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The life of a Parisian photo model turns into a nightmare when the photographer with whom she used to work begins to pursue her constantly but she refuses his offers.

From testimonies and medical explanations, an evocation of the last fifty years, seen through the different illnesses of the main heads of state in the world. The state of health of the men in power who have made the history of the last half-century has often been deficient at critical moments of decisions that affected millions of people. The dramatic consequences of Chamberlain's illness in front of Hitler in Munich, Roosevelt's illness in front of Stalin in Yalta.

Through symbols evoking love of beings, a human searches them and finally drowns in a moving dream and denies reality.

Julius-Amédée Laou's Open Mic Solitaire is about a Black Parisian who hijacks a radio station after his brother is murdered by racists.

An auspicious day to fill as Paris wakes up under a thick layer of snow; Dévotion is wandering to the Palais de Chaillot through a paralyzed Paris.

A sanitized white kitchen, vegetables, a sharp blade. The slaughter is coming.

The essay by René Vautier, "Déjà le sang de Mai ensemençait Novembre", starts with the recapitulation of the representations of Algeria throughout the history of visual arts in France in an effort to explore the causes for the quest for independence.

An American general with highly confidential defence information has been kidnapped by terrorists and is being held in a cliff-top fortress in the Mediterranean.

A young pianist is shocked when she witnesses a strange chess tournament with a robot. Could there be a gruesome secret behind this exhibition?

This standard romantic drama focuses on three different couples who happen to come together in a small hotel in Rome and play out their differences in that setting. The couples are made up of a Parisian woman and her Slavic boyfriend out to spend some quality time together; a Frenchman (Jean-Noel Picq) searching for his sexually awakened teenage mistress; and a woman out to reunite with her Italian lover (Michele Placido). These people manifest different approaches to a romantic partnership that are tested in their brief encounters in Rome.

A rural teacher discovers the harsh realities of his South Africa.

Today, the only inhabitants of this environmentally inhospitable Pacific island are birds and crabs. Yet over 80 years ago, Clipperton hosted other visitors: a demented rapist and a terrified group of women and children. Cousteau returns to the island to recreate the deadly series of events - from the death of the brave French captain to the courage of the widow who killed her torturer - through the eyes of one of the survivors, then a child.

A homeless street musician meets an attractive woman by chance and keeps following her until he persuades her to let him stay in her place.

While the rest of the Hebrews bewail their fate, Samson alone trusts in God's promise of liberty. Abimelech, the Philistine satrap of Gaza, enters to mock the Hebrews' God, proclaiming the superiority of Dagon, and the Hebrews are afraid of him. But calls them to show some defiance, so Abimelech attacks Samson with his sword. Samson seizes the sword and strikes him dead. The Hebrews scatter and the High Priest of Dagon appears, cursing the Hebrews. When a messenger reports that the Hebrews are ravaging the harvest, the High Priest forms a plan to use Delilah to overcome Samson's strength. Delilah's beauty is such that Samson can't resist her for long. She begs to know the secret of his supernatural strength, but he refuses, though he says he loves her. Delilah betrays Samson by having some Philistine soldiers seize him and throw him into a prison in Gaza, where his hair is cut off.

In a routine sex farce, Gautier (Jean-Claude Dauphin) is a man determined to figure out how to give a woman an orgasm -- which of course requires a lot of practice and experimentation. His buddy Roussel (Jean-Luc Bideau) also chases after women but does not share Gautier's unique quest. Rose (Nathalie Nell) finds Gautier entrancing and devises a way to capture his heart while helping him on his search for the ultimate turn-on.

Concert of Renaud at Zenith 86

This episode is part of the series "The Conquerors of the Impossible (2/3)". From the 1950s to the 1980s, René Desmaison achieved a large number of "firsts". A specialist in normal routes (west face of Les Drus, Pilier du Freyney, Shroud...), he experienced a tragedy at the Grandes Jorasses, where his exceptional resistance allowed him to survive against all logic. He is the first to claim the practice of the mountain as a high level sport. A man of contrasts, his apparent strength hides great shyness and an unalterable enthusiasm despite the years. Beyond mountaineering, it is the spirit of adventure that has always inhabited him. A whole life devoted to mountaineering.

After the suicide of his actress-mother, a young man announces his identity to his father, who happens to be the man who directed his mother's last film.

An island retreat. A man, his face bandaged, plays cards nonchalantly. His ex-wife arrives. Conversations happen.

