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Gluttony is a haunting exploration of the devouring mother archetype, embodied by two twin dancers locked in an eternal cycle of consumption and dependency. Through visceral contemporary movement, the film unravels the tension between nourishment and destruction, love and suffocation. Inspired by the Ouroboros, the choreography unfolds in a labyrinthine setting, where the daughter desperately seeks escape, only to find herself inevitably drawn back. The visual language plays with the abject—orange gelatin evoking amniotic fluid, fractured reflections, and tactile imagery that blurs the boundaries between bodies. It is not just about gluttony; it is about inheritance, identity, and the inescapable hunger for connection.

The skin as a barrier concept between the hands of a person that enable the produce which, once transformed, reach the end consumer. The skin as texture, and as an unknown quantity. The skin that is caressed, that is killed, that is complicit.

Erik wakes up confused in the middle of the forest, at night, frightened and without knowing why he is there. He is not alone, he remembers Paula, her friend who was with him. Will he still be in time to save her? Or will he only have time to save himself?

Fear is settling in town. John Pork is reaching his goal to murder whomever he pleases by calling his victims before committing the crime. Juan and Sara think of how to stop this pig after the murder of their friend Raquel.

Four young adults about to lose everything face an extreme situation when one of them comes back claiming to possess a miraculous potion that will give them superpowers.

A series of "moments of fascination and encounter with nature".

Pilar and Rosa share, through the body and the word, their biographies of touch, in a work that moves between poetic reading and direct conversation.

If you hear it, it's already too late. Short found footage horror.

A delightful invocation where powerful desires serve as standpoints to conjure affinities against imaginary oppositions.

An invitation to embark on a fascinating journey into the Earth to reveal the vital importance of underground waters and springs. Through evocative images and testimonies, the film highlights how these hidden systems sustain ecosystems, communities, and cultures. By exploring the invisible flows beneath our feet, it calls on us to reflect on our relationship with water, our most essential resource. A poetic and urgent reminder that what is buried can also hold the key to life above ground.

Cristina, Bouya, and Ibrahim are three young people who share their journey toward independence after leaving the child protection system, exploring housing, employment, and community through the project.

In the barren Argentinian province of Salta, Alejandro Soriano's existence is a tale of ancestors, land and family. In everyday life and poetry, he searches for ways to connect tradition and future.

Through a kaleidoscopic collection of archives, found footage, and even AI-generated images, a young woman who has left China recalls her memories and the connections she had in her native country. Her intimate and nostalgic voice-over becomes the backdrop for queer struggles, where an underground theatre troupe, the excitement of clandestine festivals, repression, and social pressure to live in silence intersect. Between personal memory and collective history, the film juxtaposes love, resistance, and exile.

At the Ca la Dona Documentation Center, a self-managed bi-lesbo-feminist archive, one of the archivists becomes obsessed with a photograph. Looking at it over and over again, touching it again and again, she creates a bond with it and discovers the mark of a kiss on the face of "Lupita." On the back, written by hand, are two enigmatic words: "I have you." A sensory and emotional journey where memory comes to life through the construction of a personal and political map.

What happens when we listen to those who have never had a voice? Who saves us? is the encouragement revealed by the stories behind the stigma.

Residents of Quintela de Leirado recount firsthand how, during Franco's dictatorship, many people resorted to smuggling to survive.

The story follows the events of a lackluster — and frankly, quite boring — party at the ΑΣΦ Fraternity. Seen through the eyes of Dylan and Logan, two fraternity members, everything changes when they stumble upon the key to turn an ordinary party into an unforgettable adventure and change the night forever: a little bit of magic.

The short film captures the caring relationships between a mother, her daughter, and the environment that surrounds their actions. O Baleo beach is not only a place for memories, but also a space to inhabit. The images of this encounter reflect on the state of connection.

A visually immersive short documentary that blurs the line between reality and the synthetic, exploring our perception of reality through the impact of AI on art and cinema.

WOW 19: Alicante was a mixed martial arts event that took place on Saturday, May 17, 2025 at the Technology Center in Alicante, Valencia, Spain.

Amid chaos, loss, and solidarity, neighbors recall how water brought them together in the storm.

In post-war Spain, thousands of young people left their villages in search of a better future, facing uncertain destinies as domestic workers.

One poet visits the house of her friend, also a poet, in Lisbon. Both migrants from Barranquilla, Colombia, they journey together between clothespins, mango, and waves.

Maria and Carlos are at a breaking point in their respective relationships. One feels absorbed and silenced by a boyfriend who only talks about himself. The other feels an insurmountable distance from a girlfriend dominated by a silence that does not respond to him. Both are unhappy. Both know what they have to do, but neither does it... Are they simply two sides of the same coin?

TEXtrucTURAS (Humanas) is an artistic_instrumental research work with Artificial Intelligence and is part of a research project, in Audiovisual Arts, that tries to transfer expressive and emotional concepts to the screen with moving images, so it deliberately lacks formal, narrative and structural aspects.

Jana Montllor Blanes, daughter of the well-known artist Ovidi, has lost the only photograph she took of her father on a trip they made to Mallorca. Navigating through the Mediterranean among family images, objects, smells, songs, press clippings and television programs, Jana embarks on another journey through memory to try to find the memory of her father, a person known to the general public and yet distant to her.