring chickens and fishes as presents to some actors who are playing, while the Warrior tries the mirror's suicide, but fails in seeing the Death. Outside, chewing-gums are distributed away and the Spring passes by, turning into a little girl. –G. L.
Set on a quiet, windswept Scottish island, the aging and somewhat lazy Pastor Mac Niff requests a curate to help him manage his eccentric parishioners. A young assistant named Newt arrives surprisingly early and begins using hyper-modern, bizarre methods to "save souls." It is eventually revealed that Newt is actually a rebellious devil who has deserted Hell to save humans—not out of goodness, but purely to spite Satan.
An hour with Roberto Rossellini. Interviewed by Gregoretti, the director of Paisà and Europa 51 retraces his life, his work, his relationship with the young critics of the Cahiers du Cinéma who would become the authors of the French New Wave, but also talks about his participation in the May '68 events in Paris. Passing from one theme to another emerges the thought of one of the key figures of the last century and not only in the cinematographic field, a lucid and passionate vision, typical of Rossellini, which combines science, conscience and knowledge and an obstinate faith in the capacities of Man.
In the figure of Ettore Zambrini, a small industrialist with a dream of opening a factory overlooking the Autostrada del Sole, Montaldo offers us an effective narrative transposition of the 'animal spirits' that governed the economic boom in Italy at the time. He is a character of contradictory humanity: capable of handling business, overdue bills, trade union relations, marital betrayal, but also the passion that binds him to his wife with equal unscrupulousness.
This is the journal of an expedition that, starting from the oasis town of Djanet, embarked on a 12-day journey guided by a member of the Algerian Tourism Club to discover the rock paintings of Tassili n'Ajjer in southeastern Algeria. These paintings date back to prehistoric times (10,000 to 5,000 years ago) and are located on an uninhabited rocky plateau whose highest point reaches 2,158 meters. Considered one of the largest and oldest "open-air rock art museums" in the world, the Tassili n'Ajjer boasts a particularly rugged landscape: the vast rocky plains, which sometimes give way to "forests" of monoliths, are riddled with akbas (holes in the escarpments accessible only on foot or by camel) and numerous faults and canyons. The Tassili n’Ajjer National Park was inscribed on the UNESCO World Heritage List in 1982 and classified as a biosphere reserve in 1986.
A man promised to his dying mother to find and give a proper resting place to the remains of the father, a soldier, dead during WW1 and never found. It's an impossible and desperate quest since he died during Mount Piana battle that lasted two years and resulted in the killing of 14000 soldiers. But the obstinate man never gave up searching on the Dolomiti Mountains for all his life.
Experimental short by Ugo Nespolo.
A teenage girl begins a career as a prostitute.
The action takes place in 1703 and Colbert wants to buy the duchy of Pignero ,unbeknowst to the old Duke. A sadistic villain (a count) is slowly poisoning the lord, besides he covets her daughter. The iron mask is here the duke's son, but the hangman's daughter takes pity on the unfortunate prisoner. The nasty traitor oppresses the poor, but André and his men (complete with priest) do their Robin Hood act.
In Montesano, Salento, during the festivities held in August in honour of Saint Donatus, patron saint of epileptics and the mentally ill, the power of collective suggestion causes strange phenomena and rituals to occur. Luigi Di Gianni, master of anthropological documentary, films the worshippers with Dionysian force as they writhe and scream as if in a pagan rite, showing how the content of the Catholic liturgy succumbs to the primitive passion of popular religiosity.
A comedy of misunderstandings caused by words. Walter Chiari is a stage actor who tries to cash a check at a public office.
The former teacher films his students playing in the forest, holding bouquets of flowers, as if they were celebrating a spring rite, like a Greek temple frieze.
Animations of abstract shapes on « carton coupé » using the technique of stop-motion.
Philippe Lambert, an attractive young attaché to the Prime Minister's office, is a man of many female conquests. One of them, Madame Grandbourg, wife of a very influential man, sent him a passionate letter, which he lost at the theater. Marion, the usherette who found it, contacts him to ask him for a "favor" in exchange for its return: to avoid eviction from the family apartment, because of the father, who gardens in every room and constantly floods the downstairs neighbors. At first, Lambert refuses to give in to the "blackmail" and calls in the police to unmask the indelicate woman, but love soon gets in the way...
A three-part TV film focusing on the emotional dynamics within young couples.
A girl from a country village goes to town and falls in love with a songwriter struggling for success. Soon however their life-paths go different ways and they split. Only for a short time naturally : a song he writes will help them to reunite.
Robert Hirsch impresses as he takes on 11 different roles in Alex Joffé's comedy about the six sons of a recently deceased Jewish Casanova. To receive their inheritance, the sons must convene in Israel and recite a Kaddish (memorial prayer) for their dad. But planning the gathering is no easy feat. The film's title is based on the nonobservant son's futile attempts to contact his siblings on the one day when working is forbidden by Jewish law.