Diary-films, portraits of visitors. Visiteurs is the result of great editing work, while Portrait de Gaël was made in two times, two places, without editing, improvising with the camera.

Superbia states "I am pride. The proud root of all evil. I am Superbia, the first of the seven capital sins. I am always the first. The tree of wickedness grows out of me. My six daughters are its forbidden fruit: gluttony, laziness, greed, anger, envy, lust." In this grotesque procession of a giant haystack with characters representing pride, edited with images of real military parades, Ulrike Ottinger depicts a subtle allegory of human vanities.

Venice. March 1735. The carnival is in full swing Everybody's happy mood and the lively streets are filled with musicians, mimes, clowns and acrobats of pickpockets who practice their craft each, displaying a colorful rainbow and sounds. At every corner, there is something going on that should not be missed - especially if it's something forbidden. However, some people are concerned about something else. One is Carlo Goldoni young lawyer of 27 years, he dreams only theater and he thinks only the part that wants to ride. Alas, the money was also hard to find at that time than now. His two friends, Antonio Vivaldi and Gian Battista Tiepolo are better known than him but they are also looking for this rare bird: a patron, who was not on ONLY the desire but also the means to sponsor a work of art.

A Montreal man imagines a mermaid in place of the writer whose picture appears on a novel.

A handful of teenagers, boys and girls, escape from a reform school and go round town. They go to a ball, the owner asks them to pay the bill.This man is very unpleasant, he hates the youth of today and he is a racist.The incident turns into free -for-all, then into a massacre.The runaways become chased criminals. One of the boys want to take his mates to a deserted village where they would find a refuge. Policemen and farmers are hot on their heels .

Outtakes from the movie

The French TV series Les Enfants du Rock produced a documentary on The Stranglers during the release of their eighth studio album, Aural Sculpture. Being a French production, the film leans heavily on Jean-Jacques Burnel, featuring moments such as him performing “Euroman” from his solo career, teaching a karate class, and even strolling the streets in drag. The documentary captures a unique and engaging portrait of the band: Jet Black delivers reflective monologues straight to camera, Hugh Cornwell is interviewed mid-workout, Dave Greenfield demonstrates how he can program his keyboard to “answer” interview questions, and the band is even shown selling their own Strangled magazine on a street corner. Songs performed are Punch and Judy, Aural Sculpture Manifesto, London Lady, Midnight Summer Dream, Euroman (JJ Solo), Strange, Little Girl, Uptown and Paradise

The film presents a field of sunflowers. The focus is adjusted frame by frame in succession according to a series of patterns on particular plants situated in different parts of the field. The diverse configurations placed on separate frames of the film strip appear, when projected successively, simultaneously on the screen. Thus, filmed one after another at different focal lengths, the sunflowers combine during projection to form one spatiotemporal image. LES TOURNESOLS COLORES is a capricious version of the film. - Film Makers' Coop

A rare short done in much of the same vein of “Puissance de la Parole”, where there is no shortage of cross-dissolve and rapid montage effects. Here, the sources are between fashion clips, street footage, and a number of paintings, to which Godard narrates the implications of what is being seen.

Depeche Mode - Live at Wembley Arena, London, 17 April 1986 (Black Celebration Tour) 01. Black Celebration 02. A Question Of Time 03. Fly On The Windscreen 04. Shake The Disease 05. Leave In Silence 06. It's Called A Heart 07. Everything Counts 08. It Doesn't Matter Two 09. A Question Of Lust 10. Blasphemous Rumours 11. New Dress 12. Stripped 13. Something To Do 14. Master And Servant 15. Photographic 16. People Are People 17. Boys Say Go! 18. Just Can't Get Enough 19. More Than A Party

Antoine is an accountant, uptight and withdrawn, married to Edith, who picks out his clothes and shoes. He's assigned to a fitness gymnasium for a month to straighten out their books. The owner, M. Roland, encourages Antoine to use the facilities, including the massages, so Antoine goes to Dominique, a muscular African. In these sessions, Antoine discovers that the pain is comforting, and Dominique finds the accountant ideal for his own sadism. When Dominique breaks Antoine's arm and then goes to the hospital to take Antoine away, Antoine confesses his fascination with and fear of death. With Dominique's help, the accountant breaks all earthly ties to confront his fear.

Images of the filming process of Bernardo Montet on a beach.

