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Faire-Part

On the eve of postponed Congolese elections, two Congolese and two Belgian cineastes make a film about Kinshasa and its resistance against the legacies of colonialism. The four filmmakers want to tell a story together, but having grown up on other sides of history, they have different views on how to tell that story. What should it look like? Who should be in it? For whom is it made? Faire-part is the search of four filmmakers for a way to portray the city. Through filming artistic performances in public space, they paint a provocative picture of Kinshasa and its relations with the rest of the world.

Faire-Part

NR 2018
The Coasters

'The Coasters" is a character driven feature documentary that explores the lives of the people living on the Lower-North-Shore of Quebec namely: the Coasters. Anglophone, francophone and first nations innu communities share the isolation of this barren land where there are no roads to the outside world. Every season brings a different challenge for these hardened canadians who live of the land and the sea. They all wait for winter, for when the frozen water and the snow offers the proper conditions for snowmobile travel. Then, the world is theirs. For almost a century, hockey tournaments, carnivals and dancing nights take place every weekend all up "The Coast" in a different village. People that left the region for lack of work comes back for this moment frozen in time, knowing that everytime they come back home, might be the last.

The Coasters

NR 2018
L'Opéra Hira Gasy de Madagascar

Opera artist Hira Gasy from Madagascar, Emeline Raholiarisoa tells the story of this unique art that an international group is proposing to include as a UNESCO World Heritage Site. Born in an artist's village, the author evokes the life of the troupe founded by her father Ramilison (known as Dadamily, Basigara) and more than six centuries of history of her country. The film is also haunted by death: many of the people filmed died of illness or road accidents, because in Madagascar, the health system is in ruins, the bush taxis are rolling coffins, and the drivers, who most often have bought their license, know neither the code nor safe driving. Why so many deaths? In this country, if you are not rich, and you are injured or sick, you die. A rebellious film that invites us to change things profoundly in the largest island in the Indian Ocean.

L'Opéra Hira Gasy de Madagascar

NR 2018
I used to like the sea

They come from Afghanistan, Iraq, Syria or Eritrea. Accompanied by their parents, they fled war and persecution. Thrown onto the roads, these children of exile had to face, despite their young age, many dangers to reach Europe. Others never made it to the end of this journey, engulfed in the waves of the Mediterranean, the cold of the mountains or the networks of slavery. But once in Europe, in Belgium, how can you rebuild yourself, create a place for yourself in a setting that is completely different from your city, your village, in the countryside, in a Red Cross reception center? There is also this long wait for recognition of refugee status. In this space-time filled with hope, the film reaches out to the children and takes their word for it.

I used to like the sea

NR 2018
Simone Weil, la vie au risque de la vérité

Today, despite decades of technological and scientific progress, the future inspires more fear than hope. What strength can we draw on to remedy this? Do we need to re-read Simone Weil, of whom Camus said: “she is the only great spirit of our time”. This documentary retraces the astonishing life of this young middle-class girl of Jewish origin, driven by a thirst for the absolute, who started out in philosophy to go towards God. Simone Weil left no field of thought untouched; she dealt with everything in search of the only truth. As she herself said, “you have to write eternal things to be sure they're topical”. What if we were to talk, with her, about the spirituality of work?

Simone Weil, la vie au risque de la vérité

NR 2018
1999 - WISH YOU WERE HERE

When death haunts a high school in a small town in the late 1990s, everyone is forever transformed. In this gentle, prismatic film, Samara returns to the town she fled as a teen to re-immerse herself in the memories still lurking there, in its spaces and within the dusty boxes of diaries, photos and VHS tapes. 1999 is not a ghost story, but the ghosts are palpable at every turn. The snow-covered streets, the school's hallways and lockers are preserved as in a dream. The absences left by the relentless teenage suicides still shimmer with questions, trauma and regret. Samara encounters people who are as breathtaking as they are heartbroken, and, finally, 16 years later, the community strengthens itself by sharing the long-silenced memories. Ultimately the film weaves together multiple voices in a collective essay on how grief is internalized-and how, as children, we so painfully learn to articulate our desire to stay alive.

1999 - WISH YOU WERE HERE

5.0 2018
Sistiaga, une histoire basque

José Antonio Sistiaga is one of the greats in Basque contemporary art. Through lively exchanges begun in 1993 with his Salvadoran friend Manuel Sorto, we plunge into Sistiaga's intellectual intimacy and travel through a Basque history, following the steps of this experimental filmmaker and artist. This nearly two-decades-old project was taken up again in 2011, with the filming of the installation of Sistiaga's retrospective exhibition in San Sebastian, Basque Country, Spain.

Sistiaga, une histoire basque

NR 2018
Burkinabè Rising - The Art of Resistance in Burkina Faso

BURKINABÈ RISING: the art of resistnace in Burkina Faso showcases creative nonviolent resistance in Burkina Faso. A small, landlocked country in West Africa, Burkina Faso is home to a vibrant community of artists and engaged citizens, who provide an example of the type of political change that can be achieved when people come together. It is an inspiration, not only to the rest of Africa but also to the rest of the world. Through music, film, ecology, visual art, and architecture, the people featured in this film are carrying on the revolutionary spirit of Thomas Sankara. After assuming the presidency in 1983, Sankara was killed in a 1987 coup d'état led by his friend and close advisor Blaise Compaoré, who subsequently ruled the country as an autocrat for twenty-seven years. In October 2014, a massive popular insurrection led to his removal. Today, the spirit of resistance is mightier than ever in Burkina Faso.

Burkinabè Rising - The Art of Resistance in Burkina Faso

NR 2018