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An exploration of the forestry industry, the film depicts a variety of views on the conflict between logging and environmentalism, including those of loggers, alternative forestry practitioners, a vice-president of MacMillan Bloedel, First Nations elders and environmental activists.

This short documentary traces the life and career of composer Eldon Rathburn. A music lover since childhood, Rathburn used to go to the movies in Saint John, New Brunswick, in the 1920s just to hear the soundtrack. In 1947, he joined the National Film Board as a staff composer and went on to score over 300 documentaries and feature films. He is responsible for the music heard in classic NFB films like City of Gold and the IMAX feature Momentum, as well as the scores for lesser-known “classics” like Hog Family Supreme and Fish Spoilage Control.

One Goes On follows individuals and the events which influence our perceptions of them. A young lawyer indifferently discusses a relationship; a woman discusses a dolphin harvest at a chic party; a rural entrepreneur relates his most recent project as he visits the scene of a local disaster. Certain sequences and stories unfold in real time while others are altered to allow closer scrutiny. As the tape progresses, these connected narratives evoke a strong sense of loss.

In an experimental narrative, Matthew watches television commercials searching for reflections of queer identity. Thom Fitzgerald's student film from Nova Scotia College of Art and Design.

Lynn Smith's animated short. Nominated by Genie Best Short animation.

Black sleeping-car porters who worked on Canada's railways from the early 1900s through the 1960s were proud men and well-respected by their community, but harsh working conditions prevented them from being promoted to other railway jobs until 1955 when porter Lee Williams took his fight to the union.

Two young men engage in sexual acts in an enchanted forest lit by disco lights, while nuns and teddy bears voyeuristically look on with delight.

The life and times of Leilani Muir, the first person to file a lawsuit against the Alberta provincial government for wrongful sterilization under the Sexual Sterilization Act of Alberta.

Former Brownies recall their time in Girl Guides as seven and eight year olds.

A musical documentary that travels across Canada and looks at four extraordinary Black Canadian families.

An RCMP officer watches an Inuit family build the Northern landmark, a sign of human activity on the vast arctic landscape.

This documentary short by Alanis Obomsawin tells the story of Kahentiiosta, a young Kahnawake Mohawk woman arrested after the Oka Crisis' 78-day armed standoff in 1990. She was detained 4 days longer than the other women. Her crime? The prosecutor representing the Quebec government did not accept her indigenous name.

Eileen, a scriptwriter, has been writing letters to Federico Fellini who has become her friend, mentor and means of escape. Various rejections lead her to lose her grip on reality and retreat into her own world with one last hope: join Federico in Cinecittà with the two men she loves.

Phoenix Is a Cunning Cunt offers a look into the life of Phoenix, a misunderstood transsexual youth navigating the trials and tribulations of everyone's worst high-school nightmares. S/he is self-assured in exploring pronouns and family roles and shows us a snippet of "hir" daily struggle toward personhood

A retrospective based on an introspective vision, this stream of still pictures, unfolding to the rhythm of the voice-over (delivered by Steve Reinke), portrays a man who visually exposes his psychological “faults.” Recounting eighteen decisive moments in his life, and dissecting both his genetic and cultural heritage, the work delimits a transitory space in which each image crystallizes one of these indistinct marking points. Bringing together a number of collectively shared experiences, Damaged presents a series of significant events — some pleasant, others less so — evincing the complexity of the stages of life and offering models of childhood, sexuality and adulthood that denounce the transmission and acculturation of stigmatized identities. —Karl-Gilbert Murray, FIFA Catalogue

A passionate and unpredictable film about three characters in love, Les Sauf-conduits explores the tenuous balance between friendship and romantic love. When three friends set out to break the world’s egg-tossing record, their relationships become increasingly entangled and complicated. In her arresting first film, director Manon Briand crafts poetic images that are striking, fresh and occasionally quirky, and elicits uncannily natural performances from her actors. Les Sauf-conduits garnered several awards on the festival circuit, including the award for Best Canadian Short Film at the 1992 Festival of Festivals (now the Toronto International Film Festival®) and Golden Sheaf Awards for Best Director and Best Film at the Yorkton Film Festival.

In 1992, an independent South African puppetry group, the African Research and Educational Puppetry Program, were invited by OXFAM (Canada) to bring their highly successful educational program 'Puppets Against Aids' to tour rural and regional Canada for twelve weeks. This is the one-hour documentary that was produced from their Canadian Tour.

