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A young woman receives special treatment from a waiter at her favorite café, and her friend tells her that it must be “love.” She, who has simply gone with the flow up until now, wants to confront her feelings first before labeling them. In doing so, she finds her own answers.

“Guitar”, an ordinary boy, wants to expose a bizarre psychic cult to save his mother, but he ends up being tortured by his own mother.

Filming was completed in 2025, and in 2026 the film was edited and finalized by Yukio Hiruma based on the existing footage, as well as remaining storyboards and written materials. This short film was created around the filmmaker’s intuition and premonition, centered on the question: “What is the difference between sleep without the memory of dreams and death? Aren’t they essentially the same?” One of its themes is the nature of 8mm film as a “material that allows light to pass through it.

"Porjai" a female student working as a love builder, needs ten thousand baht to pay for her tuition. She takes on a high-paying job that requires her to flirt with "Shun" her ex-boyfriend.

The science of carbon counting is becoming a quintessential knowledge practice that characterizes the age of the climate crisis. From the carbon footprint information on a soda can to the international treaties on carbon credits, we count carbon to design and orient our climate policies. Knowing the accurate amount of carbon emission and absorption, however, is not as easy as it might sound, since counting carbon is heavily affected by contrasting methodologies, competing economic interests, and conflicting cultural standards. The carbon numbers, like all important numbers, are scientific and political at the same time.

In collaboration with painter Yun-hee Huh, this work documents a year-long practice of filming the sunrise through multiple exposures on four 100ft rolls of 16mm film. Each of the four rolls represents a season (fall, winter, spring, summer) with seven separate sunrise shoots layered onto a single roll of film, creating a compressed record of time and light.

This is a common phenomenon in Taiwanese daily life. Although it may seem funny, it's a regular occurrence in our daily news broadcasts.

Martial law and the square that sweeped South Korea. The same fans I saw at the concert halls were there. Dear you, who brought your light to the square.

Built in 1969, this former staff quarters of the Taiwan Tobacco and Liquor Corporation bears witness to Chiayi's postwar housing development and urban memory. Today, its walls are cracked, concrete eroded, timber decayed, tiles shattered, and the entrance hall is entirely gone. Yet traces of past daily life still linger. Drawing on experimental methods, the film seeks to construct a visually dislocated narrative in which past and present coexist out of sync, offering an alternative perspective on the act of gazing.

The film replicates one of the 7cm Mountain Gun which were used during Japan's 'Pacification' campaign against Indigenous peoples. During this trip, Kao invites Atayal youth to return to the original mountain location shelled by Japanese police in 1906. They fire towards a distant hotel, now located on the site of a village once occupied by the Japanese. With a tone of playfulness and irony, the film subverts colonial aggression while exploring the possibilities of artistic action.

A little girl marches into a busy TV station. She has "Big News" to share with the whole world! What is her surprise announcement? Come and find out!

In the summer of 2012, Kyutae’s only friend, Young, disappeared, leaving behind a message: "Gliders can fly without engines. Isn't it cooool?" After that day, Kyutae began to see flying gliders in the sky all the time during morning assembly, in the classroom, even when he went to sleep. Then one day, a real glider fell from the sky and landed right next to him.

What is the origin of life? I boarded a bamboo raft, drifting into the unknown. Along the journey, the line between reality and imagination grew increasingly blurred.

The result of years of fieldwork and research, "The Daoxian Incident" examines the causes of armed struggle and mass killings in Dao County, Hunan, at the height of the Cultural Revolution. Between August 13 and October 17, 1967, 7,696 people were killed and 1,397 were forced to commit suicide. An additional 2,146 were permanently injured or disabled. Most of the victims were labeled “class enemies” and belonged to the so-called “Five Black Categories,” while at least 14,000 people participated in the killings. Through interviews with survivors, participants, and family members, this documentary reconstructs the complex sequence of political campaigns that culminated in one of the bloodiest episodes in the PRC's history.

The physical and mental journey of young girls during menstruation. Menstruation is a metaphor for this cycle by the train. Flowers that show a bud state will regenerate countless times, each time. Flower picking is a sign that the girl is ready for the start of her period. The cycle of the girl's physical and mental state will be repeated every month. They all will come again, the monsters of pain's embodiment, the fear of self, and external pressure.

A director suffering from a lack of inspiration is working on a story. The protagonist in his mind does not want to end up starring in a terrible short film, and thus embarks on a journey to help the director find inspiration.

Gayoung and Seungju go to sort through their friend Jiwon's belongings. Among the items Jiwon left behind, they encounter secrets they've each kept hidden. The moments of that day, when they couldn't cross the crosswalk, come flooding back.

Paralyzed by the fear of the misty unknown, the protagonist was self-imprisoned, only to break free from their confines after confronting the reality of their stagnant self.

The Isaan Record spent over 3 years following the fate of people from north-eastern of Thailand who, carrying their hopes of a better life, sought refuge as berry pickers in the forests of Finland and Sweden. They believed that "wild berries" in these civilized countries would revive their lives and help them pay off their debts, so they borrowed money to work there, following the persuasion of the Ministry of Labour and brokers. But unfortunately. They were tricked into working for free and became victims of human trafficking. After working for 3 months, some returned home with empty-handed, burdened with debt. Over the years, reports indicate that there are over 4,000 victims, leading them to form groups to demand justice. While waiting for government agencies to resolve the debt crisis resulting from being tricked into working abroad, a former minister involved in human trafficking and corruption has prospered.

2026 release

In a southern Chinese factory town, two inseparable girls, Anke and Yun, share the same dream of becoming “Miss Neon” in their dull gray world. Anke longs to be closer to her best friend, but their pursuit of color and freedom ultimately pushes them further apart.

The story follows Nagi, a lonely girl living in a harbor village. Her daily routine centers around the attic of a fish shop, where she spends her time in solitude, always carrying a fishbowl with her.

The only memory Young-i has of her late grandfather is a small childhood mishap involving red bean ice cream. At his funeral, she remembers him in silence, overcome with grief, and eats that ice cream—which she only began to appreciate after his death.