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Suzuki, a Japanese secret agent, is sent to Versailles to unmask a certain Klauss, who is to receive stolen documents from Saudi Arabia.

Collage of happenings and realities of the French counterculture, including ritual feasts during which beings emerge from behind the walls and find their normal state. The film is against all moral, aesthetic and political "values" of industrial society. —Jean-Jacques Lebel

This film - without commentary and simply accompanied by local music - relates the 1969 ascent of the north face of Kohe Shakhawr, a Himalayan peak located on the border with Afghanistan, by mountaineers Benoît Mathieu, Jacques Soubis, René Thomas, Jean-Paul Paris, Isabelle Agresti, Henri Agresti, Roger Dietz, Jean-Pierre Frésafond, Paul Gendre, Claude Jager and Félix Magnin. As is often the case in Henri Agresti's films, there is an encounter with other peoples, other cultures, documented at length in the introduction. Then, after the interminable approach, the ascent begins: distribution of camps, successive assaults on the mountain, walking on steep scree and snowy slopes, climbing on icy walls... The arrival at the summit, without the aid of oxygen devices, seems to take place in slow motion: exhaustion mixes with the joy of the victorious mountaineers who will celebrate their success on their return to base camp on August 24, 1969.

Interpol detective Wilton, known for his powers of deduction, is set on a gang of bank and jewel robbers who are up to mischief in Marseille. Despite some false leads, he can shed light on the murky affair. A conventional but relatively exciting crime film that strives for atmospheric density but is not immune to the clichés of the genre. Charpentier's trivial novel is the first crime thriller in a series that pretends to be the publication of Commissioner Wilton's diaries.

A peeping tom caught spying on a women's self-defense class is taken captive by the class leader. At first the class uses him as a training dummy, but his treatment at the hands of the ladies steadily becomes more dangerous and humiliating.

Wanderings during the Cannes and Hyères 1966 festivals. Interviews with Louise de Vilmorin, Jean-Luc Godard, Robert Bresson, Jacques Rivette, Jean-Louis Comolli, François Truffaut. Lunch on the grass of the Cahiers du cinéma, young onlookers on mopeds, children from the surrounding villages, the film portrays an era, a cinephilia, a cinema still in balance between art and industry.

French television program discussing Jean Renoir's 1932 film "Boudu Saved from Drowning".

On-set interview with actress Marina Vlady, shot while Jean-Luc Godard's '2 or 3 Things We Know About Her' was in production.

A stylish and humorous short feature about vampires living in Paris.

The hero is a black man from Martinique who feels nostalgic for his island and is on his own in France. He falls in love with an au pair girl but has a love affair with a married woman, Mrs Courtalès. He kills the husband in self-defense. But eight months later, he is arrested by the Police. Philippe's fate depends on a child's birth. It will not be what he's expecting.

Maurice Lemaître had the ambition to make a really creative film about the revolt of May 68. For this, he did not renounce any of his filmic audacities and he managed to plunge into this new thematic dimension the cinematographic inventions put in In its previous achievements.

It is the land of madmen. Those who earn the right to be mad see arabesques or lines blossom on their faces, which are a source of pride.

Denis, a hypersensitive teenager, is revolted both against his distant, pretentious, well-to-do parents and their superficial society firends and the stiff, intolerant catholic establishment in which he studies. Fortunately,he has an open-minded philosophy teacher, Father Philippe de Maubrun, who understands him and supports him in his distress.

The invention of the devil is the cinema, this means of defeating time. This film shows the stages in the discovery of cinema throughout the 19th century, from the phantasmagoria of Robertson, to the final development of the invention by the Lumière brothers. The works of all the precursors, John Paris, Plateau, Purkine, Muybridge, Marey, Reynaud are presented in motion thanks to a very important animation work. The prints of time place in counterpoint the historical stages of the century.

A playboy travels to the Côte d'Azur to find a false dog similar to the one he owns. Then he can become the owner of a nice sum of money. Instead, he meets a French nudist queen with whom he falls madly in love.

The story is based on Voltaire's tale "Le monde comme il va" ("The world as it is"). Sent by the genie who presides over the destiny of Persepolis (Paris!), the Scythian Babouc carefully informs himself of everything, to tell the genie whether or not to destroy the city. This is the pretext for a series of interviews, scenes taken on the spot or reconstructed in the studio. We meet a musician who lives for his art and a Marxist historian, both of them optimists in the end; but also a war widow and an economically weak old lady: while the "fureur de vivre" gives free rein to the Golf Drouot and socialites hide their turpitudes behind a façade of good manners. A large, poorly housed family bravely faces up to its fate, and the children are happy; a working-class household talks about the union struggle, inhumane working conditions and reasons for hope. Finally, a poet sums it all up by talking about his commitment to the service of mankind.

