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Bernd Upnmoor's Dom the title refers to the famous funfair at Hamburg - varies an increasingly meaningless shot of a few minutes on a carousel by exploring all the possibilities of colour film techniques and succeeds (in Upnmoor's words) in "making the viewers' senses tremble and flutter."
The long-established aristocratic von Poggenpuhl family has seen better days. Towards the end of the 19th century, the major's widow and her children have long since eked out a poor existence characterized by a lack of money. Only the dusty ancestral gallery is a reminder of past fame and fortune. But while the mother has resigned herself to her new situation, her sons and daughters hope in vain for a change of fortune.
It takes a day and a half to assemble a VW Golf 2. Hartmut Bitmosky traces a car’s journey through the fully automated production lines in Wolfsburg and explores the development of the VW Group using archival footage. Moving almost in time with the machines, the director constructs a documentary collage—a visual exploration of the corporate giant, which appears as dehumanized and automated as its production process.
Chemist Michael Brandt travels to Western Australia on behalf of a great German company. Pretending to be a private investor he purchases industrial real estate for a pesticide factory - chemicals which have long been on the forbidden list in Europe and in the U.S. but make huge profit on sales in Third World Countries.
Documentary about the industrial region of Borinage in Belgium
"The Malpractice" - On a Sunday, Dr. Dorlach was called to the clinic. Unexpectedly, Frau Bahlke, a mother of three, is in a coma. Any help comes too late. Dr. Dorlach realizes that the patient is dying as a result of a diagnostic error.
A contemplation on night travelling in various weather conditions through seemingly endless landscapes in Europe, only briefly disrupted by shreds of conversation in a foreign language.
1952 in a suburb of New York: the pious Leon Sternberger is a cantor in a small Jewish community. One morning, he realizes that he has lost his faith in God. There is simply too much misery and injustice in this world. His friend Schames Rosen advises him to ask Rabbi Markus in Manhattan for advice. In the subway compartment, a young woman wants to take her own life because she cannot forget December 22, 1942 in Utrecht. That was the day her family was deported. On another train, he meets a man who also cannot forget December 22, 1942. The unusual events are connected in an exciting way and shed new light on the question of God's existence despite all the suffering.
A drama that strings together vignettes of events taken from everyday newspaper headlines. Germans are shown in their reactions to World War II, minorities, and the elderly. A side plot follows a meeting between former West German Chancellor Helmut Schmidt and East German leader Erich Honecker.
Yet again, a bear and a rat are out to make a lot of money - this time with art. During a tour of investigation, they find a corpse in a gallery and, hoping it will prove to be a means of access to the worlds of culture, action and finance, they take it along with them. However the desired effect is not forthcoming and they become involved in questions and observations on the subject of art and crime. The rat tries to solve the case himself; to him there is no distinction between artist and detective. After a narrow escape from a murder attempt, the two animals join forces once again and, now sadder and wiser, they resolve to improve - something that appears to be far from easy. But at the depths of despair they discover a system of order in the chaos of the world, which encourages them to venture into the area of philosophy. From here, they proceed into undreamed-of insights and flights of fancy.
A writer is writing his latest work. Suddenly, a strange man appears in his apartment and brutally stabs him to death. On his way out of the house, the obviously deranged killer kills other residents...
The intelligent Linda, daughter of Joseph and Jane, takes a critical view of her parents' marriage. Her father's dominant behavior and her mother's indifference become so unbearable to her that she decides to run away. She manages to persuade Jane to accompany her.
The joint high mess of 80s German underground: An exercise in exquisite corps (and in some cases probably also automatic writing) for which artists from both nations shot episodes from the Good Book - not necessarily following the text too closely.
Journalist Marga is commissioned by her editor-in-chief to interview a rock singer, Anne, from Prenzlauer Berg in Berlin. When Robert, an unpublished poet and Anne's ex-boyfriend, shows up, Marga becomes way more interested in her interview assignment. A love triangle comedy set in the bohemian East Berlin Prenzlauer Berg atmosphere combined with 1980s punk rock music à la Nina Hagen that comments on East German taboo topics, including environmental issues.
Feisal, 30, was born in South Africa to an Indian-Malaysian father and a mother of both Scottish and Black African descent; he is a huge fan of the mega-pop star Michael Jackson. Since the mid-1980s, he has been making ends meet in West Berlin with dance gigs and other jobs, and his big break came when, following Michael Jackson’s fifth facial surgery, he was in demand as the singer’s lookalike.
In three episodes about six people, the film takes on the topics of relationships, difficult social engagements , and love in the German Democratic Republic.
