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Bruce Tuan 7-Promise

Flamboyant kung-fu stylings and arterial blood-spray are let loose when the fantastic jade sword, a weapon that can kill a man without even touching him, is lost by the very person who was supposed to be keeping it safe. A search quickly reveals a conspiracy involving rogue Shaolin monks, powerful ruling families, and ever mysterious deadly Green Dragon Gang. When the dagger is used in a murder, and an unknown man is found barely alive in a box at the bottom of a river, the questions get more numerous, and trust is something that comes and goes quickly as the wind.

Bruce Tuan 7-Promise

7.5 1979
Shaolin Invincible Sticks

Lu Tai Yeh (Chang Yi) is a stick fighter who uses his deadly “Tzu Wu” stick to make mince meat of his opponents. Lu Tai Yeh, along with his two sidekicks (Fung Long & Cheng Ching) just about closes down all the gyms in Northern China. Never satisfied, Lu and his men travel down south to clean up the region and take out all gyms and fighters who think they may be good with the stick. Lu’s plan is running without a hitch until he meets a new upstart, Ku Yung (Wang Tao), who plans on fighting Lu to take back the family heirloom - a Tzu Wu stick - and regain the honor of his family.

Shaolin Invincible Sticks

5.7 1978
Deadly Strike

The new police chief (Bruce Li) arrives in a small provincial town. He's been charged with bringing a dangerous gang to justice. But within seconds, the chief provokes a showdown with his lazy deputies. Realizing that they are not up to the job, he enlists the help of some of his prisoners, offering pardons to those who survive the encounter with the gang. These include a widower (Wang Yung Sheng), imprisoned for killing the men who murdered his wife, a knife-throwing expert (Lung Fei) also doing time for the murder of a corrupt magistrate, a pickpocket, and a young orphan girl out to avenge her parents' death. The chief reveals his coldblooded dedication to the mission when he hangs one prisoner for trying to escape. The group - both prisoners and police - ultimately bond together and track down the gang's headquarters to find the leader (Chen Hsing). After a long and bloody melee, everyone lies dead except the chief.

Deadly Strike

6.1 1978
The Tale of Old House

Under the twilight at dusk in the vast plain with dog barking a young man Yo-ching and his wife Chiu-yun as well as their daughter are walking toward a giant deserted house. A queer old lady lives upstairs there and arranges them to sleep. Chilly wind blows in the mid-night shaking the old windows. The first night passes under terrible fear. Yo-ching goes out to arrange the matters for his father's bones the next morning. The old lady is out as well. As it turns dark, Chiu-yun and her little daughter feel scared. In the old house, she is terribly scared by one after another and she leaves the old house and by mistake enters another old house and is scared again. Yo-ching finds her and takes her back to the old house. A young lady comes downstairs in the old house to Yo-ching. Who is the mysterious young lady? Is she a human or a ghost? By whom she was murdered?.........

The Tale of Old House

NR 1979
Four Moods

Directed by some of most well known Chinese-language directors of the time, the portmanteau film Four Moods was an attempt to alleviate Li Han-hsiang’s financial troubles during the late 1960s. Arguably one of his best works, King Hu’s short Anger is an adaptation of the famous Peking opera San Cha Kou; set to opera instrumentation and stylishly shot, the film deftly captures the tense showdown between political schemers, avengers and vagabonds inside an inn. Li Han-hsiang’s Happiness, inspired by the Strange Tales of Liaozhai, tells a tale of reprieve for a kind-hearted ghost, while Pai Ching-Jui’s Joy and Lee Hsing’s Sadness both explore the fateful encounters between mortal men and ghostly women.

Four Moods

6.8 1970
Ghost of the Mirror

Adapted from a Tang Dynasty fantasy tale, Sung Chuen-sau used the story of a scholar meeting a female ghost at night, but emphasised neither the killing nor horror but the literary and romantic elements. Scholar Chan (Shih Chun) stays in a remote mansion outside the city. People often fall into the mansion’s well for no apparent reason. Chan looks into it. Later, he sees the girl from the well, Susu (Brigitte Lin), waving to him. She begins to wait on him nightly. Susu was from a wealthy family, but was running away from bandits during wartime, and committed suicide by jumping into the well rather than be caught. After her death, her spirit was controlled by Du Long (Pai Lin). Du Long has forced her many times to harm Chan, but she never has the heart to carry it through. Chan’s pity for her soon becomes love. He goes into the well to retrieve an old bronze mirror, and eventually succeeds in freeing Susu. In the end, to rescue Chan, Susu fights with Du Long and they destroy each other.

Ghost of the Mirror

7.0 1974
Different Love

Brigitte Lin is Sung Hsiao Yu, a young girl in love with Wen Hsing Yu (Charlie Chin), a botanist who's trying to cross-fertilize flowers to create a perfect breed of rose. But Hsing Yu has a rival, Tsui Wen Lun, who despises Wen Hsing Yu for being on better terms with his father AND capturing Hsiao Yu's heart. But when Wen Lun gets in with Hsiao Yu's father, that may be all she wrote. Can Hsiao Yu safely choose her preferred man - Wen Hsing Yu - if it ends up leaving her father in trouble? Or will Hsiao Yu sacrifice love for family?

Different Love

8.0 1976