Ex-agent of the Secret Service and colonel to Her Most Gracious Majesty, Sir Harold Wilberforce Clifton has become an amateur detective.

"In this swirling and colorful hymn to Paris, a kind of new Symphony - but jazzed up - of a big city, we find the almost ethnological attention to others, the work of concrete sound. In just over an hour, condensing almost a year of filming in Paris, we get the impression of a single day of sunshine, a continuous kaleidoscope in the most diverse city in the world. The novelty is the attention to detail, which earned us, right in the middle of a series of sweeps, capsizes, Mathieu-style calligraphy, veritable little Gnoli-style paintings: a woman's shoe, a sweater button, or still lifes, in the cubist way, graphic elements: such and such of the thousand and prescriptions that populate the streets. This film thus takes its place at the forefront of all thosewho celebrate the capital today. Weaving together so many "energies", making the disparate elements communicate, it is the most complete, the most beautiful of Michel Nedjar's filmic works." - Dominique Nogues.

After a messy divorce, a struggling writer takes a holiday on the French Riviera, where he decides to investigate a series of mysterious incidents.

An anonymous phone call puts Commissioner Schneider's entire career and personal life in question. While his couple suffers from his impossible schedules, he finds himself running after a provocative murderer who announces his crimes over the phone. Very quickly, a doubt comes over him: could the culprit be closer to him than he thought?

Camille Vigault, takes advantage of his vacation to visit a cousin winemaker in Roussillon. Quickly tired by work in the countryside, he prefers to buy an old abandoned Rolls Royce from his cousin.

Jean-Pierre Sentier and Daniel Laloux joined forces to write, direct, and act in this zany comedy about two men who were sent to an island by the Ministry of Toil to make Camembert cheese boxes. Unfortunately, the men's papers fell behind a filing cabinet and it is many years before the government realizes they exist. Meanwhile, the men have forged new identities and a good life for themselves as they loyally keep up their production. When the government decides to send a team of experts to handle the situation, the two men prepare to eject these unwanted arrivals at any cost.

Story about a girl who, tired of her step-mother and her step-mothers gigolo, goes to a boarding-school and falls in love with the woman who runs it. Fanette, the woman who runs the boarding school is strict and Juliette finds she loves the strictness. She loves to be spanked..

A sculptor carves and transforms himself.

Fred, a commercial director, decides to learn the flute to relieve his stress. His music teacher is none other than Isabelle, a flutist he once saw playing in the subway. He falls under her charm.

An epidemic of appliance madness unrelated to discount sales strikes an island off the coast of France: the islanders are being murderously attacked by ovens and refrigerators acquired in the same department store. Enter the young Dr. Gabrielle Martin (Anny Duperey), who arrives here to escape her own personal tragedy and instead lands in the middle of the kitchen mania. She tracks down the cause of the rapidly spreading epidemic to another doctor on the island — quite as insane as any of the kitchen appliances (if the comparison could be made) — and finds that the villainous doctor and the appliances have a most unusual link. Graphic scenes of mutilation by an oven, as one example, leave nothing much to the imagination in this film, but the interpretations of actors Anny Duperey and Jean-Claude Brialy as the good and evil doctors are excellent.

The journey strewn with adventures of François Veber, electrician who decides to embark on the theater. For his passion, he leaves his wife. Particularly awkward, he will have to work to achieve his dream.

Genial and deceptively tentative insurance company detective Tom Lepski sets out to track down a valuable medieval Russian icon, stolen by master thief Bradley.

One of the most remarkable and innovative documentaries ever made, this film follows the famous true story of two English women who as babies got switched in the hospital and 20 years later discovered that they'd been raised by the wrong sets of parents. Romand enlists all the surviving family members in her haunting and bizarre investigation, which involves not only a recounting but a reenactment of all the significant events in the two daughters' emotional histories.

A small African village. The story focuses on Bila, a ten year old boy who befriends an old woman, Sana. Everybody calls her 'Witch' but Bila himself calls her 'Yaaba' (grandmother). When Bila's cousin Nopoko gets sick it is Sana's medicine that saves her.

Ursula finds her husband Charles, busy with his secretary at his office. She immediately leaves him and takes her little daughter Delphine with her. As they travel in her car, it goes off the road. The girl is killed and Ursula becomes amnesiac. She can't stand Charles anymore as he has now become unknown to her.

A film by Vincent Tolédano