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One day I asked my aunts and uncles about my grandpa. They said Grandpa was a gold miner, a trainee, a businessman and a hero. The stories they told are so difficult to imagine.

A non-typical story about immigration—a Taiwanese student in Brussels investigates his identity crisis through a personal documentary essay.

About the past , my memory are fading and The past "I" is also vanishing . Considering the question of the relation between "I" and its image and death.

Yunlin, literally "the cloud forest", is named for its dense forest and cloudy landscape in past time. This wonderland relies mainly on agriculture and fishery. As the time passes, the forest gradually disappears but the beautiful cloud remains. The cloud forest looks the same in a different way.

The story of 2 boys, one a swimmer and the other a dancer. The swimmer gets hurt during a mugging and starts to believe that his swim career is over. The dancer, who is deaf, stays by the swimmer's side during his recovery even though the swimmer is having a difficult time dealing with what has happened and is sometimes mean to him. Slowly, the dancer is helping the swimmer get back into the pool.

In this documentary, 60 men living in 7 cities were interviewed to see what they were looking for, revealing their experiences of love, lust, and lost as gay people in modern times.

It’s difficult making the transition from being single to starting a relationship. So how should we cope? Echo Each Other abandons spoken dialogue, instead using sign and body language to silently communicate with the audience.

An explosion of grace and aerial symmetry at 70 beats a second.

Somewhere in the South China Sea, a Chinese nuclear waste barrel draws a Taiwanese fisherman and his Filipino counterpart into a maritime conflict.

After WU’s arrival in New Zealand, WU has been trying to take a photo of the starry night sky every day with his phone, whether or not it was clear. The star photos can be interpreted as diaries. Using a 16mm Bolex camera to film the stars frame by frame with long exposure. Exposure time was determined by the mind. These uneven pulsations of lights correspond to the starlight changing along with the thoughts that were at mind. This film documents WU’s everyday ritual of star-gazing with the related associations and inspirations and forms a meditative process.

Giraffe-like construction cranes are avid eaters. They forage around in the woods and fields for their feeds: the collective longing for development and prosperity. As they crane their necks longer, they make the fantasy of progress more alluring. And that is what Chung-Ming Wang steps forward to fight. Left his stable life behind, he devoted himself into local environmentalism in his hometown Tamsui(Danshui), tried to keep it distant from developmentalism that Taipei had been suffered for long. Few years later, he decided to change his way of political participation. This documentary film depicts his third attempt to run in the City Council Election in 2014, including the difficulties and conflicts he encounters and the diverse imaginations toward progress. The film also tries to brings up an important question: do we need more edifices in our city, or we need to find a way to edify ourselves?

A man's real estate investment begins to take a serious toll on him when he tries to flip the property for a profit.

Talk about ya inmates taking over the asylum!!

Scottish photographer John Thomson's trip to Taiwan in 1871 left an important mark in the history. This film reinterprets the event via a photo of a hunter, taking the audience to the Siraya tribe to meet WAN, a tribe elder who knows how to sing and talk. Through his intriguing words and songs, WAN leads us back to the past as he plucks the strings.

A Taiwanese husband and a Vietnamese wife, a dream about three goose eggs. According to a Vietnamese tradition, a pregnant woman has to eat three goose eggs before she gives birth, to ensure that her baby will grow healthy and smart. A husband wanders around Taiwan, for his wife and their baby, in search of three rare goose eggs.

A camel looking for his missing wife in the desert faces the dilemma of chasing after his treasure or continuing his journey. It's the story of how someone recognises the most important thing in life while suffering from dementia.

Sometimes you are the only one that can really see what’s out there.

"Travelling Through Brush and Ink" is a stop-motion animation of a little modern man traveling through four significant ancient Chinese paintings, transforming himself into animals and plants, and becomes part of the nature. Each painting represents four important stages of landscape art in Chinese history. Based on the original paintings, we built the sets and animated little character inside- all frame by frame. The animation is the opening film of 2016 annual exhibition National Palace Museum Taiwan.