La Via del Petrolio is a three-part documentary Bernardo Bertolucci made for the Italian oil giant ENI that aired in 1967. The film was made following Bertolucci’s breakthrough second feature Before the Revolution, and the director has said that it’s a documentary made by a man who is desperate to direct another feature. The film was presented in three parts: "The Origins", "At Sea" and "In the Heart of Europe".
Italian erotic drama
In 1943, four Italian Alpini escape back to Italy after their company was decimated in Croatia by Yugoslav partisans. One of the four, Paolo, is seriously wounded and must undergo a leg amputation. The young man, embittered by his mutilation and the end of his soccer career, enlists in the fascist Brigate Nere. Once a member of the Brigate Nere, Paolo turns to evil and captures his former comrades, who must defeat him.
Argentinian-Italian western features a rancher and landowner who makes a common mistake - he marries the wrong woman, a dazzling showgirl.
Soprano Anna Moffo stars as winsome courtesan Violetta Valery -- who tries to protect her rash lover, Alfredo, even if it means lying and breaking his heart -- in this 1968 version of composer Giuseppe Verdi's masterpiece. Recorded at the Rome Opera House with renowned conductor Giuseppe Patanè leading the orchestra and chorus, the production also stars Gino Bechi as Alfredo's angst-ridden father.
The operetta, which was introduced from the headlines and a preamble, is initiated by a particular ballet, which then gives way to the development of the plot, in the form of operetta-musical.
Part of Piero Bargellini's Lost Cinema
Lost film. "I have absolutely no memory of what happens in the film." ―Alberto Grifi
A boy runs away from home with his dog when his father tries to get rid of the dog, only to become lost on a desert island.
Material shot between 1961 and 1967 ,including bad takes for Quasi una tangente, is reorganized following the five acts of Shakespeare's The Tempest. Thus Ariel loquitur ("Ariel speaks") has five numbered sections, and a Prospero-like figure of old philosopher appears repeatedly. The wedding ceremony of Miranda and Ferdinand in Act IV of the play is performed in section IV, an unedited night-film in which one catches glimpses of a match being lit. The last section introduces color and sound, the latter through the Beatles' A Day in the Life (from Sgt.Pepper’s Lonely Hearts Club Band).
The story of a poor family and their relationship with the local mafia.
Video containing a fragment of the journalistic reportage "Roma 4 - Passeggiate per la città" (1967) by Bernardino Zapponi and Stefano De Stefani, where attention is directed to Cinecittà and in particular to the sets where, in that period, numerous scenes were shot of Italian western films, the so-called "spaghetti westerns".
The public display of hanged partisans, the bloody revenge of German soldiers, the bodies of those who had been shot, the deported families: traumas that remain in the memories of survivors and relatives of victims.
Dino, a young failure dependent on his elderly aunt, meets Roberto, a former military comrade who went to war in his place. Roberto gives him the address of a tailor to have a new suit made. Based on the short story of the same name, from the collection "Le K" (1966).
In 1968, journalist Sergio Zavoli interviews italian psychiatrist Sergio Basaglia and documents the changes he made in the Lunatic Asylum of Gorizia.
A journalist travels to Germany during a trial against former Nazis.
A documentary about Marcello Mastroianni.
A horse carriage transports a coffin through a village.
Spain, 1968. An analysis of the political and social situation of the country, suffocated by the boot of General Franco's tyrannical regime. (Filmed clandestinely in Madrid and Barcelona during the spring of 1968.)
A group of retired crime leaders is meeting to discuss the death threats they are all getting.
16mm short film by Luca Maria Patella.
"Trasferimento" takes up the erotic theme of 8mm films and manipulates it using development techniques studied in early 16mm cinema. The regression that emerged only later in the re-reading of Macrozoom is here contemporary with the filming itself, which is in fact a re-interpretation of other cinematic material . The film’s process consists precisely in transferring, through technique, certain expired yet traumatic data into existence. The sexual act is explicit, and the material itself is a film. He seems concerned with reconnecting to the moment of his own conception, and here he is very close to it. (M. Bacigalupo)
A film by Gianfranco Baruchello
An “ironic visual reportage” of four artist projects at the L’Attico gallery in Rome, 1968. Patella infuses the work of the artists from the arte povera movement with touches of surrealism, as tinted monochromatic footage of these exhibitions/actions lends them a silent film aesthetic. The title refers to the last names of the main players: gallery owner Fabio Sargentini and artists Jannis Kounellis, Eliseo Mattiacci, Pino Pascali and Luca Maria Patella himself. Kounellis is shown using the gallery as a studio, dying bits of cloth among live animals; Mattiacci engages passerby in a happening on the city streets; Patella and Rosa Foschi are shown in a similar scenario to Terra Animata, with a flag performance in a landscape; and Pascali executes a bizarre ritual on the beach, covered to his neck in sand and later planting whole loaves of bread.