Film extras take possession of a bogus film production company and acting as ideal world of film to persuade one associates mother-in-law of marriage.
The documentary provides a comprehensive exploration of the topic of nuclear energy.
This multimedia collage, which includes performances by pantomime artist and dancer Fine Kwiatkowski, painter and filmmaker Lutz Dammbeck and musician Robert Linke, is a reflection on the medium of film and its elements: sound, light and movement. Dammbeck’s goal is to cleanse these elements of ideology and commerce and compose a new film out of them. The process is played out in the space in real time.
Wagner’s Romantic opera demands singing actors who can truly inhabit their parts, and that’s just what we have here. Is it possible for a Knight of the Holy Grail to look more enticing than Peter Hofmann? No wonder Elsa (Eva Marton) falls in love at first sight. Marton’s heroine is innocent, but she is also a passionate, real-life young woman—which is good, because Leonie Rysanek is positively demented as Ortrud, the sorceress who accuses Elsa and Lohengrin of using magic. With James Levine’s superb conducting, the orchestra and chorus are similarly magical.
Based on the novel "Trust D. E." by Ilja Ehrenburg. Jens Boot, a successful manager in a multinational corporation, organizes the takeover of companies in Europe. Very soon he realizes his task—the preparation of the destruction of Europe. He suspects his girlfriend of being involved in the conspiracy. Only in the European desert do they meet again.
Made with an eye to the autumn of 1980 when the German parliamentary elections took place, The Candidate examines Germany’s history past and present and Franz Josef Strauß, the man who, as the CDU/CSU candidate, aspires to be elected to the most important political office in the land.
The 1930 Hollywood-produced anti-war film "Nothing New in the West" is one of the great works in film history. But like hardly any other cinema classic, it was ostracized, shortened, censored, altered in image and sound and banned. The documentary deals with the eventful fate and especially the censorship history of the film classic.
Three rats live on the tracks of a subway station. They are doing splendidly - they live fat and full from the falling trash of the pedestrians. But the rats are seized by wanderlust and they want to sign on in a sailor's pub. Well, the journey to the wide world becomes a flop - no place for rats! Remorsefully they return to "their" subway...
A squatter is remanded in custody for trespassing. In a long conversation, her mother manages to irritate the investigating detective so much that the daughter is able to escape (for the time being).
Lydia Kowalenko is fired from the pharmaceutical company where she has worked for many years because she refused to help cover up the use of a dangerous chemical. Her daughter Katja, however, has no scruples and risks an operation which is more beneficial to her own medical research than to the convalescence of a young patient. Then Katja's only son dies after a car accident. Was he too the victim of a career-minded doctor?
Part 1 of "3 Miniatures after Melanie Klein" (for Laurence Rickels)
The ageing actor Peter Poller, whose name still has traction, is engaged as a guest at a provincial theater. They are performing a play by Molière. Poller is an alcoholic and his physical collapse is only a matter of time. His colleagues are watching him: the fear that the performance could fail through his fault is coupled with envy of his star role, which he also plays in his private life. His old "friend" and rival, the actor Karl Tietz, lurks unsuspectingly for the opportunity to stand in for him. Only the young Dagmar Möller seems to trust her great colleague. She makes every effort to help Poller overcome his problem and mediate between him and Tietz. But the battle continues - one wants to destroy the other. In the end, it is Dagmar who is broken by this game of intrigue, which she does not want to play and which she is not up to. However, the two old ladies are back on stage together - in a role that, like so many others, will "irrevocably" be their "last"...
Horst Valfelt, deputy manager of a medium-sized bank branch in West Berlin, is passed over for promotion. A woman is put in front of him as branch manager. A serious blow to Valfelt's career. One day, his former fellow student Thomas Berthold appears at the bank. He has achieved everything Valfelt dreams of: a degree, a highly remunerated and influential position and an attractive wife. Berthold wants to start his own business and asks for a loan. Valfelt cockily promises to get him a loan on particularly favorable terms.
Germany, 1949. Three children are crating a secret society in order to help families in need.
Experimental short film
Emotions and feelings should not be confused with sentimentality. Emotion is ancient and more powerful than any artistic expression. The film observes young couples facing difficulties while trying to move their love experiences towards clear decision making. A film full of ideas, details and associations, fictional scenes, documentary footage, archival materials and opera music.
Bored with her stuffy village life, teenager Susanne decides to run away to the bright lights Frankfurt, while her boyfriend does his military. Caught in the swamp of drugs, prostitution, violence and human trafficking, Susanne experiences the dark side of the big city.
