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The Last Fistful of Land

'L'ultimo pugno di terra' (The Last Fistful of Land) is a 1966 documentary film directed by Fiorenzo Serra about the anguish and instability of the lower classes in a destitute Sardinia. Originally commissioned by the Sardinian regional government as a celebratory piece on the 'miraculous' effects of the 'Piano di Rinascita della Sardegna' (Sardinia's Rebirth Plan), the film instead shows an island still 'standing still in time', barely affected by the painful oxymoron of the inevitable changes taking place.

The Last Fistful of Land

9.0 1966
Desperate Mission

A nuclear scientist is kidnapped by Chinese communists in Hong Kong. A Japanese group of judo experts kidnaps him from the kidnappers, but before they can contact the American agent who has been assigned with overseeing the scientist's transfer back to the USA, the agent is killed. The American secret service send their top man to Hong Kong as his replacement, with the mission of locating the scientist. But there are TWO rival gangs of baddies who are also looking for the same target, so our hero has to assume a different identity to infiltrate them.

Desperate Mission

7.0 1965
Idoli controluce

Having been assigned by his publisher to write a biography of Omar Sivori, the great footballer, Ugo Sanfelice heads for Torino. Given he is not very knowledgeable about soccer, Ugo tries -several times but in vain - to obtain an appointment from Sivori. Forced to fall back upon persons being or having been in contact with the elusive star, he gets to know young forward-center Moretti and soon becomes friendly with him. The young man confides in him and tells him the whole truth about his own "career" : the training in a small provincial team, the promising debut alongside Sivori, the desertion of his fiancée, the premature decline due to a dissolute life. When Sanfelice finally meets Sivori, he finds that the star is no match - humanely at least - for Moretti and he gives up writing the book at all.

Idoli controluce

10.0 1965
Il dramma di Cristo narrato da Giotto

More than twenty years after Racconto da un affresco (1940-1946), Luciano Emmer returns to Padua and the Scrovegni Chapel, home to Giotto's frescoes. He retains the structure of his first film (telling the story of Christ through the frescoes) and his principle of immersion in the paintings, but this time in color. He adds an introductory educational section (a historical presentation of the chapel and Giotto's frescoes) and a descriptive commentary that runs throughout the film.

Il dramma di Cristo narrato da Giotto

NR 1966
Guerilla Hellcats

Under the mundane guise of a public relations firm, Singrid Karaman is actually running an intelligence network. Her new mission is to foil an upcoming coup attempt in the African country of Myassaland, and to recover the large stock of diamonds that have fallen into the hands of the mercenaries behind the plot. She instructs a former Nazi, Eric, to form a shock commando and her assistant, Carol, to contact the mercenary leaders, Commandant St Robert and Captain Tarquier. Although Tarquier is very suspicious, St Robert agrees to go aboard Ingrid's yacht.

Guerilla Hellcats

7.0 1968
La vedovella

Susy, a call girl from Milan, receives a castle as a gift from one of her old clients, Baron Colletta di Sant'Omero. When she arrives, she is mistaken for the widow of the deceased squire and is immediately surrounded by the mayor, members of the town council, and other people who all aspire to take over the dilapidated property for little money, whose future is guaranteed by the industrial expansion of the Calabrian village. Susy realizes the situation and astutely takes advantage of it. She manages to obtain the unanimous vote of the city council against the expropriation of her land, and, having duped all her suitors, she devotes herself to Corrado, a technician at some important factories in the area.

La vedovella

9.0 1965