Quebec is a modern society where the suicide rate among 15-25 year olds is among the highest in the world. It is the second leading cause of death after car accidents. The result of three years of research in all environments, Le Spasme de vivre tells the life stories of different people, and all of these stories form a portrait of society.

The band of this famous French Canadian regiment rehearses for the first performance of O Canada in 1880 at Saint-Jean-Baptiste Day celebrations.

A drama of political awakenings which connects activism in Apartheid South Africa to Canada in the 1990s.

Some people call it an engineering triumph. The Cree and Inuit refer to it as cultural genocide. This is the controversy surrounding the James Bay hydroelectric project in Northern Quebec.

In the heat and desolation of Santa Fe, California, three people are connected and disconnected by proximity, nature and circumstances. Dwight is a New Age DJ. Ramon is an experimental composer and filmmaker. Ash displays numerous tattoos. Each elaborates on central and sometimes disturbing chapters of their lives. The tape culminates with Ramon's harrowing account of a friend's downward spiral.

Minus is a hand-processed, uncut, singular stream of movements. To take away: either to leave remnants of light or to leave remnants of rhythms. Entirely hand-processed and unscathed by the blades of the splicer. This is Chong's first 16mm film. Inspired by Ritchie Hawkin's Concept albums.

This vivid portrayal of Chile from the 1973 military coup shows terror, demonstrations, repression by the military and police, marches, a state of siege, and peaceful reactions. The film juxtaposes rarely seen scenes of the ceremony, pomp and parades of General Augusto Pinochet and his cohorts against the at-first ineffectual and ultimately successful opposition in the streets. It is a powerful and eloquent reminder of the evils of autocratic rule that resonate in today’s debate about Pinochet’s fate.

A man has a last telephone conversation with the lover who just left him. Call Waiting draws its inspiration from La voix humaine by Jean Cocteau.

A moving journey through a process of birth and death, Sea of Time tells the story of Gaulke’s attempts to become pregnant through artificial insemination during a period of time while a dear friend was dying of AIDS. Written in collaboration with her life partner, Sue Maberry, it raises issues about gay and lesbian people creating family. The footage includes a trip to Bali and is offset by an evocative score by composer Miriam Cutler. Sea of Time was originally created for the exhibition In Terms of Time curated by Ruth Weisberg and Rabbi Laura Geller at the Santa Barbara Contemporary Arts Forum, January 1994.

“In 1989 I finished the film Kitchener-Berlin and put a close to a cycle of work which dealt directly with myself, and how self is expressed/constructed cinematically. At the same time I took my old super-8 camera out of the closet, and began collecting images, using the single-frame-zoom. Cubist in its visual delivery, the single-frame-zoom builds a splayed reality that brings together disparate vantage points simultaneously, and serves as the glue that blends and bonds peoples, places and spaces in Chimera.” (PH)

A satire of technology. A businessman who is consumed and destroyed by the technical gadgets that are supposed to make his life easier. The film was part of a trilogy, with Hate Mail (1993) and Shoes Off! (1998).

Based on a Jewish folk tale adapted by playwright John Lazarus, this animated short tells the story of Shmendrik, a simpleton living in a small Polish village. Weary of daily life in his native Chelm, Shmendrik sets out on a quest for knowledge that brings him to a new Chelm, a place eerily reminiscent of his old Chelm. An amusing take on our tendency to romanticize what we don't have.

This feature documentary shines a light on a group of women who are passionate about their non-traditional job – trucking. Filmed in 1999, it follows the women all across Quebec as they do their job and address the big-ticket items in life: love, family, freedom, and solitude. Filled with humour and the contagious good spirits of the women involved.

A queer, tongue-in-cheek dissection of hip attitude, "cool" alternates between the education in pick-up technique of a naive gay man and the meditations of a recently dumped drag queen strung out all over town.

On the hot and dusty prairies stands the Oasis Bar & Grill. Within, Joe 90, a crop insurance claims adjuster, is quickly persuaded by the annoying paranoid Dick Rotundo to conspire in a false insurance claim. They almost close the deal when Dick's uncontrollable paranoia forces him to run into a burning field. Believing Dick is dead, Joe 90 is left to face his supervisor without a claimant. He avoids her for fear of being caught in the process of a false claim. Much to his surprise, Joe 90 discovers that Dick is alive. The two conspirators can now complete the fraudulent claim. This time Dick cannot free himself from the guilt and his fate blows in the wind. He helplessly watches as Joe offers him a place in a corrupt future.

A poetic meditation on the death of three Iranian refugees who committed suicide in Ottawa in the late 1990's. Nasoot is an Islamic mythological term for the world of corporeal existence. Evoking the power of memory and history, this film is about dispossession, exile and alienation caused by war and displacement.

