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The Bilingual Lover

Joan Mares obsession for the lovely and luscious Norma Valenti takes epic proportions because he cannot let go of her. After he is injured by some skin heads, he uses his scars to pursue his life as a street musician. He devices a plan to get to Norma and she never catches on to his deceit, except she realizes that as Juan Faneca his performance in bed is exactly what she had experienced with Joan Mares because she concludes they were taught sex by the same prostitute.

The Bilingual Lover

4.0 1993
The Mosquito Net

Maria suffers from Alzheimer's disease. Luis, Maria's fifteen-year-old grandson, doesn't say very much either; he shuts himself off in his own silent world to escape his parent's marital crisis, spending time instead picking up stray cats and dogs off the street. His father, Miguel, wants to put a stop to this eccentric behavior, but his protective mother Alice indulges him. Nevertheless, the animals begin to appear at home in increasing numbers, making life complicated for the family in their flat.

The Mosquito Net

5.5 2010
Betibú

Once Pedro Chazarreta found murdered in the wonderful gated, El Tribuno newspaper hires retired detective novelist Nurit Iscar/Betibù that is installed in the area and a series of newspaper columns about the case. Along with the Chief of police of the newspaper, Mariano Saravia, and a veteran journalist, Jaime Breña, Betibù starts to investigate the murder. Using an old photo of the adolescence of Chazarreta, which shows him with fellow high school, the Group discovers an apparent connection between this murder and a succession of apparently trivial deaths of members of the photo. At the same time, Betibù must face its past emotional with the editor of the newspaper, Lorenzo Rinaldi, who seeks to restore the relationship.

Betibú

5.5 2014
The Man Who Was There

The Spanish journalist Manuel Chaves Nogales (1897-1944) was always there where the news broke out: in the fratricidal Spain of 1936, in Bolshevik Russia, in Fascist Italy, in Nazi Germany, in occupied Paris or in the bombed London of World War II; because his job was to walk, see and tell stories, and thus fight against tyrants, at a time when it was necessary to take sides in order not to be left alone; but he, a man of integrity to the bitter end, never did so.

The Man Who Was There

6.0 2013
Umbracle

This film turns on two basic axes: the inquiry into ways of cinematographic representation and a critical image of official Spain at the time of the Franco dictatorship. “Montage of attractions” and Brechtianism in strong doses. Umbracle is made up of fragments (some are archive footage) that resound rather than progress by unusual links, with dejá vu scenes that promise us more but remain tensely unfinished. Jonathan Rosembaun said: “few directors since Resnais have played so ruthlessly with the unconscious narrative expectations to bug us”. Learning from the feeling of strangeness caused by Rossellini as he threw well known actors into savage scenery in southern Europe. Portabella makes Christopher Lee wander around a dream-like Barcelona. Without a doubt Portabella’s most structurally complex and most profoundly political film, that is ferociously poetic.

Umbracle

6.0 1972