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The fate of a family is registered in a photograph taken by one of its members after their last dinner.

Portrait of an Artist

During a televised debate on the Algerian war in the early 1980s, Professor Paulet denounced the methods of Captain Caron, killed in action in 1957. The widow of the captain, Patricia, decided to file a defamation suit.

Peter Brooks' adaptation of Carmen by Mérimée and Bizet.

Geneva, 1980s. Three friends in search of themselves. Bruno, an architect, is married to a woman he cannot simply love. Philippe, a more refined journalist, refuses to accept the reality of separating from his girlfriend Sonia. Bruno, the youngest of the three, collects one-night stands...

The story is of a young man, Stevens, who returns to his native village after a five year exile caused by a violent quarrel with his father. The story revolves around the women in Stevens life and the affects of his presence.

Jean Cocteau reminisces about the people he has known throughout his long life.

Tempted by an important contract, Anna, a renowned writer, agrees to write a screenplay. But she lacks inspiration. She talks to her old university professor. No solution... Or maybe one... Take inspiration from reality. Desperate to express what seems to her to be clichés, Anna sees her life turned upside down after her husband's arrest, when a dancer is found murdered. A tornado, against a backdrop of police drama, her scenario takes shape. Her husband, innocent, is released, the murderer is still at large.

The work of legendary actor François Simon, son of Michel Simon.

Early computer animation. Three bugs live inside a computer.

A young woman comes to Roissy airport to pick up a military canteen that has been returned to her. It is the effects and pictures of Jean Péraud, a reporter photographer who disappeared at Dien Bien Phu on May 8, 1954. Soon, the discussion begins between the young woman and the former press companions of Péraud who are present. Through the memories and stories she provokes, the ever-present questions about what makes the war image resurface: is the reporter a witness or a combatant? Does he protect himself from the effects of war by filming it, or does he take more risks in order to bear witness? Can we speak of art in front of this image made in the face of death?

The film records a day in a supermarket in the Brussels region. The story of this day's little events, both comic and touching, provides the general framework of the film. The situations which are conveyed through an accumulation of quick, light touches, highlight some of the ways we behave in connection with food, the repetitive element in our gestures and movements in this everyday, enclosed world which is so familiar. The film is based on the observation of a supermarket and the people who shop or work there. More and more of their various personalities emerge in the course of the day. They all have their importance: we get to know them from the outside, like people in a group photo where each has his own place. All these individuals cross each other's paths, meet each other, bump into each other again and fill in the framework of the film with a many-sided tableau.

Jeannot has Down’s Syndrome. Living in a claustrophobic suburban setting, he is treated like a child by his parents and denied any responsibilities of his own. Things change when a young woman named Pauline is hired to take care of Jeannot, and his world opens up beyond the restrictive one imposed upon him.

A short film directed by and starring Rosette, best known for her acting work with Éric Rohmer, featuring a star-studded cast and crew of regular players from Rohmer films. With the help of her friends, Rosette takes advantage of a gullible stranger passing by in order to sell him all her roses.

Filmed during the exhibition of the painter Dali at Beaubourg.

Philippe Garrel’s documentary on France’s second wave of masterful filmmakers. Featuring Jean Eustache, Chantal Akerman, André Téchiné, Leos Carax, Jacques Doillon and Benoit Jacquot.

A César award winning short documentary comparing animal and plant life.

An aging village chief entrenched in traditional Cameroonian ways clashes with his daughter. She was educated in France to help support the family, but has taken on the trappings of Western Europeans.

The song composed by the author modulates the phases of the film and constitutes, in its entirety, the specific form of a call.

An autobiographical black-and-white short in which Teo Hernández portrays his Purépecha father by holding backlit old photographs atop the Montparnasse Tower while reading a manifesto of sorts on his filmmaking.

From the first meeting with the critic Louis Marcorelles to his last interview in Cahiers du cinéma, a portrait of Glauber Rocha, a leading figure of Cinema Novo, enriched with testimonies from his close friends such as Juliet Berto and Christiana Tullio Altan.

Thierry drops out of school to apprentice as a lion tamer at the zoo where he meets Roselyne, who shares his passion. They fall in love and when he loses his job, the young lovers journey across France finding odd jobs at several circuses. In Germany, they fall under the tutelage of ageing big cat trainer, Klint, and while they are closer to realising their dreams, they find that their success drivers them part.

In a train compartment, 6 people who do not know each other tell the story of their troubles in love. Only one of those seems to be a positive one.

Two quarreling lovers from opposite sides of the economic scale take central stage in this drama about Veronique and Adrien. Veronique is wealthy and from the provinces, Adrien is impoverished and his ancestors come from Brittany. In spite of their different backgrounds, the two fall in love, marry, and eventually have a baby girl. At just about that time, Veronique decides to go back to school, and Adrien becomes both mother and father to their baby. Unable to cope with Veronique's new-found intellectual friends and different lifestyle, Adrien clashes with her, and their arguments lead to a separation for awhile. The two then get back together again, but not for long. It is on a return trip from visiting his mother in Brittany that Adrien's life undergoes a dramatic change, and his story takes an equally unexpected turn.

