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Buona parte di Paolina

Paulina, sister of Napoleon I, is married to Camillo Borghese, presented as a helpless coward. She is eager to offer herself to all the young people that propose to her, and performs naked in front of the Roman people flocking to the walls of Villa Borghese, which she turned into a private residence. She also poses half naked for the famous statue of Canova, who is also presented as a effeminate and scoundrel. When her reputation as a depraved spreads, on the advice of the Pope, she is segregated away from all the men. when the French troops deport from Rome the Pope and the cardinals as well, Paulina sees prostitution as the only way to find herself some "fresh meat". Finally after seven years villa Borghese is reopened to the public, as Paulina goes back to Paris, to the great relief of the Roman people and the clerical circles.

Buona parte di Paolina

4.7 1973
Sarah's Last Man

With her marriage and her life disintegrating before her eyes, in this Italian political thriller, Sarah has made a detailed filmed record of it all. Not only that, she made a film of the man who flung bombs into a political demonstration and she is killed for her effort. The story unravels as Sarah's husband, who is suspected of being her murderer, views the film on a moviola. He is trying to figure out what happened and why his wife died. Because he has the film which would expose the murderer and the political forces behind him, his life is also in danger

Sarah's Last Man

9.0 1974
The Hand That Feeds the Dead

Baron Ivan Rassimov, a brilliant doctor, died horribly during a fire burst in his laboratory. Since that day, his daughter Tanja retired to a life of reclusion, covering with a dark veil her disfigured face. Professor Nijinski was once a student of Rassimov; he married Tanja, and he's trying to restore her lost beauty with a series of skin transplants. However, to reach his goal, professor Nijinski needs beautiful young victims for his transplant experiments.

The Hand That Feeds the Dead

4.6 1974
Don Pasquale

This John Dexter production, designed by Desmond Heeley, was a parting gift to the great American soprano Beverly Sills, who bid farewell to the Met as Norina, the smart young widow at the center of Donizetti’s comedy. The sensational Alfredo Kraus sings her beloved Ernesto. Håkan Hagegård, in his Met debut role and season, is Dr. Malatesta, the man who helps the young couple trick the crusty old bachelor of the title (Gabriel Bacquier at his comical best) into a fake marriage. This being a Donizetti comedy, it all turns out perfectly well at the end—and getting there is pure operatic fun.

Don Pasquale

NR 1979