Three young students, who met on the train, arrive in Paris and decide to find accommodation together.

A cellist attempts to rescue a woman swept out to sea, only to find he must battle a series of overly possesive sea creatures.

Adaptation for TV of the Jean-Jacques Varoujean play.

The night is not yet over but hardworking France is already up, workmen who cycle to work, some already at work like market porters busy carrying meat carcasses or workers printing the morning newspapers. Soon it will be daylight but for the prisoner in his cell, there is nothing to be happy about.

Documentary on “Perceval, the Story of the Grail”, written by Chrétien de Troyes in the 12th century.

"Mexico begins where the roads end ”. Mexican writer Carlos Fuentes tells us about the history of Mexico: its invasions, its revolutions, its sacred lands, its forgotten legends, its religious rituals and this frightening misery. François Reichenbach and his camera sink into the dust, on this sacred land, where "the land never ends."

The life and work of Abel Gance as told by himself. Includes extracts from many of his films and considers his contribution to the cinema.

A family's life is transformed into an object of art.

Film about the first French expedition in 1968 in the Wakhan Corridor in Afghanistan. After a long and laborious approach by R4 car in the footsteps of Marco Polo, through Turkey, Iran and Afghanistan, to the high valley of Wakhan, in the heart of the Hindu Kush, Isabelle and Henri Agresti (high mountain guide), accompanied by Yves Dominoni, Renée and Lucien Agresti, more than precious help, explore a little-known valley for 40 days, and climb some virgin peaks of 5000 and 6000 meters. The return to Europe will be by the tracks and roads of the south: Pakistan, Iran, Iraq, Jordan, Syria... A trip of approach to go later to explore the mountains of China, then still closed, and the Tibetan side of Everest... The project of a lifetime.

René Collet, skier member of the French team, guides a friend from the summit of the Aiguille du Midi. This descent is an opportunity to focus on the remarkable elements of the terrain: the cable car and its work still in progress, the surrounding peaks (Capucin, Mont Maudit, Mont Blanc). The two skiers stop regularly, here to observe climbers scaling the south face of the Aiguille, there to visit the Cosmiques Laboratory. They even take the time to rescue a skier stuck in a crevasse at the Séracs du Géant, before continuing their descent in style onto the Mer de Glace.

An animated short film from Robert Lapoujade.

A priest succumbs to the charms of his lovely cleaning lady and decides to find a husband when she finds herself pregnant with her works.

Pascal Canteloup is a proofreader at a newspaper. He is bitter and irritable towards his bosses and the people he works with. He's full of hatred about life. Little by little, he sinks into madness!

This short 1964 documentary depicts the national sport of French Canadians: hockey. Seen "from the inside" this seemingly simple game turns out to be not so simple. Hockey is dream of mythic proportions that mirrors the aspirations of an entire people. Its heroes are national figures. At the Montreal Forum, there is total symbiosis between the crowd and the Habs. In 1955, idol Maurice Richard is suspended for striking a referee. The people take to the streets in unison and the riots begin... - NFB

The first of three documentaries by Rivette on Jean Renoir.

This quirky little short by Gilles Carle was filmed on the pierced rock that stands near Quebec’s Gaspé peninsula. It is perhaps the most photographed natural phenomenon on Canada’s East Coast. Shot in the 1960s, the film has a very psychedelic feel to it, with animation, special effects, and a trio of women to guide us through.

A look at scientific practice during the 18th century, featuring recreations of five experiments from the era.

Seeing, Hearing, Saying Nothing. Ben stands with ears, eyes, mouth bandaged.

A 1965 segment from a French television program "Seize millions de jeunes" which takes a look at the mod movement in the United Kingdom, and includes performances by the Who at the Marquee Club in London’s West End, as well as an interview with Pete Townshend.

Slim Callaghan investigates the theft of the famous Upper Sangha diamonds. Disguised as a Salvation Army auxiliary, he boards a luxury yacht where a transvestite party is being held. During an illusionist's trick, Callaghan manages to steal the precious diamonds, but the thief escapes.

End of WW2 : the German officers lock all the men between 18 and 65 into the "Fort National" on an islet in Saint-Malo.

A woman's funeral in Ghana.

The surrealist painter René Magritte questions the objective reality and emphasizes the arbitrariness of the relationship between an object, its image and its name: the evocation of mystery consists of images of familiar things gathered or transformed in such a way that they no longer conform to our ideas, whether naive or wise.

1661, the Assemblée du Clergé de France obliged all clergy to sign a form testifying to their submission to the decisions of the Holy See. In 1664, the Archbishop of Paris wanted to impose this decision on the nuns of Port-Royal. Among them was Sister Angélique de Saint Jean, admired by the very young Sister Françoise, who looked to her for comfort.