This video focuses primarily on the implications of the structure and format of television, especially the consequences of concision, and how these factors can shape the messages of the medium. In addition, other issues, such as how democracies handle dissenters, and how the mainstream media have treated the challenges of Noam Chomsky's media critiques are explored. The media construct reality, and in the conclusion we see the author participating in that very process.

In this PSA aimed at children, an anthropomorphic television talks about programs children can see on TV, and that they are smarter than it.

My Mother's Place is an experimental documentary focusing on the artist's mother, a third-generation Chinese-Trinidadian who at 80 still has vivid memories of a history lost or quickly disappearing. She conveys these with a storytelling style and a frankness that is distinctly West Indian. A tape about memory, oral history, and autobiography, My Mother's Place interweaves interviews, personal narrative, home movies, and verité footage of the Caribbean to explore the formation of race, class, and gender under colonialism.

The murder of a gay man on public bus stuns the city of Montreal, but it is only a sign of things to come during a particularly violent summer. A string of murders and attacks on members of the gay community go largely unsolved as public outrage grows.

A look at the northern lights (aurora borealis) from aboriginal beliefs to scientific theories.

Inventor Guglielmo Marconi receives the first trans-Atlantic radio signals in Newfoundland and is awarded the Nobel Prize in Physics.

A man attempts to remake The Decline Of The American Empire on his stolen video camera.

Sounds and visuals give a “physical” overview of the Land Question, and Cuthand turns the question around regarding what it means to own or be owned.

This animated short film is an interpretation of Earle Birney's poem “Trawna Tuh Belvul by Knayjim Psifik.” Using finely crafted cut-out animation, the film retells a memorable experience of the journey from Toronto to Belleville, Ontario.

Two friends are looking for new topics of conversation. A couple quietly bicker. A woman talks about herself as a drowing soul. Twelve characters (eleven writers and a painter) - bitter, tender, funny - beat their heads against the wall of the banality of human existence and against words...Will a great destiny ever come to the aid of their petty miseries?

Passion turns to obsession after a caring girlfriend presents her boyfriend with a new bike. He gets more than he bargains when The Bike literally takes over the Cyclist's life, throwing it into chaos.

These images are oxidized residues, fixed by light and chemical elements, of living organisms. No plastic expression can ever be more than a residue of the experience. Yet, that residue is recognition of an image that has somehow survived the experience, recalling the event, like the undisturbed ashes of an object consumed by flames. When I began working with film and photography in a materially oriented way, I thought that by working with the surface altering and affecting it I could leave my identity, my personality." - Carl E.Brown

Fred Penner and Al Simmons meet a train station and discover a wonderful world inside a photo booth.

“When he shot Une seconde (4 min., 20 sec.), a video animation without computer graphics, Richard Angers tried to adapt Norman McLaren’s animation techniques to video shooting and editing. A long-term solitary task, in which images are moved by hand, centimetre by centimetre, in which one plays with the number of images per second, and in which the ± pure quest for effects is more important than the message”. BLANCHARD, Louise. “Les vidéastes sont au ‘rendez-vous’”, Le Journal de Montréal, Montreal (9 February 1992), p. 38.

Using the metaphor of suburban architecture, Homogeneity archly critiques the desire for conformity within the queer community.

In Living Memory is a bittersweet dialogue between father and daughter, challenging traditional notions of remembering and forgetting. This video explores the loving and sometimes stormy relationship between the two and explores the father's life as an artist and communist, who at age 93, is losing his memory.

Scenes from Madonna: Truth or Dare and the music video for Madonna's "Vogue" along with other various videos are spliced together with a letter from a former sexual partner of Madonna's scrolling on the bottom of the screen. Part 4 of 7-part bio-feature Public Lighting (2004).

This investigative, fast-paced documentary examines censorship in Vancouver from a Generation X point of view. Discussions about the banning of queer newspaper from a Vancouver suburb, the negotiating of queer theory in academia, and the interplay of race and self-censorship in lesbian/gay communities make this video a welcome update on aspects of the anti-censorship debate.

Two girls meet under a tree on a cold day...a love story.

A short film about justice and the problems with the legal system talked about by major businessmen who work in law, ending almost like an advertisement PSA announcement about identity theft.

"Mutt and Jeff meet Felix in a battle for the letter "U". Using old black and white cartoons and contact-printed 35 mm film that I scratched on, I combined the three elements into a primordial soup." Rick Raxlen