The first part of the film explains human reproduction, the female and male organs and bodily functions. In the second part, the problem of the increase in sexually transmitted diseases in the context of free sexual contact is mentioned and symptoms are explained. In addition to real film scenes, the commentary film contains microscopic shots, cultural-historical depictions and animated drawings. The film was obviously intended to appeal to young men and adolescents in particular. Part of the Du und deine Gesundheit series.
In a remote Prussian village, the shepherd Krischan with his fantastic stories is the attraction point for the children. One day they experience together how the Müller Düker beats his horse to death and intervene. Düker sues her for body injury at the district court, and because the main accused, Krischan, lives illegally in the village without papers, the village community decides to deport him before the trial. Krischan disappears. The children feel the loss painfully, are outraged by the adults. The boys Martin and John search for Krischan on an adventurous ride and are put by the police. Krischan remains gone.
Documentary about guest workers in the Ruhr area. Part of the seven-part film cycle "Prosper/Ebel. Chronik einer Zeche und ihrer Siedlung".
A German secretary and a South African-born political campaigner form a relationship.
Wim Wenders's atmospheric testimony about the problems he encountered while working on HAMMET(1982) with Francis Ford Coppola, and the differences between the film-making process in Europe and the States.
A look at country life in the German Eifel.
Renate is finishing her trainee year as a social service worker when she is assigned her first patient: The young Alfred Hauser, who was submitted to the psychiatric ward four years ago because of a psychosis. Alfred's anxiety condition is worsening while the hospital staff is lying to him about the possibility of an early discharge. Renate is commited to help him.
The "Our Gang" type adventures of German working class kids from a Berlin apartment building (number 67) during the early 1930s. With Nazism's rise, however, their tight-knit group unravels. One leader, Paul, becomes a Nazi.
Tsarist Russia: Lisa lives apart from her husband Fedya, who drinks too much, wastes his money and hangs around with gypsies. Her mother is pushing for a divorce, especially as her childhood friend Viktor Karenin, a well-to-do and wealthy man, loves her and would take her as his wife. Lisa's sister Sasha, on the other hand, advises her to keep Fedya...
Martin Powolny, a down and out actor, calls himself Tiger. He lives in a tree house and practices his characteristic yell. An offer to make a film and an air-travel ticket entice him into the big city of Vienna. The director hopes he can finance the film if Tiger plays the leading role. There is no screen story as yet. Running away from a mean nightclub owner, Tiger is hit by an automobile and lands in a hospital.
Oral witnesses tell about their work in the Austrian underground movement against the national socialist regime. Agnes Primoschitz, Johanna Sadolschek-Zala, Rosl Grossmann-Breuer and Anni Haider talk about helping concenreation camp prisoners escape, fighting with the partisans and imprisonment, and about various experiences which bring back happy and sad memories. Many of their friends and relatives did not survive the terrible time. Some of the oral witnesses hadn't counted on surviving the prisons and concentration camps.
"Je oller, je doller", say the roommates of pensioner Otto Panke, because they often see him together with the young Manuela, who likes to invent "dream jobs" for her life and dreams of an "exclusive life". But for Otto, the noticeable sympathy for the pretty, quite professional woman is simply "soul kinship". And since both have an extremely large degree of imagination, they are special, extraordinary - to a certain extent "spider fix"! The problem of the two is that they often get into tricky situations that threaten to get messy and they get a lot of problems. But as is the case with good stories: in the end, everything aims at a happy happy end...
Documentary film about the inhabitants of the village of Gager on the island of Rügen. The net and trap fishermen are a close-knit community and use the three seasons of fall, winter and spring to make ends meet for themselves and their families. In summer, many of them offer holidaymakers their vacation rooms, during which time fishing takes a back seat. With impressive pictures and original sounds, the women and men describe their experiences and compare the difficult times before and the up-and-coming times after the 1950s. The mayoress of the village of Gager and the district of Groß Zickau tells vivid stories about the "battles" within her own family and against the men of the village and the party leadership in order to achieve certain goals for the benefit of all.
Trying to approach the city – but constant rejection
The storyline of this episodic film, made on the occasion of the 150th anniversary of the Austrian Federal Railways (ÖBB), is a PR team's train journey through Austria. The professionals are to use the inspiring surroundings to develop a new advertising concept for ÖBB. Various stories are embedded, in each of which the railroad naturally plays a leading role.
After a nuclear war, what is left of society creates a special police force to ensure that it doesn't happen again. However, things don't go exactly as planned.
Jean-Pierre Gorin interacts with a club of model railroad train enthusiasts and his mentor, artist/writer Manny Farber.