The factories which were abandoned, the temporaries who were employed on a temporary basis, and the words were painted on the edge of the wall of the city. They were dirty humble but very strong, it reflects the real situation of "workers" in the social class. These factories, workers, and wall were utterly discarded after being used up, without any responsibility and affection. They were "relics" of the modern industrial process, and now left behind in the edge of the city and barren. We try to record the imminent disappearance of these graffiti walls, abandoned factories, are the temporary workers in an atypical way. Because of these images usually remind us that the city hides a group of incomplete consciousness and the body, they are in the search for a possible survival, a possible aesthetic, a desolate before the disappearance.

In the past fifteen years, the Asian art market has exploded. Chinese collectors now spend more money in auction than Americans and Brits, while a new generation of Asian artists are reshaping the world’s artistic palate. My Dear Art depicts the wonders and absurdities of the Asian art market. From China, to Singapore to London, it profiles the artists, collectors, gallerists and experts who are changing the face of the art business forever and asks fundamental questions about the value and role of art in modern society.

Sometimes forces greater than the grid forces their way in.

CAFÉ TOGO looks at the efforts to change street names with colonial connotations in the so-called Afrikanisches Viertel (African Quarter) in Berlin-Wedding. According to Berlin’s street law, every street named after a person honors that person. Petersallee, Lüderitzstraße, and Nachtigalplatz bear the names of persons whose biographies are tainted by the blood of the victims of German colonialism. According to the law, streets that do not correspond to today’s understanding of democracy and human rights should be renamed.

Kinmen is a group of islands governed by Taiwan and a solid base for the capitalist camp during the Cold War era. Kinmen commenced its construction of military fortifications in 1958, with millions of soldiers stationed on the island. As the USSR communist bloc gradually disintegrated, Kinmen began a large-scale withdrawal of troops in 1988, placing the lives of the island’s 50,000 residents in a predicament after having relied on soldiers to earn a living for so long. With the improvements of cross-strait relations, large amounts of Chinese tourists now flood the very islands they once rained countless bombs on. Tourists from both sides of the Taiwan Strait now take group photos in front of fortifications, but will the future of the cross-strait relations be as fine as the seemly peace?

Around one hundred million sharks are killed every year because of overfishing. Only roughly thirty of them can be saved, which gives them a survival rate of one in three million. In 2016, at a fishing port in Tatung County, Taiwan, two pregnant tiger sharks were caught by local fishermen, and 75 shark pups were rescued. An unprecedented release operation thus began. Related Clips

A true story about a young Siberian White Crane who got lost with it's parents in the seasonal migration and arrived Taiwan.

In 1987, as Taiwan had just lifted martial law, society and the economy were undergoing rapid transformation, and Indigenous peoples faced a wave of urban migration and labor relocation. An Amis man Du-Ya Pan Ming-fu, his childhood friend Duwake, a Kavalan artist, and Lai-Sa-Gai-Nu Tian Acheng in Xiangbi Village, have different but intertwined lives. Though the three men were compelled by economic hardship to leave their homes, they did not bow to fate nor choose to remain in the city forever. In an era when Indigenous peoples were overlooked, they each steadfastly confronted their identity and cultural values, forging life paths that intertwined in unique ways.

【The Optimist】The album begins with the first song "32.63N 117.14W", which is a landmark located on a beach on the west coast of the United States, and it is the place where the protagonist of the story was last seen. The concept of the new album comes from Anathema’s earlier work [A Fine Day To Exit]. Lead guitarist Daniel Cavanagh explained: "The protagonist of the story suddenly disappeared. Where did he go? Did he start a new life or start a new life? Knocked down by fate, not accounted for, and no one knows his whereabouts." Album producer Tony Doogan [Mogwai, Belle & Sebastian, Super Furry Animals] suggested recording the album with a full orchestra, which is also Anathema A method that has not been tried in many years. Lead singer Vincent Cavanagh said: "Tony wanted to capture the drama of the band, the tension that can only be found when all the members are playing together face to face, and the results are quite admirable."

Lu Bin, a taciturn young man who has recently been released from a juvenile detention centre, is assigned to learn cooking at a culinary school. On his third day under the instruction of the head chef Ms. Li, a sum of money disappears from the school office. The teachers at the school turn their suspicion to Lu Bin. While Ms. Li is a strict teacher to Lu Bin, she also sympathizes with him. If Lu Bin is identified as a thief, he will be expelled from the school. Two teachers decide to investigate further, and Ms. Li is forced to face her suspicion of Lu Bin, along with another unexpected secret.