The lone survivor of a deadly ambush against him and his team, a narcotics agent swears to avenge the deaths of his friends and fellow officers.

This documentary about the life and work of filmmaker Jean Painlevé was originally presented in eight parts on French television. It was edited to remove duplicated material from its original length of 240 minutes.

A Québécois Elvis impersonator is disillusioned to find a Chinaman participating in an Elvis contest. He later takes his wife on vacation to the island of Santa Banana.

A team of amateur filmmakers sets off, camera in hand, to the south of Morocco. During their stay, one of the members of the group, Fanette, a vulgar vampire, is murdered. The Moroccan police do not find the culprit, and Paris takes over the case. The inspector in charge of the investigation decides to view all the "works" made on site, in the presence of their author.

Two children sneak out behind their parents' back, to a magical circus world.

At the editing table, Georges Franju comments on two sequences from his film, Les Yeux sans visage. Episode of the TV program "Cinéma, cinémas".

Erotic version of the well-known novel "Carmen" of Merimee with the use of the music from the opera of the same name from Georges Bizet. Carmen is a beautiful Gipsy girl and attracks many different men who start to fight for her love.

A Ciné-poem – An impressionist ballad in the early 80’s.

In 1840 it took 5'30" to make a photograph.

Clotilde meets Richard whom she has not seen for a few years and who has been through a divorce. He is taking his two sons to Italy. He suggeests she join them with her own son in a house they have taken by the sea. Both this reunion and the holiday prove a disappointment,

Wim Wenders's atmospheric testimony about the problems he encountered while working on HAMMET(1982) with Francis Ford Coppola, and the differences between the film-making process in Europe and the States.

Will the homosexual find his alter-ego? Who's on the phone? While the hair is cut, the faces parade, which one is the good one? So many questions-pretexts for a visual and sound delirium.

Feckless aspiring architect Stéphane leaves his pregnant girlfriend for theater designer Sabine; Sabine in turn vainly attempts to overcome her violent obsession with an actor in her theater company. A game of emotional chutes and ladders ensues.

Childéric, a rich (but virgin) heir, is being kidnapped by two punk/vixen girls, who demand a ransom that the parents are willing to pay... to keep their boy at bay! Fortunately, with the punk girls, Childéric learns how to have good sex.

Three couples meet at one of them for a slide show evening. But nobody takes pleasure in this evening, where triumphs the banality of the exchanges: it is a socialization forced by the bonds of the neighborhood, devoid of empathy or sincerity.

A César award winning short stop-frame animation with blue men who live in yellow tubes counterbalanced by a ball that swings overhead.

A month in the country. In summer, a group of friends rent a house in southern France. People come and go, making their way through chickens, dogs and cats. Playful sounds and a wacky collage of music make up the soundtrack.

Five young conscripts lead a peaceful life in the barracks of a small town. Their officer is an eccentric man who lets them spend their time listening to music. The atmosphere changes completely with the arrival of a new officer who wants to prepare them for major maneuvers.

A man comes home at night and is attacked by a bottle.

The outcome of Hernández’ friendship with the dancer and choreographer Bernardo Montet, this work, ranging from black-and-white to color, is the vertiginous record of a cross-dressing act, or a therapeutic performance on identity. Presented for the first time in Rouen, on May 26th 1987.

At the beginning of the twentieth century, two friends, one a homosexual and the other a writer, fall in love with a young divorced woman.

Diane, a lesbian, becomes involved in a dispute between her friend Valerie, who she has been in love with for a long time, and Valerie's lover, Romain.

A Ruizian adaptation of Jean-Claude Gallotta's iconic wordless ballet choreography.

A man is attacked by a telephone booth.

Sylvain Berg, a "professional" unemployed who spends his time hiking and mountain climbing, and "model" bank employee Benoît Constant, who has just been fired and does not want his wife to find out, both find themselves in Françoise Duru's office at an employment agency. Françoise is secretly in love with Sylvain, so in order to keep him close she convinces her employer to give Sylvain a job he doesn't want, instead of Benoit who not only wants it but also has the right qualifications.

Director François Reichenbach assembled 90 minutes of footage on Japanese rituals and customs, martial arts, evidence of Western commercialism, and the nearly blank faces of urban dwellers who seem to wrap themselves in anonymity as a protection against the crowded masses. Without the benefit of interviews or analyses of what is passing before one's eyes on the screen, the parade of Japanese scenes seems to take place at some distance -- making the viewer a definite outsider with no friendly interpreter to ground his or her perspective.

Eleven-year-old Guillaume suffers from a serious and potentially fatal heart condition. Gradually, the young boy's family fractures under the weight of his illness.

The cinematic tale recounts the story of a woman whose husband has left for war. When night comes, she pretends to her child that the shadow projected on a sheet is his father. When the father returns, two years later, the child rejects him, telling him that his father only returns at night.