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Piede di Dio

Elia plays soccer on the beach and on the dirt fields of a remote village in Sicily, where one day Michele, a talent scout for Serie A, arrives. His target should be some boys from the local soccer school who are shown and recommended to him through more or less legitimate means, but his attention is immediately captured by the innate skill of 18-year-old Elia, who has the mind of a 12-year-old. It is the summer of 2006 when the two meet; Italian soccer is on one hand shaken by the Moggi scandal, and on the other hand exalted by the victory at the World Cup in Germany. The boy’s life could be ready for a change, but so could Michele’s, who despite his professional appearance, is not doing very well.

Piede di Dio

5.9 2009
Frammenti di scienze inesatte

Doctor Zacchìa is the headmaster of a medicine and natural science school, where official subjects together with unusual disciplines are taught, for example, thanatology, apocryphal zoology and taxidermic sculpture. Zacchìa usually rents out an old house to some of his students he selects with particular care, considering their nature and ambitions. Among these students, there are Tadeusz and Berenice, a young couple obsessed with spontaneous generation and the creation of a human being from nothing; Nataniele, a researcher of angels who is grappling with an apple coming from the same tree that originated the sin; Cassandra, a young victim of a peculiar case of apparent death; Giona, an artist who is fond of collecting objects and creating a wunderkammer; and Rebecca, an old toys restorer. Doctor Zacchìa Follows the students' inclinations with great attention, trying to support them in their interests. But the doctor is a keeping a secret!

Frammenti di scienze inesatte

NR 2005
The Wind, in the Evening

Nightfall. Marco, a politician, is murdered while he is going home. Also Luca, a gay man, is going home, where his partner Paolo is waiting. But he is on the killer's way, and he is shot. Paolo dashes to the hospital but the doctor doesn't want to tell him anything because Paolo isn't a "real" relative. Luca dies. Paolo starts walking in the streets of the town, where his loneliness will be ever misunderstood. A barman tries to comfort him supposing he was discharged by his girlfriend. Luca's mother orders Paolo to leave the house. A guy takes Paolo to him's, looking for a partner in the night. Paolo runs away from everybody, also from his friend Francesca: she says she is understanding but she can't. While the dawn is coming, Paolo reads about the murders on the newspapers, and realizes that what happened was reality.

The Wind, in the Evening

4.8 2004
Anita - Una vita per Garibaldi

Brazil 1839. Aninha Ribeira da Silva, called Anita, is a bubbly and passionate 18-year girl, who dreams to leave the small town where she lives. All of the girl's dreams, however, fade away when Manuel, an aged craftsman who lives nearby, asks her to marry him and her mother persuades her to accept so that she can help support her family. While Anita sheds hot tears for that forced marriage a young Italian seaman, who had been sentenced to death by the Genoa martial court, lands in Rio de Janeiro.

Anita - Una vita per Garibaldi

6.0 2007
Lo Sguardo Nascosto

"In the rolls of film shot by Dinz Rialto during his travels he searched for 'real' images, without filters, paradoxically finding them precisely where the act of filming is most evident. Those looks in the camera surprised me, intimidated me, just like those faces that appear amazed and shy in front of the camera: unaware actors of a frontal cinema, so direct as to push me to step aside and become a mirror in my turn, to move on to others those looks, isolated, free from any narrative. No story: just glances, held and slowed down to maintain the intensity."

Lo Sguardo Nascosto

NR 2005
Mark Logan

In an Italian province of Calabria. Here we meet Marcello, his brother Paolo and their father, who have lost everything except hope of a better life on the other side of the Atlantic in America, where their uncle had emigrated to the year before last. Leaving their homeland and memories behind, Paolo and Giancarlo set sail for the New World. During their voyage, Marcello meets a daring orphan from Naples by the name of Antonia who will constantly lend him courage through thick and thin.

Mark Logan

6.6 2007
Il fantasma di Corleone

The film is an investigation that punctually reconstructs the story of the boss of bosses Bernardo Provenzano: from his rise to the top of the dome to the end of his very long fugitive life. An intense and painful road movie among disturbing testimonies, trial depositions, statements by judges, lawyers and investigators, punctuated by chase scenes reconstructed with the pace of a thriller. The Cosa Nostra chief's 40-year fugitance comes to an end on April 11, 2006, when Provenzano is arrested in a cottage near Corleone.

Il fantasma di Corleone

6.5 2006
Tommy & Oscar The Movie

Oscar, an adorable and bizarre alien from Pianota, the planet of Music, is forced to land on Earth due to a malfunction in his spaceship. Here he befriends Tommy, a brave and charismatic 10-year-old boy who receives a series of ultra-technological gadgets for each mission from his inventor uncle, Prof. Leonard. The two, united by their passion for music and love for all races, experience exciting adventures together in every corner of the world, solving mysteries and saving people in danger.

Tommy & Oscar The Movie

NR 2008
Giulio Cesare

David McVicar’s production of Giulio Cesare manages to combine serious insight with entertainment, bringing Handel's masterpiece to life in a powerful, convincing and highly intelligent way. ln every line of the complex narrative the subtle nuances are apparent, reflecting perfectly the transparent and exquisite nature of Handel's musical expression. Filmed in High Definition and recorded in true surround sound, the outstanding singing of the all-star cast, led superbly by Sarah Connolly, and the vivid playing of the Orchestra of the Age of Enlightenment under the energising baton of William Christie reveal the colour and dramatic character of Handel’s music in a most delightful manner.

Giulio Cesare

7.5 2005
Gluck: Orfeo ed Euridice

Director and choreographer Mark Morris’s production of Gluck’s masterpiece updates the immortal story from its ancient Greek roots to the timeless present, where, he says, “the union of chorus and dancers feels inevitable and inseparable.” With costumes by Isaac Mizrahi and a set designed by Allen Moyer, this production surrounds the action with the superb Met chorus dressed as a crowd of historic characters who bear witness to the transformative power of love. Orfeo (Stephanie Blythe) is so consumed with grief at the death of his beloved Euridice (Danielle de Niese) that the gods (Heidi Grant Murphy as Amor) allow him to lead her back from the underworld—if he will not look at her on the way. Of course he can’t resist looking, but the gods are truly merciful.

Gluck: Orfeo ed Euridice

NR 2009