His mom promised she would watch and cheer for him at his table tennis match if he made it to the school competition. However, he’s not a good player and his old table tennis paddle broke during training. Most importantly, his father disapproves of him playing table tennis…

People from different cultures and generations coexist in a dreamy world – Hamasen, once the most prosperous area in Kaohsiung. In this utopia of memories, the intrigue on and under the chess table is blurred and blended into the harmony of the traditional market. A train falls from the sky, arrives at the platform on the screen, like in a movie, and gathers everybody for a journey through time and space.

This is a love story. Colourless, tasteless, odourless. We cannot see it, until it is stimulated and glows with dazzling light.

a journey of search; a search of journey

There’s a new super-hero on the streets and she’ll take on anything the city throws at her

Single channel video installation A Field of Non-Field conveys the concept that the relationship between technological development and capitalism has formed a new concept of technology capitalism, imposing control over technology and even the desires, perception, and thinking of individuals. This condition forms a situation of “global imprisonment, at-home exile.” What are our options of survival under circumstances such as these?

Five Taiwanese teenagers, faced with sweeping and untested educational reforms in 1996, revealed their dreams in the CommonWealth Magazine documentary "A Generation Freed." Their lives were then revisited in 2006 in the film "A Generation Freed - 10 Years Later" to see how the more liberal education system had affected them. Now, another decade later, we find out in "A Journey of 35" if indeed they were able to chase their dreams and if their horizons have grown brighter with adulthood or become more cynical.

As a child, Yu Xin loved riding in her father Zheming's taxi—the Apollo 11—feeling like she was on a space voyage through the city. After her father's death, Yu Xin discovers that he adopted a boy named Lin Si Liang. Driven by curiosity, Yu Xin decides to drive the Apollo 11 on one last space mission. When she reaches a desolate wasteland resembling the lunar surface, a strange boy's voice suddenly comes through her father's old radio. Just as the moon always shows the same face to the Earth, Yu Xin sees a different side of home.

The anonymity on the Internet allows LGBTQIA people to interact without exposing their identities. It can be seen as a better 'rainbow utopia' than the real world. Three gay guys in this film also met each other in this way. In 2009, a battle between gay and straight on an online forum began and caused chaos.

It's Station Master Chen’s last day at work. The last train is sent off. Tomorrow on, he will be a mere Mr. Chen. He looks around the station where he’s worked his whole life, thinking of the people he’s sent off. Some come back, and some don’t. Finally, Chen realized the reason he stayed at the station. He’s been waiting for himself, who missed that train decades ago.

This animated short film examines the injury of rigid religious upbringing to a teenager who discovers the strange and terrifying reality behind fundamentalism.

Different moments disappear and reappear, different moments come together to form a new moment. It is a decomposing and recomposing landscape inspired by the cycle of construction and deconstruction in nature.

For more than two decades, internationally acclaimed artist Chen Chieh-jen has illuminated the deep impact of power on bodies and architecture. Here he explores a pair of sites built by the Japanese colonial government in the early 20th century: the Losheng Leprosy Sanatorium and the Taipei Prison. The first was on the outskirts of Taipei, the second in the heart of the city. Both were used for controlling marginal populations; both continued to operate long after the Japanese left; and both were eventually torn down for urban redevelopment. Across its four sections linking different times, places and people, Realm of Reverberations reveals cycles of construction and destruction, and the ironies of emotional attachment and historical detachment.-UCLAFilm&TV

Receiving the news of his brother's death, A-Han, his mother and half-sister who had left home for a long time, meet at the mortuary. The past complicated family relationship has come up again.

“Pressure is what turns rough stones into diamonds.”

Lin Huizong often drives north to see his wife, Xu Yu'e, at the Medical College of Fuzhou University. Xu Yu'e is a "dissection teacher", that is, a deceased person who donated his body to be used as anatomy class teaching materials. In Asia, which attaches great importance to the burial of the deceased's body, doing so often requires facing the reluctance of relatives. And what changes will this dedication bring to the family, teachers and students of the medical school? What does "alive" mean? When the end of life is not physical destruction, but the impact left on future generations, how will people decide the color of their lives?