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Boots on Ground

Boots on Ground is an autobiographical account of a second-generation British South Asian woman’s experiences with the police, racism and violence in London. Presented in split-screen, mobile phone footage captured during protests in the summer of 2019 show the legs and feet of police officers patrolling the area around Buckingham Palace and The Houses of Parliament in indiscernible formations. Kiran Kaur Brar’s spoken narration describes a disturbing personal chronology of police violence and racial discrimination, beginning in her childhood in the 1980s and eventually converging with the day of filming.

Boots on Ground

NR 2021
Locks & Keys, Water, Trees

Told entirely in drawings made over nearly thirty years by British Artist/Filmmaker Penny Andrea, ‘Locks & Keys, Water, Trees’ portrays the genesis of a rare brain tumour with its origins in early childhood. Diagnosed and treated in the artist’s late twenties, the film reflects an ongoing process of recovery from traumatic brain injury. Portraying drawing as both escape and embrace, a ‘shuttle between inner and outer worlds’, and video as its counterpart medium in time, the film speaks to the communicative power of art to connect, explore and heal trauma.

Locks & Keys, Water, Trees

NR 2021
Superbike: Building The Ultimate Climbing Bike

Climbing. It's doubtful that if we asked you to name your favourite part of the ride, the climb would be it. However, a huge area of cycling is obsessed with the pipedream of increasingly lightweight superbikes. We're setting out to create a no hold's barred lightweight climbing bike, using cutting edge components and materials, to see how light we can go. However, it doesn't stop there. We're then running the numbers to see just how much of a performance increase this bike can lend to a regular in the hillclimbing pain cave. Meanwhile, there's the matter of body weight vs bike weight to the resolve. Has the arms race for the lightest bike possible been the wrong focus all along?

Superbike: Building The Ultimate Climbing Bike

NR 2021
La Nave

In La Nave, Colombian artist and first-time filmmaker Carlos Maria Romero (aka Atabey Mamasita) translates the meaning and spirit of Carnival de Barranquilla during a year in which gatherings were forbidden. Through clandestinely filmed performances with members of many different communities—indigenous, trans, queer, rural, Afro-Colombian and radical outsiders among them—Maria Romero recreates northern Colombia’s largest cultural event as an essayistic performance film, demonstrating how Carnival is a lifeblood to its many diverse participants.

La Nave

NR 2021
Idrish (ইদ্রিস)

Idrish acts as an urgent and potent piece of anti-deportation activism. With reports of deportation flights regularly in the news, the film is rich with resonance to our current moment. In one striking sequence, footage of a protest march gives way to staccato editing and propulsive sound design by Claude Nouk, who re-uses and manipulates archival sounds to transform the film into a powerful rallying cry. Radically reanimating the documentary form, Jacob enlivens the archive to tell a vital history.

Idrish (ইদ্রিস)

NR 2021
The Fall

Jake, a professional athlete (at county level) runs in a school race with some “awesome running”. In a scene deemed too emotional for the wider public, Jake falls over dramatically and breaks his ank. It is unclear what happened when filming this scene, just that something strange and paranormal occurred, thus the film was cut. In another mysterious scene, in the medical room, Jake tells his PE teacher that he's really upset because he lost the race to be told in a sadistic manner that he can't run for another 6 months and he'll just have to suck it up. Some claim that the shot of Jake’s feet are to pay homage to Quentin Tarantino and others claim something more serious happened, either way early viewers claimed to feel nauseous. Then, 6 months later Jake runs again and in a Christopher Nolan-Inception way, it ends with us never knowing if he won the race, however this is unconfirmed and rumors suggests the results of the race are so shocking, it was cut to protect audiences.

The Fall

NR 2021
It Goes Without Saying

It Goes Without Saying is a film/sound/performance piece based on a text/poem of the same title. Images in color and black+white are super-imposed from two 16mm projectors. One projector plays a 5 minute color film; this film is played forwards and backwards, continually being re-threaded – we see writing and un-writing, painting and un-painting. The second projector screens a series of writing actions on various surfaces; on rock, on paper, in negative and in revealed invisible writing separated by black intervals. During the performance these two superimposed projections create a flow of repeating actions: creating and uncreating, writing and erasure, color and blackness. The sound is created live by the performer through manipulation of a hand cranked cassette machine, contact mics, guitar pick-ups, looper and percussive machines. The text is read intermittently through the performance.

It Goes Without Saying

NR 2021