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Frau Venus und ihr Teufel

Hans Müller finds himself on a trip in Thüringen, accompanied by his loving female friend, Moritz. Hans doesn't understand much about trust, which constantly leads to problems between the two of them. During one of their fights, Lady Venus intervenes and sends the young man back to the Middle Ages - so he can learn the true meaning of love. Disguised as Tannhäuser, he has to stand his ground against a horde of minstrels. At a singing competition, he blunders, without the support of Moritz, who had also been thrown back into the 13th century. And with the help of Frau Venus, his adventure will surely turn out even worse...

Frau Venus und ihr Teufel

6.5 1967
6/64: Mom and Dad (An Otto Mühl Happening)

In the first action he filmed, 6/64 Mama und Papa, Kren’s editing leads to many interlocking continuous shots; central takes recur like a leitmotif, circular motion and networking can be observed throughout the film. Kren painstakingly weaves the fury in front of his camera lens into dense geometrical figures. Shot/countershot sequences alternate, lumping back and forth between single (!) frames, they turn the Actionist turmoil into ornaments, rigid geometrical patterns, the equivalent in time to what Mondrian used to distill on canvas in space. (Peter Tscherkassky)

6/64: Mom and Dad (An Otto Mühl Happening)

4.5 1964
10/65: Self-Mutilation

Kren’s 10/65 Selfmutilation is developed from a Gunter Brus “action”. What the film emphasizes is the surrealistic drama of symbolic self-destruction that Kren drew out of Brus’ action, pacing out each gesture so that one gets a tense, iconoclastic revelation of a man covered in white plaster lying surrounded by razor blades and a range of instruments looking as if they have been taken from an operating theatre. The blades, scissors and scalpels are gradually inserted into him in a ritualistic self-operation. (Stephen Dwoskin)

10/65: Self-Mutilation

5.9 1965
Kriminaltango

Peter, a young, bankrupt homeowner, wants to sell his house and move in with his aunt Agathe in the countryside. In the meantime, his friend Albert and his niece Inge are supposed to guard the house. When he learns that the three crooks Boxer-Franz, Taschen-August, and Klau-Maxe are already living there, he breaks into his own house, where he encounters the three burglars, who mistake him for a "colleague." The crooks expect him to pretend to be the homeowner and want to keep the proceeds for themselves.

Kriminaltango

5.8 1960
Kuttel

Young Kuttel belongs to a group of working-class children who live in Berlin at the beginning of the 1930s. In the big summer holidays in 1931, the children want to make a race with their model boats and choose as a venue for the small artificial water in the park of their neighborhood. All children in the area are invited to participate in the competition. But there is a traitor among them, who tells the company to the local police officers, who in any case look with arrogance on the "Reds"...

Kuttel

8.0 1961
Der Fremde

After years of drifting around, Willi Palko arrives in the lignite mining area. He was not only looking for a new job, but also wanted to finally settle down here. The party leadership sends him to the Schepp brigade, which has made itself "suspicious" (on paper) due to its extremely high production figures. The stranger is accused of being a spy for the factory management. Willi finds it difficult to assert himself, but he is taken with the big excavator, the prospect of one day being allowed to drive it, and the brash flapper Hanna. He stays, and with his help a mine foreman is exposed as a Western agent and coal production is brought up to a really high level.

Der Fremde

8.0 1961
Schlager-Raketen

"Festival of Hearts" is the name of the new pop music show by popular DJ Camillo. He came up with the idea by chance. Marcel, a young bank employee, almost hit a charming young girl with his car. Angry, she lent him her jack, but then disappeared forever. He cannot forget her and tries to find her again through the show "Schlagerfreunde" (Schlager Friends). And that becomes the idea for Camillo's new show: to bring couples who have lost each other back together through a melody. For Marcel, it happens faster than expected, because his great love is none other than Camillo's secretary, who can follow his cries for help from the control room.

Schlager-Raketen

9.0 1960